Massachusetts

Charles Street Garage // 1919

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The area west of Charles Street in Boston’s Beacon Hill is known as the Beacon Hill Flat, which is largely built on 19th century-made land along the Charles River. The area developed into housing with a high percentage of carriage houses and horse stables built by the wealthy families living on Beacon Hill. Today, many of these edifices have been converted into charming residences, shops, and in the 20th century, garages. As the personal automobile took over horses as the desired method of transportation, savvy developers developed garages where wealthy residents could “stable” their vehicles, especially important in a dense neighborhood like Beacon Hill without much off-street parking. Built in 1919, the Charles Street Garage stands four stories tall with large expanses of multi-light windows and ground floor retail spaces set within the bays to enliven the street.

Charles River Square // 1910

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Charles River Square, a delightful development of red brick and cast-stone Colonial Revival townhomes in the Beacon Hill Flat, was developed in 1910 from plans by Boston architect, Frank A. Bourne. The development consists of a total of 21 residences, 19 of which front on the courtyard that is known as Charles River Square. The development is accessed off Charles River Road (which was made a busy thoroughfare in the 1950s and renamed Storrow Drive) and through a Palladianesque passageway off Revere Street. Along with its neighbor to the north, West Hill Place (1916), another group of attached townhouses organized around a courtyard built years later, its layout is a departure from the previous approach to urban planning, resembling the atmosphere of an old London street or mews. Charles River Square remains one of the most desirable developments in the exclusive Beacon Hill neighborhood.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.

Church of the Advent // 1878

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The Church of the Advent in Beacon Hill, Boston, is a landmark example of a church designed in the Victorian Gothic style with strong English influence. The congregation, established in 1844, purchased a large corner lot at Brimmer and Mount Vernon streets on the newly made filled land west of Charles Street in Beacon Hill Flat, to construct their new church. In 1875, John Hubbard Sturgis, a Boston architect and parishioner, began designing the red brick with sandstone-trimmed church set on a corner lot with dominant corner tower and octagonal steeple. Construction began in phases beginning in 1878 and took years until the steeple was completed in 1888. Before its completion, John H. Sturgis died and his nephew, Richard Clipston Sturgis, oversaw the completion of the church, which became somewhat of a memorial to his late uncle. Following the completion of the Church of the Advent, Sturgis’ widow, extended family and clients donated a major portion of the interior art, stained glass windows, and furnishings. The polychromatic exterior in red and charred brick mixed with sandstone trim appears to have been inspired by his designs for the original Boston Museum of Fine Arts (1876, demolished in 1911.) The Church of the Advent in Boston is one of the finest ecclesiastical buildings in New England and is the master-work of one of America’s great architects.

The Whitney Hotel // 2019

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The Whitney Hotel on the iconic Charles Street in Beacon Hill, represents the best of contextual infill construction and good design. Completed in 2019, the hotel was built on an open lot adjacent to the 1909 Eye and Ear Infirmary Nurse’s Residence that sold in 2016. Developers hired Boston architectural design firm of Hacin to construct the new structure as an addition to the 1909 building. As the building is located within the Historic Beacon Hill District, a local commission closely reviewed plans to ensure the new building would blend old and new on the site, while being its own landmark on the prominent corner lot. The scale, massing, materials and rhythm of windows ties the 2019 contemporary wing with the 1909 building, while the brick layering styles, window types and unique rounded corner read clearly contemporary. The hotel is named after Henry Melville Whitney (1839-1923) a Boston politician and businessman who founded the West End Street Railway Company, which preceded the Metropolitan Transit Authority and today’s MBTA. The Whitney Hotel serves as an important visual anchor and entrance into Beacon Hill, enlivening the street and neighborhood through high-quality design.

Eye and Ear Infirmary Nurse’s Residence // 1909

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The Massachusetts Charitable Eye and Ear Infirmary (now Massachusetts Eye and Ear) began in 1824 by doctors, Edward Reynolds and John Jeffries II as a free weekly clinic they operated out of a rented room in Boston’s Scollay Square. At the time, Boston was an immigration destination for laborers arriving from Europe, among whom occupational injuries were common, but affordable medical care was scarce. With an increasing population and increasing medical needs, the clinic expanded rapidly. In 1849, a new clinic was built on Charles Street, just south of the West Boston Bridge (now Longfellow Bridge) from plans by Edward C. Cabot. As demand grew in the late 19th and early 20th centuries, the hospital sought expansion and built a new facility farther north on Charles Street, closer to Massachusetts General Hospital. The 1849 building was deemed excess and demolished, soon to be replaced by the current building on the site, the Nurse’s Dormitory. Built in 1909, this handsome, four-story brick and stone structure was designed by the office of Page and Frothingham in the Colonial Revival style, which contributes to the architectural character of Beacon Hill. The building provided much-needed residential space for nurses and other staff people who worked at the new Eye and Ear Infirmary a few blocks away. The building was later converted into an inn, the John Jeffries House (after one of the founders of the infirmary) until 2016, when the site closed and was converted into a wing of the new Whitney Hotel by Hacin Architects!

