Brookline

Houghton House – Yawkey Family Inn // 1890

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Built on the site of an earlier house at 241 Kent Street in Brookline, this grand, Queen Anne style house has seen a life as a single-family home, fraternity house, and ultimately, the Yawkey Family Inn, a temporary residence for patient families undergoing procedures and treatments at Boston Children’s Hospital. A landmark example of the Queen Anne architectural style, the handsome near-symmetrical residence has paired conical towers at the facade, a brick first floor, paneled chimneys, and elaborate carvings in the entry portico, second-story bays, wall surfaces and gabled dormer. Planning for the new mansion began in 1889 when owners, Harriet and Andrew Jackson Houghton, owner of the Vienna Brewery in Boston, hired architect, James Templeton Kelley, to furnish plans for their new suburban mansion. Sadly, Andrew Houghton died in 1892, shortly after the house was completed, and Harriet remained here until her death in 1925. After this, the property was sold to the Beta Upsilon Association for use as a Fraternity House for the Beta Theta Pi Fraternity of MIT and later as a fraternity house for a Northeastern University frat. In 2009, the property was purchased, renovated and expanded to the rear as the Yawkey Family Inn, ensuring its preservation and remaining as a quieter neighbor to the surrounding residents than its previous use.

Silas Peavy House // 1905

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Silas Peavy (1858-1939) was born in Waterville, Maine, and with his brothers, Gustavus and Leopold, worked at his father’s clothing and merchandise store. The family moved to the Boston area and established J. Peavy and Brothers, continuing the family business in Boston with locations in New York. In 1904, Silas Peavy purchased a house lot on Kent Street and hired the architectural firm of Hartwell & Richardson to design a house there for his family. Peavy likely moved to this neighborhood as it became a Jewish enclave around the turn of the 20th century. The Silas Peavy House is an excellent example of the Neo-Classical style with symmetrical facade, porte cochere on the side, and monumental elliptical portico supported by two-story Ionic columns.

George and Alice May House // 1883

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Built in 1883 for George Putnam May and his wife, Alice (Walworth) May, this Queen Anne style residence on Francis Street in Brookline, Massachusetts, contains all of the traits of the architectural style. George P. May was employed at the Walworth Manufacturing Company a plumbing pipes and equipment manufacturer founded by James J. Walworth, who was Alice May’s uncle. The property was subdivided on Alice’s fathers estate which fronts Kent Street nextdoor. I wonder if George wanted to live in the rear yard of his father-in-law! For their Brookline residence, the couple hired architect, S. Edwin Tobey, who paid great attention to detail. The May House features an asymmetrical plan, varied siding types, complex rooflines, and a corner tower with conical roof.

Lawrence School // 1929

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The Lawrence School in Brookline, Massachusetts, is a stunning example of a public school building built in the interwar period in the Colonial Revival architectural style. Constructed in 1929, the building replaced an earlier, Stick/Queen Anne style school designed by the firm of Peabody & Stearns. The school is named after Amos A. Lawrence (1814-1886) a prominent local landowner in Brookline. When the earlier school building was outgrown and deemed obsolete, planning began for a new, modern school building for the community. The new Lawrence School was designed by R. Clipston Sturgis a notable local architect who specialized in the Colonial Revival style, and opened in September 1930. The handsome brick building is in the form of a long rectangular block with two perpendicular wings at each end. At the center of the main block is the principal entrance with its columned portico on a projecting pavilion all in cast stone, a cheaper alternative that resembles limestone.

Blenheim Apartments // 1898

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As Brookline, Massachusetts, saw rapid development in the late 19th and early 20th centuries, developers redeveloped lots formerly occupied by single-family residences and built large, multi-family triple-deckers and apartments, specifically in neighborhoods in close proximity to train stations into Boston. This building, constructed in 1898 by local builder, John H. Pineo, for owner, Walter H. Whittemore as an investment property. The building contained six apartments as a double triple-decker with two units on each floors accessed by a central entry and stairwell. The building has been known as the Blenheim Apartments and blends Queen Anne and Colonial Revival styles into a single, eclectic composition. The large massing is broken up by both the undulating facades and roof with projecting bays, dormers and corner towers, along with the applied ornament of panels, dentils, corbels and broken pediment motifs. If all multi-family housing looked like this, people would not complain about density as much!

