Jaquith Homestead // c.1820

Erected in the 1820s by Joshua Jaquith, a prosperous mill owner who operated a sawmill and grist mill on the river directly behind his house, this residence in Andover, Vermont, exemplifies vernacular Federal period residential architecture in rural New England. The residence is said to have been carved up inside into apartments in the mid-1800s but was restored by Alden Jaquith, the third generation of the family later in the 19th century back into a single-family residence. The handsome brick home is symmetrical with a five-bay facade, 12-over-12 sash windows, and large end chimneys. Of particular note are the relief arches above first floor windows and above the door and the attached sidelight windows.

Leland Homestead // 1843

The small, rural Town of Baltimore, Vermont, was originally a part of Cavendish but due to the geography and a mountain separating the village from the main town, residents here voted in 1793 to set off as its own town. The nomenclature of the town name, Baltimore is not clear, as the city in Maryland was named for George Calvert, first Baron Baltimore, who was granted that colony in 1632, but there is no evident connection between the two communities. The word Baltimore itself is Celtic for “large town”; appropriate for Calvert’s colony, perhaps, but hardly for this Vermont town, which is one of the smallest in the state in terms of population or square miles. The town has always been a community without a distinctive village center and has long been primarily farmland, with properties bounded by stone walls and forests. This stone house on Harris Road in Baltimore was built in 1843 by Joshua Leland and his wife, Betsy Boynton. A history of the town speaks of the house, “It was one of the most attractive houses ever built in Baltimore, a well-built front hall and stairway, four fair-sized pleasant rooms downstairs, three well-arranged chambers and a convenient back stairway, all well-finished”. The home, with its date of construction over the front door, remains one of the most historic and well-preserved buildings in the town of just over 200 residents.

Edward Stanwood House // 1880

The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.

Charles Storrow Rental House // c.1884

This charming and quirky Queen Anne style house on Edgehill Road in Brookline was built as a rental property on the estate of Charles Storrow (1841-1927), a wealthy businessman who lived in his home next door (see last post). Like his own home, the residence was designed by Edward Clarke Cabot, his wife, Martha’s father, who utilized varied materials, forms, and roof shapes to create a unique composition unlike anything else in the neighborhood. The bulbous central tower and eyebrow and wall dormers also add intrigue to the design.

Charles Storrow House // 1884

Facade

This shingle and brick Queen Anne style house at 112 High Street in Brookline, Massachusetts, was built in 1884 for Charles Storrow and his wife, Martha Cabot Storrow from plans by architect, Edward C. Cabot, Martha’s father. The lot here is said to have been gifted to Charles from his father, Charles Storer Storrow, a prominent civil engineer and industrialist, who is known for designing and building the dam and textile mill complex in Lawrence, Massachusetts. Besides the Victorian main house, the property included a historic stable and a detached house on an adjacent lot, which appears to have been rented by Mr. and Mrs. Storrow. The property was designed by Frederick Law Olmsted’s firm, with rustic rock walls, natural topography, and large, mature plantings. The Storrow House originally had stained glass windows designed by John LaFarge, which were sold in the 1970s. 

Side elevation.

Charles Torrey House // 1889

The Charles Torrey House at 36 Edgehill Road in Brookline, Massachusetts, is a great example of a Queen Anne style residence in the Boston suburbs. The stately home was constructed in 1889 for Charles Torrey, an artist who specialized in nautical scenes. The house is unique for its brick first floor, shingled second and stucco with half-timbering in the gable, a feature that suggests the renewed interest in English medieval motifs. The architect for the Queen Anne style home could not be located, but it appears to be from a more prominent Boston-area firm of the late-19th century. The house is currently (2025) undergoing a renovation.