Simmons House – Japanese Relocation Hostel // 1856

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Together with its two neighbors to the south, this townhouse at 6 Walnut Street represents the development of the South Slope of Beacon Hill in the second half of the 19th century, when larger estates continued to be carved up for housing, typically in the Italianate/Second Empire styles. Built in 1856, this residence was constructed on one of the last undeveloped lots in the area and was originally owned by George W. Simmons. Simmons was the owner of a well-known clothing emporium at Oak Hall, North Street, where he sold all kinds of ready-made clothing for men, including that needed by sailors, as well as sets of clothing for those headed for the California gold fields. His business was renowned also for its ambitious and creative advertising campaigns. Simmons died in late 1882, leaving this property to his heirs who sold the property. After successive ownership, the residence was converted to a boarding house during the Great Depression and rented out to families who could no longer afford the large single-family dwellings in the city. After WWII, in 1945, the boarding house was converted into the first Relocation Hostel for Japanese Americans in New England. The mission of the Relocation Hostels was to provide temporary lodging and career guidance to Japanese Americans who had been uprooted from their homes because of unfounded accusations of sabotage during World War II. Massachusetts joined New York, Pennsylvania, Illinois, and other states in establishing these hostels. Today, the residence is a four-unit condominium. 

Perkins House – Diocesan House // 1832

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Constructed of red brick and trimmed with brownstone, the beautiful townhouse at 1 Joy Street, is one of a few properties in Boston’s Beacon Hill neighborhood to have a front yard. Built in 1832, the four-story residence has its primary facade characterized by a flat entrance with a rounded bay extending upwards to the roof. Designed by architect, Cornelius Coolidge, who designed many other homes in this section of Beacon Hill, the completed house was purchased by Thomas Handasyd Perkins, Jr. (1796-1850), the eldest son of the enormously wealthy and influential Thomas Handasyd Perkins, Sr., who is considered by many to have been the most successful merchant prince of Boston’s Federal period. In 1892, the Episcopal Association purchased 1 Joy Street for use as headquarters of the diocese, and it became known as the Diocesan House. Today, the building is divided up into condominium units, providing residences just steps from the Boston Common.

Tebbetts-Bowditch House // 1856

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The townhouse at 4 Walnut Street in Beacon Hill is among the most architecturally unique buildings in the neighborhood. The main facade consists solely of a bowed front, which contains a deeply recessed entry to the side. To the right of the entrance, a later tripartite window exhibiting Queen Anne/Colonial Revival multi-pane sash pierces the southern half of the bow front.  At the third story, a massive wooden oriel window projects over the street below and contains a window set within a recessed panel. Above, the mansard roof ties in with its neighbor. The residence was built in 1856 and purchased by William C. Tebbetts, a dry goods merchant who was partner in a Downtown firm. By 1890, the residence was owned for a short period by Ernest W. Bowditch (1850-1918), a celebrated landscape architect and engineer. By the 1930s, the property became a boarding house, primarily for single women and widows. Today, the former single-family home contains eight apartments and from the exterior, presents some Victorian flair and quirkiness not commonly seen on the South Slope of Beacon Hill. 

Henry S. Grew Townhouse // 1856

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Built in 1856, the townhouse at 2 Walnut Street is a unique Second Empire style townhouse erected on one of the last undeveloped lots on the South Slope of Boston’s exclusive Beacon Hill neighborhood. The three-story, brick residence is capped by a mansard roof and its facade is dominated by a full-height octagonal bay, which at the center on each floor, is a recessed brick panel in lieu of windows. The property was originally owned by Henry Sturgis Grew (1834-1910) a real estate developer and politician who split his time between this residence and a large estate called Grew’s Hill, that grew to several hundred acres and contained an active farm, part of which was later incorporated into Stony Brook Reservation. Henry Grew’s daughter, Jane Norton Grew, would go on to marry John Pierpont Morgan Jr. (J. P. Morgan) in 1890. The Grew House was modernized in the 20th century with a Classical door surround, but otherwise, it maintains the appearance of when it was built in 1856.