Mary E. Paul Triple Decker // 1898

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The Triple Decker is a popular housing form that between 1880 and 1930, saw an estimated 15,000 examples built in Boston and surrounding cities. The unique construction of three flats stacked on top of eachother provided density and lowered housing costs for three families and supplying the housing needs of huge numbers of new immigrants and working class families, providing an important path to homeownership. Often, a family could purchase a property, building a triple decker and could live in one unit while renting the others to pay for the mortgage and taxes, providing upward mobility for those who so long were priced out of owning their own home. By the late 19th century however, strong and organized pushback against the housing type occurred, led by groups like the Immigration Restriction League, who were “convinced that Anglo-Saxon traditions, peoples, and culture were being drowned in a flood of racially inferior foreigners from Southern and Eastern Europe,” sound familiar? Led by Prescott Farnsworth Hall, a Brookline resident, the group advocated to limit immigration from areas they deemed “lesser” and locally, fought to ban the construction of triple deckers in Massachusetts, ultimately succeeding in part when in 1912, Massachusetts passed a law allowing cities and towns to ban triple deckers by preventing construction of any ‘wooden tenement’ in which ‘cooking shall be done above the second floor. While major catastrophic fires like the Great Chelsea Fire of 1908 were fresh in people’s minds, a leading cause for the legislation was likely to limit upward mobility of groups of people from owning real estate. The Mary E. Paul Triple Decker, pictured here, was built in 1898 in the Shingle style, contributing to the rich architectural and social character of the surrounding neighborhood.

Gibson-Dukakis Double-House // 1881

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Built in 1881 as an eclectic example of a Second Empire and Queen Anne style Victorian double-house, this charming residence on quiet Perry Street in Brookline, Massachusetts, shows that gentle density like double-houses and three-deckers provides needed housing without disrupting neighborhood character. The property was built for George Gibson and subsequently rented to two families as an investment. In the mid-20th century, half of the double-house was purchased by Michael Dukakis and his wife, Katharine “Kitty” (Dickson) Dukakis. Michael Dukakis would become a prominent politician, first being elected as a Member of the Massachusetts House of Representatives in 1963 later serving two terms as Massachusetts Governor. He was later nominated by the Democratic Party for president in the 1988 election, but ultimately lost to the Republican nominee, George H. W. Bush.

Sewall Apartments // 1938

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This garden apartment complex at 98-116 Sewall Avenue in Brookline is an excellent example of the Art Deco style which reached its height in popularity in the midst of the Great Depression, so fewer examples of the style are typically found. Here in Brookline, the city was seeing rapid development in the early decades of the 20th century, where large estates were subdivided and commercial areas expanded into once residential neighborhoods. U-shaped in plan and standing three-stories, this complex replaced a large property owned by the Stearns Family, a prominent local family with many properties around present-day Coolidge Corner. The apartments were developed by the G & S Investment Company, a real estate development firm, who hired architect, Saul Moffie, to design the building. Completed in 1938, the complex has richly articulated facades with a variety of geometric brick patterns, including chevrons, diapering, header courses and soldier courses with each entryway identified by a projecting pavilion with a stepped stone parapet above. The doors and sidelights are wood with glass panels in a chevron motif similar to the brickwork and all residential units have steel multi-pane windows. What a gem!

Charles P. Flagg House // 1899

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Located on Sewall Avenue in Brookline, Massachusetts, the Charles P. Flagg House exemplifies upper-class single-family housing built in the late 19th century that has been added onto and converted into multi-family housing to serve a growing city. Charles Partridge Flagg (1851-1911) was a real estate developer and head of the D. F. Flagg & Co., a wholesale liquor company his father started in Boston. He purchased the former Dexter property, subdivided the estate, and hired architect Julius A. Schweinfurth to design a home for his family. “Jule” Schweinfurth was long-associated with the firm of Peabody & Stearns of Boston, which in the late 19th century, was one of the premier architectural offices in the United States, but when he was not offered a partnership offer by his bosses, he established a new firm under his name. For the Flagg House, Schweinfurth blended the Shingle, Queen Anne, and Arts and Crafts architectural styles with a unique asymmetrical roofline, wide overhanging eaves with cross brackets and exposed rafter tails, consistent shingle siding, and a two-story polygonal oriel with domed roof at the corner. The Flagg House was moved forward on the lot to facilitate a rear addition and completely renovated in 2011, transforming it into a seven-unit condominium building with garage and elevator. This example of “gentle density” is exactly what communities should allow for, to preserve the character at the streetscape but provide additional housing.

