Massachusetts History

Captain Benjamin Smith House – Vineyard Gazette Building // c.1760

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The Captain Benjamin Smith House on South Summer Street in Edgartown, Martha’s Vineyard, Massachusetts, was constructed c.1760 and retains its historical and architectural integrity. Capt. Benjamin Smith (1740-1821) was a military captain who commanded a company of militia on Martha’s Vineyard during the Revolutionary War, after, he served as a County Sheriff and Town Clerk. Captain Smith and his wife, Love (Coffin) Smith, had nine children in this home; with two of their sons becoming sea captains. The property remained a single-family residence until it was purchased in 1938 by the Vineyard Gazette, the first newspaper to be published in Dukes County, beginning in 1846. When the newspaper purchased the building, it constructed a rear addition, seeking to preserve the old home but expand the footprint to increase its operations with editor offices located in the main house and assembling and printing machinery in the addition. The Smith House-Vineyard Gazette Building was later acquired by the Vineyard Trust in 2010 who preserve the building and continue to rent the space to the Gazette. The pre-Revolutionary residence features a five-bay facade, shingle siding,  and lovely historic double-hung windows. 

Coffin-Dunham House // c.1682

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John Coffin (1647-1711) was born in Haverhill, Massachusetts, and later moved to Nantucket with his father finding work as a blacksmith. John moved to Edgartown (Martha’s Vineyard) in 1682, continuing his profession there as the island’s premier blacksmith. Soon after arriving, John Coffin and his wife, Deborah, built a small residence and blacksmith shop, here on South Water Street, which later became this stunning property with later additions and alterations. The construction of the original section is said to be built of timber infilled with brick, a luxury but also a necessity to protect John Coffin’s house in case of a fire from his attached blacksmith shop. The business did well and John and Deborah moved to a new residence on North Water Street by the turn of the 18th century. This property overlooking the harbor was later occupied and expanded by various artisans, including Elijah Dunham, a shoemaker, in 1792. It was likely under Dunham’s ownership that the house was expanded to its present two-story form with telescoping ells. More recently, the Coffin-Dunham House, one of the oldest extant buildings on the island, was thoughtfully renovated by Patrick Ahearn Architects.


Timothy Coffin House // 1828

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One of the finest Federal style houses on Martha’s Vineyard, the Timothy Coffin Jr. House on South Water Street in Edgartown is a well-preserved example of the five-bay, center hall form. The residence was built in 1828 for Timothy Coffin III (1797-1838), an attorney, after the death of his father, Timothy Coffin a year prior. The residence was built by master-builder Jared Coffin, likely a relative of Timothy. The builder stated that this was one of the finest houses he ever constructed. Timothy and his wife, Velina had six children in the home until his death in 1838 at the age of 42. One of their children, Zoraida, married Samuel Osborn, Jr. and inherited the house, which remained in the family until the 1950s. The residence is said to have some of the finest interior woodwork in Edgartown and features a stately doorway covered by a portico supported by fluted columns and intricate balustraded roof above. The residence also features a small “widow’s walk” at the roof, which provides views of Edgartown Harbor.

Captain Thomas Milton House // 1840

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Located on the idyllic South Water Street in Edgartown, Martha’s Vineyard, the Capt. Thomas Milton House stands as a fine and well-preserved example of a sea captain’s house built in the Greek Revival style. Captain Thomas Milton (1787-1862) was born in Liverpool, England, and first arrived to the island as a young man aboard a whaling vessel. He served as a Lieutenant and privateer during the War of 1812, when England restricted trade to maritime ports, which severely crippled the Edgartown economy. After the embargo ended, Captain Milton led whaling vessels and trade routes to as far as China. On his last trade excursion to China in 1837, Captain Thomas Milton brought back a sapling of a Pagoda Tree that was planted on the lot of his soon-to-be-built house on Water Street. Construction began on the house in 1840, which is unique for its asymmetrical four-bay facade and low hipped roof. Captain Milton died in 1862 and by the turn of the century, his residence was converted to an inn, which is now a part of the multi-building, Harborside Inn complex. The property has stood here for nearly 200 years joined by the ever-growing Pagoda Tree, which is believed to be the largest of its kind in North America. 

