house history

Nathaniel Thayer Mansion // 1902

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The Thayer Family is one of the most prominent and well-connected families of New England, and that stature comes with handsome estates. Nathaniel Thayer (1801-1883) was born in Lancaster as the son of Reverend Nathaniel Thayer (1769–1840), a Unitarian congregational minister. Nathaniel Thayer Jr. made his fortune in businesses and held deep ties to his hometown, despite spending most of his time in Boston. He took down the original Thayer home on this site and developed the estate in the 1850s. After his death, the property was inherited by his son, Nathaniel Thayer III (1851-1911), and the house was enlarged and remodeled in the Georgian Revival style in 1902 by the architect and interior designer Ogden Codman Jr. The mansion served as a summer home to Nathaniel, who too spent much of his time in Boston. After his death, the 46-room mansion was sold out of the Thayer family with many of its furnishings sold at auction. The Nathaniel Thayer Mansion house was sold to Atlantic Union College in 1943 at a cost of $12,500. It was used as the school’s administration building between 1945 and 1951, and then as a dormitory until about 1970. From 1973 to present-day, the estate has been home to Thayer Conservatory, Center for Music and the Arts, who do a great job at preserving this significant landmark.

Joseph Andrews House // 1831

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This stately temple-front Greek Revival style house in Lancaster, Massachusetts, faces southward and when originally built, had sweeping views of fields and the Nashua River which abuts the property. The residence was built in 1831 for Joseph Andrews (1806-1873), a renowned 19th century artist who engraved portraits and landscapes, and was also an elder in the local Swedenborgian Church when it still met at residences. The Andrews House was likely a wedding gift to his wife, Thomazine Minot of Brookline, when they married. Tragically, Thomazine died just years later in 1834 at the age of 22. Joseph Andrews remarried soon after and would later move to Waltham. The house, which is listed on the National Register of Historic Places, features a full-length projecting porch with pediment supported by four, two-story fluted Ionic columns and a flush-board facade.

Bessie & Murray Potter House // 1909

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Murray A. Potter (1871-1915) and his wife, Bessie Lincoln Potter lived in Cambridge, Massachusetts, where Murray worked as a Professor of Romance Languages at Harvard College. The couple spent summers in Lancaster, Massachusetts, where they would purchase a house in 1909 that was built just a decade or so earlier. The couple were said to be big fans of history and decided to make their house resemble the 1782 Pierce-Nichols House in Salem, having the brown shingle Victorian house “modernized” in the current three-story near-symmetrical form.

Edward Stanwood House // 1880

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The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.

Thomas Aspinwall House // 1896

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The Thomas Aspinwall House at 14 Hawthorn Road in Brookline was constructed in 1896 by architects, Ball & Dabney. The stately home was built for Thomas Aspinwall as a near copy of his great-grandfather’s 1803 Federal style house on Aspinwall Hill, the William Aspinwall House. Both residences feature a four-tier central bay with Palladian and lunette windows with a columned portico at the entrance. His grandfather, Dr. William Aspinwall graduated from Harvard in 1764 and studied medicine in Connecticut and in Philadelphia before beginning his medical practice in his hometown. He was one of the Brookline men who marched west and fought British troops as they retreated from Lexington and Concord in April 1775. He was put in charge of a hospital in Jamaica Plain during the Revolutionary War and later ran a hospital for smallpox victims in Brookline. His 1803 Federal style home was demolished in 1900 as the Aspinwall Hill area of Brookline was developed, but luckily, a replica remains on the other side of town, here on Hawthorn Road!

Codman-Gillet House // 1928

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Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Ambrose Burnside House // 1866

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What do this unique Victorian house and sideburns have in common? Well, you are about to find out!

The Ambrose Burnside House is sited on an oddly shaped, and sloping corner lot on Benefit Street in Providence’s East Side neighborhood, and is one of the most unique Second Empire style residences in New England. The house was built in 1866 for General Ambrose Burnside (1824-1881), a Union general in the American Civil War, who returned to Providence and was about to begin a term as governor, followed by two terms in the United States Senate. Ambrose Burnside hired local architect, Alfred Stone, to design his new city mansion, which upon completion, was deemed one of the most “modern residences” in Providence. Built of brick with Nova Scotia stone with a concave slate mansard roof and one-of-a-kind rounded corner bay, the Ambrose Burnside House does not disappoint! Ambrose Burnside died in 1881 and the property was occupied by his sister-in-law until the property was sold in 1884 and housed the Providence Children’s Friend Society House for Aged Women and the Providence Association for the Benefit of Colored Children, providing shelter and food for elderly women and children of color without parents or guardians. After WWII, the Burnside House was converted to apartments.