Steuer Apartments // 1913

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In the early 20th century Brookline, Massachusetts, saw an immense increase to its population, spurred by the streetcar system and a suburbanization of greater Boston. As land is finite, developers eyed the large estates near commuter lines and built apartment buildings to supply housing to middle-income residents. Not all residents welcomed the change as density and the destruction of old estates caused concerns for many wealthy and older residents in Brookline who enjoyed the bucolic suburbs to dense city life. As a result, many Brookline developers hired known architects to design apartment buildings with high-quality materials and finishes to contribute to the rich architectural streetscapes and established neighborhoods. This apartment building, one of two at the corner of Longwood Avenue and St. Paul Street, was built in 1913 from plans by Gay & Proctor, an established local architectural firm. The developer, Bernard Steuer (1859-1921), was an Austrian-Jew that emigrated to the United States and worked in real estate and building in Brookline and Boston. The building features a heavy cornice with modillons, three-story polygonal bays that break up the massing, and cast stone detailing with Beaux Arts style entries.

Charles H. Rutan House // 1889

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In 1889, prestigious architect Charles H. Rutan, purchased a house lot from the heirs of Elijah Emerson on the family estate and oversaw construction of his own residence in Brookline Village. Charles Hercules Rutan (1851-1914) was born in New Jersey and moved to Brookline in 1874, where he worked in the office of famed American architect, Henry Hobson Richardson. After Richardson’s death in April 1886, at the height of his career, Rutan and two other senior employees, George Foster Shepley and Charles Allerton Coolidge, took charge of the studio and its uncompleted work. Soon after, the three formed a formal partnership, Shepley, Rutan & Coolidge, to succeed to Richardson’s practice, and in 1887 moved the office to Boston. From his new position as head of a prominent firm, Rutan designed this handsome Queen Anne/Shingle style mansion for his family, where he lived until he suffered from two debilitating strokes in 1912, when he and his wife moved to an apartment on a nearby street. Besides the blue color, the house retains so much of its original architectural integrity and is one of the most significant residences in the Brookline Village neighborhood.

John D. Sturtevant Double-House // 1892

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John Dean Sturtevant (1816-1889) was born in New Hampshire and became engaged there in local woolen mills, quickly growing into advanced management positions. He operated woolen mills in New Hampshire, Maine, Connecticut, and Massachusetts, and settled in Brookline where he had access to other states via excellent rail service. When he died in 1889, John’s heirs inherited their late-father’s properties, and began to develop them as Brookline filled out in the last decades of the 19th century. This handsome double-house at the corner of Cypress and Waverly streets was built in 1892 by the Sturtevant Estate, who rented the property to two families of wealthy residents. The Sturtevant Double-House is a landmark and exceptionally preserved example of the Queen Anne style, with varied siding, asymmetrical forms, complex roofline with dormers, and applied ornament in the form of carved panels.

Brookline Public Library // 1910

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The Brookline Public Library in Brookline Village opened in 1910 and was designed by R. Clipston Sturgis, one of the great 20th century architects in the Boston area. Taking his cue from the south facade of the Queen’s House at Greenwich, England, Sturgis designed a modest expression of Palladianism in red brick and limestone. The building is the second library on the site, replacing an 1869 mansard roofed building that was outgrown and demolished for this building. The Brookline Library was expanded in 1974 by Integrated Design Services Group and renovated again by Perry, Dean & Rogers.

Rhodes Building // 1905

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The Rhodes Building in Brookline Village is an exuberant example of a Colonial Revival style commercial block in an playfully eccentric way. Built in 1905, the block feels almost Post-Modern in style, which highlights ironic elements through the use of historical references, like here with the oversized swan’s neck pediment. The structure was designed by architect, William C. Collett, and was rented to Edgar and Leonard Rhodes, dealers in groceries and provisions and housed the Rhodes Brothers grocery store.

The Linden Apartments // 1885

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The Linden Apartments is an early multi-family apartment building in Brookline Village that shows how density can be done tastefully. The building is located at the center of Linden Place, Brookline’s first planned subdivision which was laid out in the 1840s. By the end of the 19th century, development pressure associated with the growth of Brookline Village lead to further subdivision of the original building lots and greater density of settlement in this neighborhood. The Lindens was constructed in 1885 by and for James W. Tobey (1830-1914), a local builder, as an income-generating property. Designed in the Queen Anne style, the Linden Apartments contained six suites, all with exceptional quality materials and finishes. The façade is embellished with two octagonal bays at the ends and two angled bay windows with gables which break up the otherwise rectangular form. The building has been lovingly maintained by residents and contributes to the rich history of Brookline Village from a sleepy village to a vibrant and dense “downtown”.