Captain Abraham Osborn House // 1834

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Built in 1834, this early Greek Revival house with Gothic Revival detailing, sits on Edgartown’s South Water Street, a notable street lined by large mansions built for early whaling captains on Martha’s Vineyard. The residence was built for Abraham Osborn (1798-1865), a whaling captain, soon after his marriage to Eliza Norton. Captain Abraham Osborn owned several whaling ships based out of Martha’s Vineyard and New Bedford, and one of these large vessels, the Ocmulgee, came to an untimely end early in the Civil War. When captaining the ship in September 1862, the Ocmulgee was approached by a ship flying British flags. When it got within speaking range, the British flags were replaced by Confederate colors and the rebel captain took over the ship, which contained 250 barrels of whale oil. The Confederates detained the ships officers and Captain Osborn in chains bringing them aboard their ship, the Alabama, which was known for stealthy operations to damage the economy of the Northern states. The rebels torched the Ocmulgee, forcing Captain Osborn and his crew to watch their profits burn up and sink into the ocean. The crew was detained for a few days and ultimately released near the Fayal Islands where they received help. Captain Osborn returned home and would die just three years later. The Osborn house was later inherited by his son, Abraham Jr., a retired sea captain himself, who eventually converted the large family home into a hotel called Ocean View. A famous guest at his hotel was Alexander Graham Bell, who was on island to study the extensive deafness prevalence for those on the Island. The house has since been converted back to a single-family residence and maintains its stunning Greek Revival entry portico and tripartite window in the gable with shuttered lancet openings.

Forest Hills Cemetery – Crematorium & Columbarium // 1893

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Separate from the main cemetery parcel, the Forest Hills Cemetery Crematory and Columbarium is architecturally significant and also historically significant as the the first crematory in New England. The cremation building was constructed in 1893 by the Massachusetts Cremation Society, an organization unaffiliated with the cemetery across the street. The original crematory building was designed by Ludvig Sandöe Ipsen, a Danish-American artist and designer who is best-known for his book illustrations. It is unclear why Ipsen, who had almost entirely given up architecture as a profession, was selected by the Massachusetts Cremation Society, but he showcased his design expertise for this handsome masonry building. The original crematory included a chapel, operating plant, guest area, and offices. Classical Revival in style, the building is constructed of granite with limestone trim and capped by a red slate roof. The first cremation in New England occurred here in 1894, when Lucy Stone, the important abolitionist and suffragist, passed away and was cremated here. The chapel inside the building was named after Lucy Stone. In 1905, the columbarium was added from plans by Ipsen, where cremated remains of the dead are stored and displayed in urns. In 1925, the property was sold to the Forest Hills Cemetery association and the building expanded to its current size.

Nash-Wood House // 1858

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The finest Gothic Revival style residence in Milford, Massachusetts, can be found tucked away on Claflin Street, and it features the iconic hallmarks of the style. With its steeply pitched roof, blind lancet windows, drip moulds at the windows, and intricate barge boards with hanging pendants, the Nash-Wood House does not disappoint! The residence was built in 1858 and owned at different times by men who worked in the local shoe and boot manufacturing companies in Milford; William Nash and Peleg E. Wood. The property, with its playful paint colors, has been lovingly preserved my subsequent owners.

Claflin & Thayer Shoe Shop // c.1866

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The Claflin & Thayer Company was established in 1851 by Aaron Claflin (1807-1890) and quickly became a leading boot and shoe manufacturer in Milford, Massachusetts. The business expanded after the Civil War, and built multiple buildings on the town’s Central Street, including this early stone building constructed of locally quarried Milford “pink” granite. The building depicted here included a large engine and boilers on the first floor with two stories above housing workers and boot crimping stations. After Aaron Claflin died in 1890, the business dissolved and this building became used for storage for other corporations, with the significant, yet vernacular building sitting to deteriorate.

Thom Block // 1891

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The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.

First Universalist Church of Milford // 1899

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In the summer of 1785, a Universalist congregation was formed in Milford, Massachusetts, making it one of the first in the United States. The Universalists here were led by some illustrious ministers including Thomas Whittemore, an energetic advocate of abolition and an ardent foe of the Fugitive Slave Law; Ebenenzer Fisher who left the Milford congregation to become the first president of what became St. Lawrence University; and Adin Ballou who, after serving the congregation for six years, established a religious commune in the Hopedale section of Milford called “The Hopedale Community” that was to become a model for similar religious organizations. The congregation grew and by the late 19th century, it was decided that a new church in Milford should be built. Local architect, Robert Allen Cook, who was then in his twenties, was hired to furnish plans for this handsome edifice, which was built of locally quarried Milford “pink” granite. Robert A. Cook was a personal favorite architect of the Draper Family of Hopedale and Milford, who likely held sway in his selection. The church was built in 1899 and remains an excellent example of Victorian Gothic architecture with large lancet window and many beautiful stained glass windows in the sanctuary.

