House History Blog

George F. Loring House // 1895

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The George F. Loring House on Highland Avenue in Somerville, Massachusetts, is an architect-designed house designed as the architect’s personal residence. While the architect specialized in the Richardsonian Romanesque and Colonial Revival styles, for his own home, George Loring crafted a free interpretation of seventeenth-century medieval architecture with a brick first story and upper floors overhanging and sheathed in cedar shingles. Loring trained in the office of Boston City Architect, George A. Clough, before establishing his own practice. By 1895, when he constructed this residence on Highland Avenue, Loring was in partnership with Sanford Phipps, specializing in the design of large single-family homes in the Boston metropolitan area.

Curtis House – Boston University Children’s Center // 1904

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Built in 1904 as one of the finest Tudor Revival style residences in the Boston area, this residence in the Cottage Farm neighborhood of Brookline showcases all of the important elements of the iconic architectural style. The residence was built for Harry and Carrie Curtis, with Mr. Curtis being a partner with Curtis & Sederquist, bankers and brokers, with offices on Congress Street in Boston and in New York City. The couple hired architects Howard B. Prescott and William Sidebottom of the firm, Prescott & Sidebottom, to design the house. Rectangular in plan with massing enlivened by numerous cross gables and dormers, the house is decorated with exterior walls covered with wood shiplap at first story and half-timbered stucco at second story. The property was sold to Helen and Edward Mills by 1913. Mr. Mills was president and treasurer of the Edward C. Mills Leather Company. By 1931, the residence was owned by Erland F. Fish (1883-1942), a prominent lawyer and politician as well as the son of Frederick Fish, who owned the house across the street. Boston University purchased the property in 1964 as part of their institutional expansion into this neighborhood. Originally used as an alumni house, it later became the location for the Department of African American Studies. After an extensive expansion and restoration by Studio MLA (now Ashley McGraw Architects) and Kaplan Construction, the Tudor mansion is now a children’s daycare for Boston University faculty, staff, and graduate students.

Francis B. Dana House // 1902

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In 1902, Francis Bryden Dana (1865-1917) began construction on his home here in the Cottage Farm neighborhood of Brookline, Massachusetts. Francis was a member of the wealthy Dana Family and as a young man, attended the Boston Latin School and Harvard College. He became the president of the Dana Hardware Company of Boston. For his Brookline residence, Dana hired the exclusive architect, William Gibbons Rantoul to design the house which blends Arts and Crafts and Colonial Revival styles. The use of stucco siding, shed dormers, and portico with low sloped roof revealing exposed rafters falls squarely within the Arts and Crafts style; while the symmetrical facade, gambrel roof, and projecting octagonal bays are reminiscent of the more traditional New England Colonial Revival style.

Amos A. Lawrence House // 1851

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Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

Highfields Estate // 1821

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Constructed in 1821 for Joshua King (1783-1849), this Federal style mansion is one of the last country estates in Abington, Massachusetts. Joshua King was a Deacon of a local church and a well-to-do citizen in town, living nearby until a hurricane blew the roof off of his former house. Seeking to rebuilt a new, more substantial family home, it is said that Joshua required that this house would be built to last centuries, with some residents stating that the roof structure itself had enough timber to build a second home. The Federal style mansion has three chimneys with 12 fireplaces inside, and is set amongst rolling fields bounded by old stone walls, likely giving the property its name, “Highfields”. The property was later converted to a duplex, but retains much of its original design at the exterior. 

Joseph Cleverly House and Shop // 1832

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This late example of a Federal style five-bay house is located at 78 Adams Street in Abington, Massachusetts. The house was constructed in 1832 for Joseph Cleverly (1797-1888), a shoe manufacturer who married Sally Gloyd, the daughter of a wealthy shoe manufacturer in town. Mr. Cleverly built the adjacent stable and shop where he held his horses and manufactured his products. The vernacular barn/shop is a rare survivor of the type and is a visual representation as to the importance of shoe manufacturing for the town of Abington.

Paul and Caroline Hunt House // 1905

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Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built this house in Brookline, Massachusetts for $15,000 for him and his wife, Caroline. Paul had been involved in real estate development in Bar Harbor, Maine, where his mother had a summer cottage, and while not an architect himself, he was very interested in design and took a keen interest in developing estates with the family funds. While developing property in the summer enclave of Bar Harbor, Maine, Paul met the Bar Harbor architect, Milton W. Stratton, and the two collaborated in the construction of houses there and two adjacent homes in Brookline. The two-story house is wood frame construction with a stucco finish on the exterior. Spanish Colonial Revival in style, the roof is hipped with terra cotta tile, as is the roof of the verandah which extends across the facade. In 1911, Paul Hunt worked with architect William Ewing Harding to add the two-story wing on the side of the house, which is built over the driveway, creating a really unique (though not as functional) design element. 

Harry W. Cotton House // 1905

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In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Edward and Lillian Norton House // 1905

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Edward Russell Norton (1871-1960) and his wife, Lillian (1870-1968) got married in 1904 and immediately began planning their dream home. They purchased a building lot on Powell Street in Brookline, Massachusetts, and hired architect, Robert Coit, to furnish plans for the new home which was completed by the next year. The house blends Arts and Crafts and Tudor Revival styles with a pleasing design and architecturally appropriate paint scheme.

Captain John Clark House // 1802

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The Captain John Clark House in Canterbury, Connecticut, is one of the finest examples of the Federal style of architecture in New England, and has remained in a fine state of preservation since its construction in the early 19th century. The house was built by 1802 for John Clark (1731-1834), who purchased an earlier home on the site from and had it either taken down or enlarged to its present appearance. The mansion is symmetrical with five bays, central entry and twin chimneys projecting through the hipped roof. The central bay is a showstopper with its triangular pediment at the roofline containing a fanlight, Palladian window at the second floor, and main entrance with its own pediment, sidelights, fanlight transom, all framed by two-story columns. The house’s south facade is equally beautiful with its own Palladian window and entrance.