Theater

Sterling Opera House // 1889

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The Sterling Opera House in Derby, Connecticut, is a landmark performing arts venue and civic center in the state and significant as a rare and well-preserved building constructed in the Italian Renaissance Revival style. Built in 1889, the building is named for Charles A. Sterling, founder the former Derby-based Sterling Piano Company, who paid for much of the costs of construction and design for the building. For his namesake building, Charles Sterling hired architect H. Edwards Ficken, who also  assisted with the designs for the famous Carnegie Hall in Manhattan, New York, to furnish plans for the unique building. The Opera House was built to serve both political and entertainment needs for the community, with the lower two levels and the basement serving as City Hall offices and the police station from when it opened up until 1965. The auditorium was used for hundreds of shows and live musical performances in its day, with many world-famous performers such as Harry Houdini and Red Skelton taking the stage at the Sterling. Shows were held up until 1945 when the curtain closed for the last time. In the past decades the building has been largely vacant and kept alive by grants and a dream by the city to preserve this significant landmark, possibly for reincorporation as the City Hall. 

Old St. Stephen’s Church – Barker Playhouse // 1840

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The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


Stonington Opera House // 1912

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The Stonington Opera House in Stonington, Maine, is a historic early 20th century community center and theater in a vernacular style. The theater was built in 1912, on the site of an earlier hall built in 1886, that seated more than 1,000 people and hosted national touring shows that arrive via steamboat from Rockland. The original theater was destroyed by fire in 1910 and was soon-after rebuilt. It continued the practice of the earlier facility, hosting theatrical productions, lectures, and community events. Its floor was covered with removable folding chairs, so that the space could be used for dances and other social events. It was fitted for screening films around 1918, which came to dominate its uses in the mid-20th century. Unlike other early theaters, which were generally incorporated into municipal buildings, this one was specifically built as a profit-making venture, and was designed to accommodate elaborate theatrical productions, and is probably the oldest of this type in the state. After being vacated for much of the later half of the 20th century, the Stonington Opera House was restored and reopened by Opera House Arts, a local nonprofit, in 2000, and is once again used primarily for film screenings and theatrical productions.

Peerless-Capitol Theater // 1894

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Located across from the North Abington Depot, this structure was constructed in 1894 as a leather harness and saddle shop by local businessman, Henry Crossley. The expensive building of cut granite and brick seemed to have overextended Mr. Crossley’s means, as he would soon-after file for bankruptcy. The building would remain as commercial use until 1915, when the property was purchased by the Peerless Amusement Company for use as a 300-seat theater. By the 1930s, the building became known as the Capitol Theater, and was listed to seat 230 customers on the main floor and 70 in the balcony. Due to the more rural nature of the cinema, it closed in the mid-20th century, and suffered from neglect for decades until it was restored and is currently housing apartments. 

Colonial Theater Building // 1899

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One of my favorite buildings on Boylston Street in Boston is the ten-story Colonial Theater Building, a landmark Classical Revival style structure of stone. Built in 1899, the Colonial Theater replaced the original Boston Public Library building (1855) which was demolished by 1898, and relocated to Copley Square. The Colonial Theater was designed by famed theater architect, Clarence Blackall and is said to be the oldest, intact theater in Boston. The theatre first opened its doors for a performance of Ben-Hur on December 20, 1900 with a sold out show. Ben-Hur operated with a cast and crew of 350 people and featured eight live horses on stage in full gallop during the chariot race scene, with the play being so mechanically and technically extraordinary it was featured on the cover of Scientific American. While cheekily named the Colonial Theater, the interior theater spaces were anything but. The spaces originally contained murals and Baroque style finishes, many of which remain today. Beyond the 1,700-seat theater, the building contained between 250-300 professional offices. The building is owned by Emerson College, who underwent a massive restoration project of the building with Elkus Manfredi architects. Allowing the oldest Boston theater to shine again!

Strand Theater // 1923

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The Strand Theater on Main Street in Rockland, Maine, is a great example of the inter-war theaters that sprouted up in towns all across the country following WWI. The theater was built in 1922-23, on the site of a building destroyed in a 1922 fire that swept through the southern part of Rockland’s downtown. The steel-framed theater, with its terracotta tile walls and ornamental brick facade is fairly unadorned, besides the blade sign marquee reading “STRAND”. Two storefronts, a cigar store and a flower shop, were also incorporated into the theater, framing the entrance. The theater stayed open until the early 2000s when the local multiplex bought it and closed it. In February, 2004, the theatre was purchased by a long-time summer resident who restored the building and opened it back up. The Strand remains a vital economic and cultural center for the town, and its preservation is an important piece of Rockland’s charming Main Street.