Milford Opera House Block // 1881

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While altered, the Milford Opera House Block on Main Street, stands as one of the architecturally distinctive and significant 19th century buildings in Milford, Massachusetts. As the town prospered in the decades following the Civil War, and wealthy residents, including William F. Draper, an executive with the Draper Corporation in nearby Hopedale, sought to use their wealth to improve their community. In 1880, planning began to erect an opera house building, which would bring the arts to the community, and after months of discussion and planning, funding and a site on Main Street was secured. Architect, Frederick Swasey was hired by the association, who furnished plans for the Victorian Gothic building to contain five retail stores on the ground floor with an auditorium above capable of seating 1,100. The building suffered from a fire in 1912 and use as an opera house ceased and starting in the 1920s and the building began showing moving pictures. Later in the 20th century, the building was altered with the storefronts enclosed, windows on upper stories changed, iron cresting at the roof and clock face removed, but the building still retains its ornate entrance and is an important landmark on the town’s Main Street.

Milford Armory // 1912 

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A source of local pride, the Milford Armory building on Pearl Street in Milford, Massachusetts, is an architectural landmark in the community and shows how adaptive reuse can give old buildings new life. The structure was completed in 1912 and constructed of locally quarried and cut Milford granite, a pinkish-grey granite that covers an area of approximately 39 square miles, centered around present-day Milford. Between the Civil War and WWII, the town of Milford became famous for its “pink” granite as a building material, with over 1,000 men laboring in dozens of quarries supplying the stone for some of America’s most iconic buildings including: the Boston Public Library, Worcester City Hall, as well as the original Penn Station and Natural History Museum in New York, among many others. Besides being built of local granite, the Armory was also designed by local architect, Wendell T. Phillips, who followed nationwide trends designing the building like a fortified Medieval castle with crenellated towers, with long and narrow windows recessed, emulating the slit windows used in similar medieval structures. Like in many communities all over the country, the need to store firearms and major National Guard trainings declined with some being demolished, others sitting vacant, and others like the Milford Armory, seeing new life. The Milford Armory was slated for closure in 2002 and was ultimately saved when the Town of Milford and the National Guard struck a deal to initially rent the building for a Youth Center and gymnasium and share the space with the Guard.  The armory was home to the popular Youth Center, which needed gym space not available anywhere else. The building was ultimately purchased by the town and underwent a massive restoration, being rededicated as the Milford Youth Center in 2016. 

Jones-Corbett Farmhouse // 1723

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Possibly the oldest extant building in the town of Milford, Massachusetts, the Jones-Corbett Farmhouse stands as a well-preserved example of a rural, First Period residence for early settlers to the area. The Jones Family first arrived in present-day Milford in 1703, when Elder John Jones (1669-1753) settled in the area from Hull, and raised his family in the first wood-frame dwelling in the area, which was still occupied by the Nipmuc Tribe. Elder John Jones raised six children from their home (demolished in 1874), including John Jones Jr., who built this house. John Jones built this house by 1723 but after a few years, traded properties with his brother-in-law, Daniel Corbett, and sister, Sarah. The house was likely added onto with the saltbox roof as the family grew in size and prosperity, and a barn was built on the estate to house horses and other livestock. When Daniel Corbett died in 1753, among his listed property included “a negro boy, his bed and hoe”, with his enslaved young man likely residing in this home and working the property. The residence is an important piece of Milford history that tells the full story of early America.

Charles Smith House // 1914

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The neighborhood of Touisset in Swansea, Massachusetts overlooks Mount Hope Bay and was largely developed in the early 1900s by Fall River real estate dealer Jacob Fash who worked with local architect, Edward I. Marvell to lay out house lots and likely design houses for middle-class residents. One of the more fashionable houses on the waterfront is this residence, built in 1914 for Charles Smith, an inventor who patented rollers and machinery to lay gold-leaf. Soon after moving into this house, he filed for bankruptcy and the house was sold at auction to William R. Randall of Providence. The house can be categorized as an example of the Arts and Crafts style with elements of Tudor Revival and Spanish Colonial Revival styles, all reaching their height of popularity in the early 20th century. The use of stucco walls, stone porches and red terracotta roofing tiles enhances its curb appeal.

Brown Homestead // c.1750

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This large, gambrel-roofed Georgian house is located on Pearce Road, a winding road that runs the waterfront of the Cole River that spans between Swansea, Massachusetts, and Rhode Island. The house was owned by Captain John Brown (1675-1752) of the wealthy trading and slave-holding Brown Family which the prestigious Ivy League Brown University is named after. While extensive deed research of this home is not known, the property was mentioned in John Brown’s will of 1752 so it dates to at least 1750. It is possible that the house was expanded in the second half of the 18th century to its current form. The property remained in the Brown Family until 1911, and has been lovingly preserved by its successive owners.