Historic Homes

Russell-Goodwin House // c.1750

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Marblehead is one of the oldest towns in America, first settled by colonists in 1629 and incorporated twenty years later. For the following decades, the coastal community grew, and was even one of the ten largest towns and cities in the colonies in 1790! From this history, the town has worked to preserve the unique character and walkable warren of narrow streets, that makes the town feel so charming and a great place to visit. There are dozens of pre-Revolution houses in Marblehead’s downtown area, including this side-hall Georgian house on Franklin Street, with a neighboring “sister house”. The residence dates to about 1750 and was occupied early on by Richard Russell, who according to the house plaque, was a fisherman. Later, in 1850, the house was occupied by John Goodwin Jr., who fought in the Civil War, and ultimately lost his life in the Battle of Roanoke Island, on February 8, 1862, when he was killed when he was struck in the chest by a cannonball. After his death, local Marblehead veterans established the G.A.R. Hall, John Goodwin Jr. Post 82 in his honor. The Russell-Goodwin House remains one of the many charming Colonial-era houses in Marblehead’s walkable village, telling a story of the generations of families who made this coastal community home.

Warren Homestead // 1727

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The old Jonah Warren Homestead of Westborough, Massachusetts, was built in 1727 on the Old Connecticut Path, a former Native American trail, and is among the earliest and best-preserved examples of 18th-century domestic architecture in Westborough. The Colonial-era house was built for Jonah Warren (1700-1780) and his wife Elizabeth Seaverns (1700-1775), who moved from Watertown to Westborough in 1720, the couple would have 13 children. The home remained in the family for generations. Jonah was a tanner by trade, but also sold wooden shingles, cut from nearby cedar swamps. In 1778, the couple’s son, Aaron, owned the house, as he returned home to take care of his aging father. The property was later owned by Aaron’s son, David Warren, and later passed to his only child, a daughter, Mary Waterman Warren (1799-1858), who married Josiah Fay (1797-1869) in 1838. The home was inherited by Hercules Warren Fay, a Harvard-educated reverend and author. The homestead remained in the family until the last of Hercules’ children died in 1957. The Warren Homestead remains as one of the finest and best-preserved Colonial-era residences in Central Massachusetts.

Nathan Fisher House // 1822

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In 1820, Nathan Austin Fisher (1796-1851) purchased land along the Boston-Worcester Turnpike in Westborough, Massachusetts with the aim to build a home for his new wife, Susan T. Lothrop. By 1822, he had built a five-bay, center-hall Federal style estate house on the property and the couple began to raise their family. By 1826, Nathan and his brother-in-law, Joseph Lothrop, had opened a store in a section of Fisher’s house, which had been added for that purpose, presumably the western (left) three bays of the structure. Joseph Lothrop would build a Federal style residence on the opposite side of the turnpike that same year. When the railroad came to Westborough, turnpike traffic slowed, and the new rail line went through the center of town, bypassing the Fisher House and store, causing it to fail. Fisher and Nothrop would eventually leave Worcester County, and the property was sold numerous times until 1919, when this property was purchased by the Lyman School. The Fisher House became a residence for younger, special-needs boys to insulate them from the main population of Lyman, a reform school for the education and vocational training of wayward boys. In 1938, the house was converted back to a two-family home and used by families of Lyman School employees until the Lyman School closed in 1972, leaving the iconic Nathan Fisher House vacant for decades. After a failed attempt to convert the property into a house museum, the property was purchased by a local business, Release Well Being Center, and has been lovingly restored and maintained ever-since!

Parker-Maynard Homestead // 1777

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Hidden away on a quiet country road in Westborough, Massachusetts, the Parker-Maynard Homestead sits as one of the best-preserved and significant properties in town. Revolutionary War veteran Isaac Parker (1750-1798), after the war, acquired land in town and built a farmhouse here around 1777. Upon the time of his death in 1798, his property listed in his will included: a homestead farm, grist mill, saw mill, a small dwelling house, a horse stable, and a pew at the town meetinghouse. The property was acquired by brothers Ebenezer and Ephraim Maynard, who lived in the house together with their respective families. The Maynard brothers worked as wheelwrights and had their shop on the property for years. Ephraim Maynard’s eldest son, Horace Maynard (1814-1882) was born here and after graduating from Amherst College, moved to Tennessee to teach law at East Tennessee University before getting into politics. Horace served in Congress between 1858-1873 as a representative from Knoxville. He spent much of his first two terms in Congress fighting to preserve the Union, and during the Civil War, he consistently urged President Abraham Lincoln to send Union forces to free East Tennessee from its Confederate occupiers. After the war, he was appointed minister to Constantinople by President Grant in 1875. In 1880 he returned to the United States and was appointed Postmaster General by President Rutherford B. Hayes. Horace owned the family homestead following the death of his father and uncle, and often returned to Westborough to see family and get away from politics.

