Classical Revival

A. C. Houghton Mansion // 1897

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The first mayor of North Adams, Albert Charles “A. C.” Houghton (1844-1914), built this house on Church Street in 1897. Albert was born in Stamford, Vermont and would become president and principal owner of Arnold Print Works (now Mass MoCA campus) and the Beaver Mill in town. He did well for himself and had this large mansion built from plans by Berkshires architect Henry Neill Wilson. Tragically, on August 1, 1914, A. C. Houghton was being driven in town by his driver with his daughter Mary and her husband in the car. They crashed and both Mary and her husband died, with seventy-year-old Albert succumbing to his wounds over a week later in his home. His driver soon thereafter shot himself. The Houghton mansion was inherited by Albert’s wife Cordelia, who passed away in 1918. Their daughter Florence Gallup next inherited the mansion but was living in the Boston area, and she decided to sell the family home to the local Masonic Lodge in 1927. They likely added the brick addition at the rear for meetings and events soon after. It is not clear to me what the mansion is used for today, any locals have more information?

Murdock Hall – MCLA // 1896

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In 1894, the Massachusetts legislature decided to build four Normal Schools for the purpose of training teachers for teaching in public schools. North Adams was chosen as one of the sites because it was a commercial and industrial center of the Berkshires, and because the city agreed to contribute the land and provide other support. The training of teachers for the public schools was especially important for North Adams in the 1890s, as the city was growing at a rapid rate due to an influx of immigrant laborers working in local factories and raising families in the city. Local architect Henry Neill Wilson was hired to furnish plans for the school building, completed in 1896, which was designed in the Renaissance Revival style. In 1932, the Normal School became the State Teachers College of North Adams, reflecting the increased importance of education as an academic discipline. In 1960, it changed names to North Adams State College with an expanded focus to include professional degrees in business administration and computer science. In 1997, the College joined the State University system and renamed again as Massachusetts College of Liberal Arts.

Middlebury Congregational Church // 1935

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Located next door to the Middlebury Town Hall, the Middlebury Congregational Church has a very similar history to its Classically inspired counterpart. The congregational church here was established in 1791, less than a year after a separate Middlebury ecclesiastical society was granted and the first church here was erected in 1794. Decades later, a more traditional and larger church was desired by the congregation, so they had a Greek Revival style church built in 1839. Nearly 100 years later, the church (and adjacent original town hall building) burned in a large fire in April 1935. Undeterred, the congregation hired architect Elbert G. Richmond, AIA (1886-1965), who as a young man worked in the New Haven office of J. Frederick Kelly, Connecticut’s first and most famous restoration architect. The present building is a near-replica of the mid-19th century church building, and even has a bell that was recast from pieces of the old bell that crashed through the building during the earlier fire. Talk about rebirth!

Middlebury Town Hall // 1936

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The first white settlers arrived in what is now the Town of Middlebury, Connecticut in the early 1700s, displacing Algonquin people who lived there long before. By the late 1700s, there was sufficient population to justify a petition to the General Assembly for establishment of a separate Middlebury ecclesiastical society, and such action was taken by the legislature December 29, 1790. They named the new town Middlebury due to its location between the existing towns of Waterbury, Woodbury and Southbury. The first church edifice was completed four years later, on the town green in the center of the new town. Other buildings normally found in a village center followed, including store, tavern, school, blacksmith shop and other churches. The town grew organically as a more agricultural center and saw some suburban development due to the proximity to larger population centers. In 1935, a fire destroyed the existing 1840s church and 1890s town hall, forcing the town to rebuilt. They hired J. Frederick Kelly, who was not only an architect but a historian who restored many significant buildings all over the state, to furnish plans for a new town hall. The present Classical/Colonial Revival building features two columns in antis and recessed pediment that echoes the adjoining Greek Revival church, but the Town Hall is executed in brick instead of wood (to give it more fireproofing than the last building). On the sides, the building has elliptical and round-headed windows and other elaborate details that suggest the Federal style.

First Church of Christ Scientist, Providence // 1906

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One of the most stunning and monumental buildings in Providence is this building, a church which pretty closely resembles the Rhode Island State House! Christian Scientists in Providence began to hold informal services in 1889 and received a charter from the state legislature in 1895. Construction started on this church, the First Church of Christ, Scientist in 1906 from plans by local architect Howard Hoppin who roughly modeled the building after the congregation’s Mother Church in Boston. The Classical Revival building is capped by a copper hemispherical dome supported by a colonnade of Corinthian columns. The main block of the structure at the street is fairly modest, possibly due to the residential character of its surroundings.

