Leland Homestead // 1843

The small, rural Town of Baltimore, Vermont, was originally a part of Cavendish but due to the geography and a mountain separating the village from the main town, residents here voted in 1793 to set off as its own town. The nomenclature of the town name, Baltimore is not clear, as the city in Maryland was named for George Calvert, first Baron Baltimore, who was granted that colony in 1632, but there is no evident connection between the two communities. The word Baltimore itself is Celtic for “large town”; appropriate for Calvert’s colony, perhaps, but hardly for this Vermont town, which is one of the smallest in the state in terms of population or square miles. The town has always been a community without a distinctive village center and has long been primarily farmland, with properties bounded by stone walls and forests. This stone house on Harris Road in Baltimore was built in 1843 by Joshua Leland and his wife, Betsy Boynton. A history of the town speaks of the house, “It was one of the most attractive houses ever built in Baltimore, a well-built front hall and stairway, four fair-sized pleasant rooms downstairs, three well-arranged chambers and a convenient back stairway, all well-finished”. The home, with its date of construction over the front door, remains one of the most historic and well-preserved buildings in the town of just over 200 residents.

Charles Storrow House // 1884

Facade

This shingle and brick Queen Anne style house at 112 High Street in Brookline, Massachusetts, was built in 1884 for Charles Storrow and his wife, Martha Cabot Storrow from plans by architect, Edward C. Cabot, Martha’s father. The lot here is said to have been gifted to Charles from his father, Charles Storer Storrow, a prominent civil engineer and industrialist, who is known for designing and building the dam and textile mill complex in Lawrence, Massachusetts. Besides the Victorian main house, the property included a historic stable and a detached house on an adjacent lot, which appears to have been rented by Mr. and Mrs. Storrow. The property was designed by Frederick Law Olmsted’s firm, with rustic rock walls, natural topography, and large, mature plantings. The Storrow House originally had stained glass windows designed by John LaFarge, which were sold in the 1970s. 

Side elevation.

Codman-Gillet House // 1928

Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Dana House // 1896

The Dana House at 41 Allerton Street in Brookline, Massachusetts, is one of many stately suburban residences designed in the Colonial Revival style here. Built in 1896 for Ms. Julia Hurd Dana (1825-1914), a widow of James Dana, who was a Mayor of Charlestown between 1858-1860, before it was annexed to Boston. The Dana House was designed by the important architectural firm of Chapman & Frazer, who specialized in higher-end suburban housing at the turn of the 20th century. Julia Hurd Dana was the daughter of William Hurd of Charlestown, and after her husband’s death, moved to Brookline in this new home with her daughter, Mary. The residence is notable for its ample setback from the street, providing a front yard garden, hipped roof of slate with pedimented dormers, and palladian window over the portico which is now covered in crawling ivy.

Tully Bowen House // 1853

Designed by great architect, Thomas Tefft, this three-bay, three-story brownstone house located at 389 Benefit Street in Providence, was built for Tully D. Bowen, a cotton manufacturer. The house, one of the finest Italianate style mansions in the state, is constructed of brownstone and features a recessed arched entrance surrounded by a flat-headed Doric-pilastered frame, pedimented first-floor windows resting on brackets with the alternation of flat and pedimented heads at the second story, and quoining at the corners. The property also retains its original Tefft-designed brick and brownstone carriage house. Thomas Tefft, who was just 27 at the time of designing this house and corresponding brownstone and iron gate, would become one of America’s finest architects before he died in Florence with a fever in 1859 at just 33 years old. The residence was converted to 12 apartments in 1941 and the carriage house was converted to residential use as well. Even with the subdividing the interior spaces of the residence and carriage house, the Bowen property remains in a great state of preservation and is one of the finest homes in Providence.

Pierce-Guild Lightning Splitter House // 1781

The Pierce-Guild House at 53 Transit Street in the Fox Point neighborhood of Providence, Rhode Island, is one of the most iconic and photographed residences in the state. Known as a “lightning splitter”, the unique name is taken from local folklore that the sharp angle of the gable roof will deflect or split lightning if struck. Whether or not this superstition is true, the unique house form numbers to less than a dozen in Rhode Island. This house, arguably the most well-known for its location off Benefit Street, was originally built in 1781 as a modest 1-1/2-story cottage with a gambrel roof for Daniel Pierce (Pearce), a tailor. In 1844, the property was sold to George Guild, a grocer, who modernized the house by creating the massive gable roof to provide a narrow third floor, which was illuminated by the end windows and a diminutive dormer at the roof. The house retains much of its character, after a restoration by owners in the mid-late 20th century.