Norwood Theatre // 1927

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The Norwood Theatre was built in 1927 as a high-style showpiece for the re-invigorated downtown of Norwood, Massachusetts. Built at the same time as the Norwood Town Hall building, the building was constructed at a time of great development in the town, as local entrepreneur and philanthropist, George Willet and landscape architect Arthur A. Shurcliff, created a plan to evolve Norwood from a sleepy rural town to a commercial center. Architect William G. Upham is credited with designing the theatre and he enjoyed a prolific career which encompassed the design of masonic temples, commercial blocks, theatres, homes, and of course, the Norwood Town Hall. The Norwood Theatre was designed in a high-style Spanish Renaissance Revival style and was designed for motion pictures but also included a stage for possible vaudeville and theatrical productions. By the mid-20th century, a Modern sign covered much of the original facade, and lasted until the building came under its current ownership in 2010. A careful two-year restoration brought the theatre back to its former glory.

Former West Acton Universalist Church // 1868

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This beautiful church in Acton, Massachusetts was built in 1868 by the Universalists of West Acton who sought a house of worship closer to their homes, rather than taking horses to the other part of town every week. The building exemplifies the influence of both Gothic Revival and Italianate styles on rural churches of the time. Gothic elements include the double pointed lancet windows with quatrefoil ornament, buttresses, and pointed lancet panels on the tower and belfry. Italianate elements include the rusticated base and the corbel table at the eaves. Religious services ceased in 1925. At that time, the church building was bought by leading men in the village who gave the building to the West Acton Women’s Club, which began in 1890 by Lucy Mead (the wife of Oliver Mead, who built the Mansard home nearby). In the 1950’s, the church was used as a community center. It is now home to a local performing arts center, Theatre III Box Office.

Toy Theatre // 1914-1922

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When the Toy Theatre on Lime Street in Beacon Hill (last post) was formed in the early 20th century, the members of the small (but growing) theatre group of well-connected artists and actors had their sights on something with permanence. By 1914, the group had funding and acquired land on Dartmouth street, a block away from Copley Square, and ground was broken to build a large new theatre. The fashionable Colonial Revival style building featured a large rounded bay and was constructed of brick and limestone. The theatre group could not support the building, and it was rebranded as the Copley Theatre within a couple years. Continuing the bad luck, the City of Boston decided to extend Stuart Street by 1921, and this building was along the proposed route. The street was extended and a new “Copley Theatre” was built on Stuart Street, a stone’s throw from this building. And so goes the short-lived history of the Toy Theatre.

Wilton Town Hall and Theater // 1885

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Welcome to Wilton, New Hampshire! With a population less than 4,000, the tiny New England town sure packs a lot of old buildings into its borders. The town was first part of a township chartered as “Salem-Canada” in 1735, by Colonial Governor Jonathan Belcher of Massachusetts, which then claimed this area. The land here was granted to soldiers from Salem, Massachusetts, who had served in 1690 under Sir William Phips in the war against Canada. “Salem-Canada” was one of the towns on the state’s border intended to provide protection against attack from native tribes. In 1762, residents of the town petitioned New Hampshire Governor Benning Wentworth to incorporate the town as Wilton, likely named after Wilton, England. The town prospered as a sleepy farming town, largely concentrated around Wilton Center. By the 1860s, the village of East Wilton developed around the Souhegan River, with mills and businesses centered there. The town decided to relocate their town hall “closer to the action”. Land was acquired on a triangular piece of land in the center of the village, which was recently cleared by the destruction of Whiting House, a hotel that formerly occupied the site. The architectural firm of Merrill & Cutler of Lowell, MA, were hired to design the building, which blends Richardsonian Romanesque and Queen Anne styles perfectly on the difficult site, opening in 1885. Silent movies were first shown in the auditorium in 1912 and by the 1930s, the auditorium was used most often as a movie theater. A large part of the building has since been occupied as a theater for the community.