Moorfield Storey House // 1875

The house at 44 Edgehill Road in Brookline, is a brick Queen Anne style residence built for Moorfield Storey (1845-1929) by architect and neighbor, Robert Swain Peabody, who was Moorfield’s friend and college roommate. Both Peabody and Storey would later move in the early 20th century to the Fenway in neighboring houses, also designed by Robert S. Peabody. Moorfield Storey was a president of the American Bar Association and the president, for most of its existence, of the Anti-Imperialist League, an organization founded to oppose the annexation of the Philippines as a colony and to support free trade and the gold standard. Storey consistently and aggressively championed civil rights, not only for African Americans, but also for Native Americans and immigrants. He opposed immigration restrictions, and supported racial equality and self-determination. He would become the first president of the National Association for the Advancement of Colored People (NAACP), from its founding in 1909 until his death in 1929. The Storey House in Brookline is a well-preserved and early example of the Queen Anne style, that would dominate architectural tastes for the following decades.

Samuel Cabot Jr. House // c.1886

This altered Queen Anne/Shingle style residence on Edgehill Road in Brookline, Massachusetts, was built around 1886 as a suburban retreat for Samuel Cabot Jr. (1850-1906) and his wife, Helen (Nichols) Cabot. Samuel Cabot, a member of the affluent and well-connected Cabot family of Boston, was a chemist who worked alongside his uncle, Godfrey Lowell Cabot, to produce household disinfectant, sheep dipwood preservatives, and shingle stain using coal tar that was a by-product of the gas works in Boston. Their companies would split, with Samuel’s part of the company continuing as Samuel Cabot Incorporated, and Godfrey’s became Cabot Corporation. To showcase his company’s amazing wood stains, Samuel Cabot had this house built in Brookline, from plans by his uncle, Edward Clarke Cabot, of the firm Cabot & Chandler. In the 20th century, the house was somewhat streamlined with some dormers removed and the main entry relocated to the present location.

Low-Rock House // 1888

This handsome shingled Queen Anne style home on Allerton Street in Brookline, Massachusetts, is part of the reason why the “Pill Hill” neighborhood gets its name. The residence was built in 1888 for Mr. Sumner Flagg, likely as an investment property as the neighborhood developed into one of the finest in the Boston area. An early resident here was Judith Motley Low (1841-1933), founder of the Lowthorpe School of Landscape Architecture, which was the first school intended solely to prepare women as landscape professionals in a field dominated by men. In 1945, the Lowthorpe School merged into the Rhode Island School of Design and became the basis of RISD’s Landscape Architecture Department. Another prominent resident of the house in the 20th century was Dr. John Rock (1890-1984), a physician and scientist who worked nearby at the Massachusetts Hospital for Women. As a Catholic doctor, John Rock is best-known for two groundbreaking medical discoveries in women’s health: the birth control pill and in-vitro fertilization. Dr. John Rock and his lab technician, Miriam Menkin, were the first researchers to fertilize a human egg outside of a human body in February of 1944, this research was compounded and later led to in-vitro fertilization as we know it today. Additionally, while running his clinic, Dr. Rock encountered a number of women bearing unwanted children that they could neither afford financially nor handle physically. Rock observed numerous women who, after giving birth to multiple children, had prolapsed uteri, malfunctioning kidneys, and were prematurely aging. In 1952, Rock was recruited to investigate the clinical use of progesterone to prevent ovulation. Enovid, the brand name of the first pill, was approved by the U.S. Food and Drug Administration (FDA) and put on the market in 1957 as a menstrual regulator. In 1960, Enovid gained approval from the FDA for contraceptive use.

Boston Free Hospital for Women, Nurse’s Residence // 1908

Located behind the former Boston Free Hospital for Women in Brookline, this charming yellow brick building employs materials and design elements of its neighbor, but was designed and built by different architects nearly a decade later. Built in 1908 as a nurse’s residence this handsome building was crucial to the expansion and growth of the women’s hospital here, providing much-needed living space for employees of the hospital who worked around the clock to provide some of the highest-quality medical care in the Boston area. Designed by the firm of Coolidge & Carlson, the nurse’s residence employs intricate limestone detail