Dimock Center – Goddard Nurses Home // 1909

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Located adjacent to the Zakrzewska Building and Cary Cottage at the former New England Hospital for Women and Children is the 1909 Goddard Nurses Home, designed by John A. Fox. This three story brick building typifies the Classical Revival style with its recessed central entranceway and symmetrical fenestration with flared brick keystone lintels. The slate hipped roof is perforated by three dormers on the front facade. The broad overhanging eaves have exposed rafters which is an element of Craftsman design, common at the time. The Goddard Nurses Home provided living accomodations for up to fifty nurses who worked at the hospital. It was named after Lucy Goddard, one of the original incorporators of the women’s hospital, she served as president for twenty-five years.

West Roxbury District Courthouse // 1922

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Boston neighborhoods are very confusing, and how the West Roxbury District Courthouse came to be located in Jamaica Plain is just one example. The independent Town of West Roxbury was in existence from 1851 until 1874, a mere 23 years, bookended by its time as a section of the Town of Roxbury and being annexed into the City of Boston. West Roxbury originally included parts of the Jamaica Plain and Roslindale neighborhoods. Ultimately, West Roxbury became one of the city’s eight large districts and its municipal court division is served by this Neo-Classical style building. Built in 1922, the current West Roxbury Courthouse building on Arborway, was and still is, from a municipal court perspective as well as an historical perspective, in West Roxbury. The West Roxbury District Courthouse was designed by Timothy G. O’Connell and Richard Shaw of the firm O’Connell and Shaw who were best known for their ecclesiastical designs in New England, largely specializing in the Gothic and Arts and Crafts styles. Their design for the West Roxbury Courthouse remains one of their finest non-religious buildings and a departure from their traditional styles.

Cumberland County Courthouse // 1910

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The Cumberland County Courthouse in Portland, Maine, designed by Guy Lowell, architect of Boston with local associate architect George Burnham was designed in 1906 and completed in 1910 and is the best in Classical Revival architecture. On the north and east sides is a three-story addition built between 1988 and 1991 by Terrien Architects Inc., showcases how Modern additions can be contextual and recessive, highlighting the historic buildings which they are attached to. What do you think of the original courthouse and its addition?

Portland Central Fire Station // 1924

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The Central Fire Station in Portland, Maine was built in 1924 and designed by William R. Miller & Raymond J. Mayo, architects located at 465 Congress. Lester I. Beal, a draftsman employed by Miller & Mayo, participated in the design. It was erected to contain the administrative offices of the Portland Fire Department, as well as to house fire engines and other apparatus of the inner city district. Portland has one of the oldest fire departments in the nation, 1768, when Falmouth appointed fire wardens to look for fires at night and alert the residents. In 1786, the citizens of Falmouth formed a separate town in Falmouth Neck and named it Portland, after the isle off the coast of Dorset, England. After the Great Fire of 1866 destroyed much of Downtown Portland, a new central station was built in 1867. The structure was deemed obsolete with new, large ladder trucks replacing smaller engines. The entire downtown block was demolished for the current Central Fire Station for the present building. The small building is at the center of a large lot, which is likely a candidate for redevelopment in the future (after some adjacent surface parking lots are developed).

Quabbin Park Cemetery Building // 1940

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By the early 1900s, metropolitan Boston’s demands for freshwater began exceed its supply, causing the state legislature to look for other sources of water to supply the metro’s population growth. A 1922 study endorsed the Swift River Valley (Quabbin area) as the best location for a new reservoir that could supply Massachusetts with fresh water, but there was one issue, there were towns and people living there. To create the Quabbin Reservoir, the depressed land would need to be flooded, this required over 80,000 acres of land to be purchased or seized by eminent domain by 1938. Four towns: Dana, Enfield, Greenwich, and Prescott were disincorporated and their excess land not flooded was added to surrounding municipalities. In total, an estimated 2,500 residents lost their homes as part of the flooding. Not all elements of the towns were destroyed, however. Town memorials and cemeteries in the four towns were moved to Quabbin Park Cemetery, in Ware, a short distance from the Quabbin Reservoir. Many other public buildings were moved intact to other locations (like those in Dorset, Vermont featured previously). In the over 80,000 acres that were flooded, the Commonwealth had to relocate an estimated 7,500 burials in over 35 cemeteries in these flooded towns. Bodies were removed from their respective locations, and intered in the new Quabbin Park Cemetery, built by the Commission in 1932 with grounds designed by landscape architect Arthur A. Shurcliff. An area for unknown graves and a memorial area at the entrance to the cemetery also contains public war monuments from the abandoned towns. This service building was added to the cemetery from designs by architect Frederick Kingsbury who died during its construction.