Forbush-Brigham House // c.1875

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This stately and well-preserved Stick style residence is located on High Street in Westborough, Massachusetts. The house was built around 1875 for Mr. William Henry Forbush and his wife, Alice. William was a sleigh manufacturer in town and served in the Civil War, mustering out years after injuring his left hand during the Second Battle of Bull Run. Forbush died in 1881 at the age of 37, and Alice married to Dexter Brigham, a carpenter who also fought in the Civil War. It was possibly Mr. Brigham who added the intricate woodwork on the home.

Wadleigh – Friend House // 1893

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One of the most beloved houses in Somerville, Massachusetts is this beauty on Highland Avenue, known best for the unique assemblage of colorful found objects in the front yard, as a living museum. The residence was built in 1893 for William Y. Wadleigh, a wholesale grocer who operated markets all over the region. The house is an eclectic blending of Queen Anne and Colonial Revival styles with an asymmetrical plan and rounded corner tower taken from Victorian styles, along with a classical porch and swan’s neck pedimented dormers at the roof, clearly Colonial Revival in style. Today, the Wadleigh House is best-known for its owner, artist Martha Friend, who has preserved the house, and created an enchanting, ever-evolving installation outside and inside the residence. Sapphire City, an installation in the front yard, draws passersby in to see the assemblage of blue bottles and Dance Party, an assortment of animals at the porch roof, make the house a favorite in the neighborhood. It is houses and owners like this that make Somerville such a vibrant and great place to live and explore.

Lawrence-Parker House // 1864

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Built in 1864 as one of the rental properties owned by Amos A. Lawrence as part of his exclusive Cottage Farm neighborhood in Brookline, this house has been extensively altered and even moved but retains significance as a surviving mid-19th century “cottage” in the neighborhood. The house was likely constructed as a one-story, stone cottage with a second floor contained within a mansard roof. In 1903, Mrs. Francis W. Lawrence hired the well-known architect and Brookline resident, Julius A. Schweinfurth, to make extensive alterations to the cottage, replacing the mansard roof with a new second floor with gable roof, along with a new porch. Schweinfurth’s design included wood shingle siding for the upper floors, which were replaced with stucco in 1970. The house was moved to its current site at the corner of Carlton and Mountfort streets in 1929 when the street was re-oriented to follow the old Boston & Albany Railroad tracks. When moved, the cottage was occupied by Philip Stanley Parker, a judge, and his wife, Eleanor. Today, the cottage is owned by Boston University and known as the Core House.

Almy-Palfrey House // c.1858

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The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.

Amos A. Lawrence House // 1851

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Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

Harry W. Cotton House // 1905

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In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.

John R. Perry House // 1904

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This lovely Colonial Revival style house on Powell Street in Brookline was built in 1904 for Charles H. Owens, Jr., an interior designer who just two years later, built another home next door that he would reside in with his own family. This house was rented to John R. Perry, who was also listed as a “decorator” in city directories and president of Perry, Lewis & Whitney, a design firm. The house (like its neighbor built two years later), was designed by the architectural firm of Loring and Phipps and was oriented southward to face the side yard. The Perry House features small projecting oriel windows, a broad gambrel roof, and an entrance portico supported by Tuscan columns.

Captain John Clark House // 1802

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The Captain John Clark House in Canterbury, Connecticut, is one of the finest examples of the Federal style of architecture in New England, and has remained in a fine state of preservation since its construction in the early 19th century. The house was built by 1802 for John Clark (1731-1834), who purchased an earlier home on the site from and had it either taken down or enlarged to its present appearance. The mansion is symmetrical with five bays, central entry and twin chimneys projecting through the hipped roof. The central bay is a showstopper with its triangular pediment at the roofline containing a fanlight, Palladian window at the second floor, and main entrance with its own pediment, sidelights, fanlight transom, all framed by two-story columns. The house’s south facade is equally beautiful with its own Palladian window and entrance.

Dr. Andrew Harris House // c.1820

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This house is located across from the iconic Prudence Crandall House in Canterbury, Connecticut, and is another excellent example of a high-style Federal home in the town’s main village. Built in circa 1820, this residence was the home of Dr. Andrew Harris (1787-1840), one of two physicians in Canterbury in the early 19th century. After Dr. Harris’ death, the property was owned by Hiram and Nancy Waldo, who altered the house with the addition of a Victorian observatory at the rear, two-over-two sash windows, and an entry porch with paired door entrance.

Levally-Crandall House // c.1820

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This attractive Federal-style Cape house is located in Canterbury, Connecticut, and is one of the very finest such houses of its type in the state. The house was built by William Levally, a successful millowner in town who married Patience Horton just prior. William died unexpectedly in 1841, and the property was inherited by Patience, who then married Hezekiah Crandall, also a millowner, who was also the brother of Prudence Crandall, the teacher who operated the famous African American girls boarding school in Canterbury Center in the 1830s. Hezekiah and his sister later migrated to Kansas, after essentially being pushed out of town. The Levally-Crandall House stands out for its proportions, exterior moldings, and ornate entry with pilasters, sidelights, and a molded, keyed arched transom. The house has been lovingly preserved by the successive owners, who clearly take pride in owning such a piece of history.