Now, to the sideburns… Ambrose Burnside was noted for his unusual beard, joining strips of hair in front of his ears to his mustache but with the chin clean-shaven; the word burnsides was coined to describe this style. The syllables were later reversed to give sideburns.

William Smith House // c.1826

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The William Smith House at 18 James Street in the Fox Point neighborhood of Providence’s East Side, is similar to its neighbor, the William Woodward House in style and design details. Smith, a carpenter by trade, possibly built this house himself, with inspiration or plans by local architect, John Holden Greene, who designed many similar homes in the city around this time. The residence was built around 1826 and it was built into the steeply sloping hill on its raised granite foundation. Besides its elegant proportions, the house features a shallow hipped roof with monitor, fanlight over the door, and brownstone sills and lintels.

Long-Ladd House // 1812

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The Long-Ladd House at 3 Richards Avenue in Portsmouth, New Hampshire, showcases the versatility of the Federal style, an architectural style that dominated American architectural tastes from the 1780s through the 1830s. This house dates to 1812 and was built for George Long (1762-1849), a sea captain and trader until engaging in politics in his later years. He remained in the home until his death in 1449, leaving the property to his only heir, Marcy, and her husband, Henry Hurd Ladd. The Long-Ladd House is constructed of brick with the facade dominated by four, full-height pilasters breaking up the bays. A center portico shelters the main entrance which is adorned by a fanlight transom and classical surround. In a city full of Federal style homes, this one really stands out!

Larkin-Ladd House // c.1813

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The Larkin-Ladd House at 180 Middle Street in Portsmouth, New Hampshire, is a three-story, masonry Federal-style residence with symmetrical facade, built for one of the city’s wealthiest merchants. Samuel Larkin (1773-1849) was born in Charlestown and moved to Portsmouth, marrying Ann Jaffrey Wentworth, a daughter of Col. Joshua Wentworth. During the War of 1812, Samuel Larkin made his fortune as an auctioneer, selling the contents of English ships captured by local privateers. It is believed that fourteen privateers and their crews worked out of Portsmouth Harbor and are said to have captured an estimated 419 British ships! With the profits from stolen goods from these British ships, Larkin purchased lots on Middle Street and began construction of this stately residence. He (and mostly his wife), had twenty-two children, although roughly half of them died before reaching adulthood. By the late 1820s, financial hardship fell on Larkin and he sold this property, moving into his house next door, which before this was his original residence and later rented to boarders. The Federal style mansion was later owned by Henry H. Ladd, a prosperous Portsmouth shipping merchant, who also served as President of New Hampshire Bank and Portsmouth Savings Bank. The Larkin-Ladd House is undoubtedly one of the finest Federal style residences in New England, and stands out for its entrance, flanked by Palladian windows and the slightly recessed elliptical surrounds at the first and second floor windows. Additionally, the historic stable, also from the 1810s, maintains much of its architectural integrity.

Shillaber House // c.1768

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The Shillaber House on Washington Street in Portsmouth, is one of the most photogenic residences in the charming port city. The Georgian-style residence was likely built in the late-1760s, after Joseph Shillaber (1725-1791), a potter, purchased land here in 1766. The residence is of a typical form for 1760s Portsmouth, with a gambrel roof with pedimented dormers and a slightly off-center entry with Georgian style pilasters and pediment. In the later half of the 19th century, the house was “Victorianized” with a bracketed door hood and bay windows at the facade, but the house would be restored by later owners to a version close to its original conditions. The exposed clapboard siding adds to the home’s unique charm.