Unitarian Church of Barnstable // 1907

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Early in the 17th century, the Rev. John Lothrop and his followers left England for these shores seeking religious independence. They settled first in Scituate and a few years later came to Barnstable, arriving in 1639. They constructed their first meetinghouse in 1646 on Coggins Pond, about a mile west of this church. Lothrop’s second dwelling in Barnstable is the current Public Library in town (featured previously). In the early 19th century there was considerable theological debate in the “churches of the standing order” in New England. Many churches actually split over this debate, the traditionalists becoming Congregationalists and the liberals becoming Unitarians. The Eastern Parish in town was thus occupied by the Unitarians. In 1836 the original meeting house was removed and a new, larger one was constructed. It was destroyed by fire in 1905, and planning began for a new church. The present edifice was dedicated in 1907, and was designed by architect Guy Lowell, the architect of the Boston Museum of Fine Arts and the New York County Courthouse. His traditional, Classical designs were featured in publications all over the country. This church in the Classical Revival style is one of the finest on Cape Cod.

United States Hotel, Boston // 1839-1930

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On August 18, 1929, the United States Hotel in Downtown Boston closed its doors for good. Once housing and feeding over 700 guests per night, the hotel saw severely declining numbers by the time of the Great Depression. Construction on the hotel commenced in 1837, and it was completed two years later in 1839. The hotel was operated by the Messrs. Holman and Clark, who saw an immediate success due to the hotel’s location central to Boston’s major train stations. The hotel (which first contained 300 rooms) did so well that the building was expanded numerous times with undulating additions to maximize light and air into the many rooms. At the hotel, over 150 employees served the guests at their rooms, the dining halls, bathing facilities or the stables which had drivers ready at a moments notice. The United States Hotel was one of the finest establishments in Boston and was thought to be the largest in the country by the middle of the 19th century. The size and amenities however was the downfall of the iconic hotel as Boston’s train stations saw fewer passengers in the early decades of the 20th century. Owners of the hotel sought to squeeze out every last dollar from the complex before they locked her up for good, hosting an auction on everything from beds to a chair said to have been sat on by Charles Dickens during his stay. The hotel was razed in 1930.

Suffolk Savings Bank // 1906-1967

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The Suffolk Savings Bank for Seamen and Others was incorporated in 1833 as a banking institution catered to seamen and merchants who received their earnings after a trip in cash, and wanted a secure place to store their funds. At the time, these men were among the richest in the city, and the bank did very well. It later became a national bank in 1865 and membership boomed. The bank grew and grew until the early 20th century, and it needed a new banking house that showcased their stability, but also provide a visual embodiment of the security their institution provides. The bank’s board hired world-renowned architect Cass Gilbert to design a new building, which would be located on one of the busiest corners in Downtown Boston at the corner of Tremont Street and Pemberton Square. The Classical Revival building was constructed of Hallowell Granite and featured four monumental columns recessed into the Tremont Street facade. Minimal windows allowed for security, while a domed skylight covered in a cap provided light into the rounded banking room below. Inside, the walls and floors were of marble with a tile coffered ceiling. The building lasted until 1965 when Urban Renewal brought the wrecking ball. The bank was demolished by 1967 for the present Center Plaza building in Government Center.

Gregg Free Library // 1907

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The Wilton Public and Gregg Free Library is the public library for the town of Wilton, New Hampshire and is among the town’s most grand architectural designs. The library was the gift of David Almus Gregg (1841-1928), a native of Wilton who owned a successful building parts business in Nashua manufacturing doors, window blinds, and window sashes with his father, David Sr., who lived in the home featured previously. Gregg was significantly involved in the design and construction of the building, providing the highest quality building materials and contractors to the project, which was estimated to cost $100,000 when completed in 1907. The architectural firm of McLean and Wright was commissioned to design the building, who completed it in the Classical Revival style, like many of their other library designs in New England.

Woodlawn Cemetery Lodge // 1897

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Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). Adjacent to the Cemetery Gate and Tower (last post), the Woodlawn Cemetery Lodge replaced an 1850s lodge and office constructed of wood, in the Gothic-style, that was deemed unsatisfactory for later boards managing the cemetery. The group hired Boston architect William Hart Taylor to design the gate and lodge, the latter in the Classical Revival style. The buff brick building features terra-cotta trim and a red tile roof with dentil cornices and copper cresting along the ridges and eaves. The square entry tower has a columned belfry and incorporates additional Classically-inspired features including Ionic columns, moldings, swags, and wreaths, which looks like a Greek Temple plopped onto the top. Gorgeous!