Benoni Cooke House // 1828

The Benoni Cooke House at 110 South Main Street in Providence, Rhode Island, is one of the finest examples of an architect-designed Federal style residence in the state. A fine and somewhat-typical example of architect, John Holden Greene’s 1820s work in the Federal style, the residence is actually the remaining half of what was originally a pair of mirror-image houses, built for two brothers-in-law and business partners, which once faced one another across a driveway leading to a large, well-preserved service court defined by connected stables (most of which remain). The mirror house, built for Rufus Greene, was demolished in 1895 for the expansion of the Old Stone Bank next door. The Benoni Cooke House was built in 1828 and sits atop an arcaded basement on the street elevation, which historically was used for commercial use. The Cooke House retains its iconic hipped roof with monitor (common for John Holden Greene’s works), an Ionic portico sheltering the entry with sidelights and fanlight transom, and elaborate stairhall window above. The building was later occupied as offices for the Old Stone Bank, and along with the Old Stone Bank, was acquired by Brown University, who sold the property in 2009 to an LLC, but its current use is unclear.

Tillinghast House // c.1800

The Tillinghast House at 10 James Street in Providence, Rhode Island, was built around 1800 by Captain Joseph Tillinghast (1734-1816), and it was occupied by a number of his children in the early 19th century. By 1818, with Joseph already deceased, the Federal style home was owned by two of his daughters, Mary, and Amey Tillinghast, who operated a small store from the basement. The two-and-a-half-story, brick Federal house is set on a high basement all with brownstone trim at the stringcourse (between first and second stories) and at the entrance. The house was restored in the late 1970s, along with a new clapboard addition by designers, Luigi Bianco and Georgia Patterson Boomer, of Bianco/Boomer. Without nearly as much ornate detail as many other Federal style homes in the East Side area of Providence, this residence proves that high-quality materials and strong proportions can make a home truly stand out!

William Smith House // c.1826

The William Smith House at 18 James Street in the Fox Point neighborhood of Providence’s East Side, is similar to its neighbor, the William Woodward House in style and design details. Smith, a carpenter by trade, possibly built this house himself, with inspiration or plans by local architect, John Holden Greene, who designed many similar homes in the city around this time. The residence was built around 1826 and it was built into the steeply sloping hill on its raised granite foundation. Besides its elegant proportions, the house features a shallow hipped roof with monitor, fanlight over the door, and brownstone sills and lintels.

Simeon Ingraham House // 1795

Simeon Ingraham (1749-1840), a housewright (house builder) purchased a corner lot on Wickenden Street in the Fox Point area of Providence in 1795, and constructed this absolutely stunning late-Georgian home that has survived centuries of commercialization and Urban Renewal of the surrounding area. In the early decades, Simeon purchased lots nearby and built houses, selling them for profit, and repeating this until his death in 1840. Simeon left no will, and the property was eventually purchased by his eldest son, Solomon, who bought out all of his other heirs for their shares of the property. Solomon allowed his widowed stepmother to reside in the home until her death in 1851. Solomon operated a store nearby, and it was likely he who jacked up the house, adding the brick ground floor for commercial purposes in the 1850s, coinciding with the increased commercialization of Wickenden Street. When the house was raised, the former center entry (now on the second floor) was turned into a window, with the doorway placed in the new brick level. Changes like these showcase how buildings are vessels of history, informing later generations of the layers of history that our cities and towns experience over time.

Larkin-Ladd House // c.1813

The Larkin-Ladd House at 180 Middle Street in Portsmouth, New Hampshire, is a three-story, masonry Federal-style residence with symmetrical facade, built for one of the city’s wealthiest merchants. Samuel Larkin (1773-1849) was born in Charlestown and moved to Portsmouth, marrying Ann Jaffrey Wentworth, a daughter of Col. Joshua Wentworth. During the War of 1812, Samuel Larkin made his fortune as an auctioneer, selling the contents of English ships captured by local privateers. It is believed that fourteen privateers and their crews worked out of Portsmouth Harbor and are said to have captured an estimated 419 British ships! With the profits from stolen goods from these British ships, Larkin purchased lots on Middle Street and began construction of this stately residence. He (and mostly his wife), had twenty-two children, although roughly half of them died before reaching adulthood. By the late 1820s, financial hardship fell on Larkin and he sold this property, moving into his house next door, which before this was his original residence and later rented to boarders. The Federal style mansion was later owned by Henry H. Ladd, a prosperous Portsmouth shipping merchant, who also served as President of New Hampshire Bank and Portsmouth Savings Bank. The Larkin-Ladd House is undoubtedly one of the finest Federal style residences in New England, and stands out for its entrance, flanked by Palladian windows and the slightly recessed elliptical surrounds at the first and second floor windows. Additionally, the historic stable, also from the 1810s, maintains much of its architectural integrity.