Governor Goodwin Mansion // 1811

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The Goodwin Mansion of Portsmouth, New Hampshire, is a landmark example of the Federal style of architecture and served as the home of Ichabod Goodwin and his wife, Sarah Parker Rice Goodwin. The home was built in 1811 and was originally located elsewhere in town, across from Goodwin Park, until it was moved to Strawbery Banke, saving the home from demolition. Ichabod Goodwin (1794-1882), a retired sea captain, purchased the home in 1832 and moved in with his wife, Sarah, and daughter, Abigail. The same year, he partnered with Samuel Coues to establish the shipping firm of Coues & Goodwin, importing raw materials, such as cotton, produced by enslaved people in the Southern States and elsewhere. Mr. Goodwin was the governor of New Hampshire upon the outbreak of the Civil War and was a prominent businessman until his death. Ichabod’s wife, Sarah, raised their children and planned the elaborate garden, which Strawbery Banke recreated where the mansion stands today. The Goodwins kept their home updated with all the latest technology, such as gas lighting, coal grates and running water from the Portsmouth Aqueduct Company, which brought water into houses through wooden pipes. It remains a significant house museum and architectural landmark in Portsmouth.

Joshua Wentworth House // 1770

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The Joshua Wentworth House at 27 Hancock Street in Portsmouth, New Hampshire, is a high-style Georgian residence built before the American Revolution, and was almost demolished in the name of “urban renewal.” The house has a side-gable roof with three broken-pediment dormers and a wood paneled door with segmental entablature, pilasters, and a five-light transom. Joshua Wentworth (1742–1809) the namesake of the house, was a grandson of John Wentworth (1671–1730), who had served as an early Lieutenant Governor for the Province of New Hampshire, and was himself, a merchant and State legislator. The house was originally located in the North End of Portsmouth, but in the 1970s, urban renewal and local politicians sought to raze portions of the town to “revitalize” the port town. If only they knew that Portsmouth would be the largest tourist draw in the state just for people to see historic, walkable neighborhoods! Businessman Harry Winebaum acquired the house and sought to preserve it. The solution: move the house by barge to the south side of town near Strawberry Banke. Luckily for us, the house was moved in 1973 and was restored. It is a private residence.

Delano Warehouse and Wharf // 1803

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In 1802, Kingston-based merchants and landowners Benjamin Delano and brother-in-law Peter Winsor built this stone wharf and warehouse at Rocky Nook, a small peninsula at the end of the Jones River where it meets Plymouth Bay. The Rocky Nook had several warehouses in the early 1800’s which were used to hold cargo for the busy Kingston vessels that carried passengers and goods all down the eastern seaboard for transit, with larger vessels sent to the West Indies for trade. Benjamin Delano and his son Joshua either owned or partly owned 37 vessels between 1803 and 1882 and were a wealthy family that built their fortune on shipbuilding and trade. The warehouse, built at the end of the wharf was used to store goods and also served as a ship chandlery, a store selling goods needed for newly outfitted ships that were berthed up the Jones River.  A combination of the coming of the railroad and the need for faster and bigger vessels caused the decline of the shipping business in Kingston in the late 19th century with the shipbuilding industry largely evaporating by the 20th century. The Delano warehouse at the end of the wharf has since been converted to a private residence yet retains its unique character and siting with arguably the best view in town. 

Major John Bradford Homestead // 1674

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The Major John Bradford Homestead (also known as the Bradford House) is a stellar and well-preserved example of a First Period house in Kingston, Massachusetts. The house was reportedly built by Major William Bradford (1624-1704), the son of Governor William Bradford  who arrived to Plymouth via the Mayflower in 1620 and served as Governor of the Plymouth Colony between 1621 and 1657, purportedly built the west (left) half of the house in 1674 for his eldest son John Bradford and his bride, Mercy Warren. John Bradford (1653-1736) served as selectman, a deputy from Plymouth, and as a representative in the Boston General Court, who in 1717, led in the establishment of Kingston as a new town by donating land for the meeting house, school house, burial ground, training green, and minister’s house. In around 1715, John Bradford expanded this house which was not sufficient to house his wife and seven children. After centuries, the house began to show its age, and in 1921, coinciding with the tercentenary of the Pilgrims arriving to Plymouth, the Bradford House was thoroughly documented and restored by Frank Chouteau Brown and George Francis Dow. Since 1921, the property (including a historic barn moved here from a nearby site) has been owned and preserved by the Jones River Village Historical Society, who operate the property as house museum.