Stanwood-Upham-Prescott House // c.1790

Federal period houses like the Stanwood-Upham House at 199 Middle Street in Portsmouth, do not need the frills and detailing of later Victorian styles, in this case, less can definitely be more! This residence was built around 1790 for William Stanwood (1746-1827), a wig-maker, merchant and Revolutionary War veteran. After his death, the property was acquired by Timothy Upham (1783–1855), who himself was a veteran in the War of 1812, who at the Siege of Fort Erie, led the regiment to rescue General James Miller. After the war, he was appointed as Collector of Customs at Portsmouth, and engaged in politics before moving to Charlestown, living there until his death in 1855. The residence was later-owned by sisters, Mary Elizabeth and Josephine Fitts Prescott, who purchased the property from inheritance of their late-brother, merchant, Charles William Prescott. The residence has a five-bay symmetrical facade with center entrance with pediment and fanlight transom, slate roof, and twin chimneys.

William Sever House // 1755

The William Sever House is an architecturally and historically significant residence in the town center of Kingston, Massachusetts. A prosperous merchant, owner of ships involved in coastal and international trade and member of the colony’s House of Representatives, William Sever (1729-1809) was prepared to erect a home of appropriate status when he married his cousin, Sarah Warren, in 1755. Sever joined his father Nicholas Sever’s commercial shipping business after graduating from Harvard College in 1745 and in 1754, was elected to the Massachusetts Bay Colony’s House of Representatives. In 1769, Squire Sever was elected to the Governor’s Council, a position he held until 1774 when he joined the Provincial Congress. Due to his experience and seniority, Sever was appointed to head the Congress and was declared “President of Massachusetts” and endowed with the governor’s executive powers. After his death in 1809, the house remained in the Sever family for generations, including as a summer residence for James W. Sever, the namesake of Sever Hall at Harvard University. The residence is well-preserved and showcases the telescoping nature of some of these early Colonial-era properties, with the main house adjoined by a barn and carriage house and diminutive ells and was thoroughly documented in the 1930s through the Historic American Buildings Survey, with detailed drawings, plans, and photographs of the exterior and interior spaces. 

Bildad Washburn Tavern // c.1774

This stately Georgian style house on Main Street in Kingston, Massachusetts, was originally built in nearby Marshfield and later moved to its current location just decades later. The house was built on the Winslow estate in Marshfield in about 1774 by either Dr. Isaac Winslow or his brother, Maj Pelham Winslow. In 1796, the property was purchased by Bildad Washburn, a noted gravestone carver, and the house was moved to its present site. Reports state that the house was moved by boat and oxcart to its current location, where it became a tavern and residence of Mr. Washburn. In 1804, the house was sold to Major George Russell, a merchant and town clerk, who later served in the War of 1812, who converted the ell into a store where he sold, East and West India goods from his ships. After his death, his daughter ran a dame’s school from the house. The Washburn Tavern is significant as a large Georgian-era house that remains in a great state of preservation.

Higgins-Little House // 1890

This “painted lady” on Roslin Street is one of the many fine Queen Anne Victorian houses in the Ashmont Hill neighborhood in Dorchester, Massachusetts. The residence was built in 1890 for original owner, Lewis H. Higgins, a master mariner who was born in Wellfleet before moving to Boston. Higgins seemingly resided here with his family for a short time until the house was sold in 1893 to Samuel and Grace Little. The house is perched on a hill and features a prominent rounded corner tower. The original porch with turned posts and gable detailing stand out with the intricate paint scheme used to highlight all of the amazingly preserved ornamentation. While paint schemes like these are not historic, they do bring joy to owners and passersby, and help viewers appreciate the care that these stewards take in maintaining their old homes.