Chester Meetinghouse // 1793

The Saybrook Colony was established in 1635 and covered a large geographic area near the mouth of the Connecticut River in Connecticut.  This area was later subdivided into different towns after colonial era villages were established, each with their own church congregations. As was common in the colonial era, these divisions were centered on the establishment of separate church congregations. The Fourth Ecclesiastical Society of Saybrook in what is now the town of Chester, Connecticut, was established in 1742. As the town grew, this building was constructed in 1793 as Chester’s second meeting house and served as a church until 1846, when the third Meeting House was built. In 1847, the Town of Chester acquired this old meetinghouse and from that date until 1960, it was used as the Town Hall. In 1876, the old meetinghouse was renovated with a new, projecting main entrance added to the south side of the building when the Old Town Hall enjoyed its heyday as a theater and concert hall. The Old Town Hall witnessed many events under its roof, including hosting P.T. Barnum’s Tom Thumb, who performed here, as did musical events, high school proms, and school graduations. The building had become threatened following the construction of the new Chester Elementary School, which better-hosted events, in the 1960s. Luckily, in 1970, the newly formed Chester Historical Society acquired the building and restored it as a significant piece of the town’s rich history.

Deep River Town Hall // 1893

The town of Deep River, in Middlesex County, is located in the lower Connecticut River Valley and was originally colonized as part of the Saybrook Colony. The community was incorporated in 1859 as Saybrook and renamed Deep River in 1947. An early shipbuilding and quarrying town, it later manufactured wire goods, lace, glass, ivory combs, and piano keys and is today a small community of just over 4,500 residents. The original town hall for Saybrook (Deep River) was used until it was destroyed by fire in 1891. The community, which was bolstered by a vibrant industrial community, began planning for a new, stately town hall at a triangular lot at the corner of Elm and Main streets. Plans were completed by Springfield architect, Francis R. Richmond, who laid out the flatiron building with town offices on the ground floor with an auditorium/opera house space on the upper floors. The Romanesque Revival style building features prominent rounded corners with arched openings, a granite string course, and overhanging bracketed eaves.

Graham Apartments // 1904

This handsome, and unique example of a three-decker in the English Revival style is located on a corner lot at 128 Davis Avenue in the Emerson/Brookline Village neighborhood of Brookline, Massachusetts. Built in 1904 from plans by architect and genealogist, J. Gardner Bartlett, whose work focused on colonial New England and the English origins of colonial families. Trained as an architect at MIT, he gave up architecture for genealogy, but still occasionally designed buildings in the Boston area. The building here was developed for Richard Graham, an Irish immigrant, who along with his wife, operated a laundry business in the village. The use of a shingle and stone entrance porch and entrance bay with stucco half-timbering and diamond-pane casement windows stand out architecturally as one of the few examples of a three-decker built in this style in New England.

Brookline Public Library // 1910

The Brookline Public Library in Brookline Village opened in 1910 and was designed by R. Clipston Sturgis, one of the great 20th century architects in the Boston area. Taking his cue from the south facade of the Queen’s House at Greenwich, England, Sturgis designed a modest expression of Palladianism in red brick and limestone. The building is the second library on the site, replacing an 1869 mansard roofed building that was outgrown and demolished for this building. The Brookline Library was expanded in 1974 by Integrated Design Services Group and renovated again by Perry, Dean & Rogers.

Happy Hollow Siphon House, Weston Aqueduct // 1903

The Weston Aqueduct was designed to deliver water from the Sudbury Reservoir in Framingham to the Weston Reservoir in Weston, Massachusetts. Built between 1901 and 1903, the aqueduct was designed to provide water to the suburbs north of Boston. All of the buildings that shelter the aqueducts above-ground elements, including this structure in Wayland, were designed by the architectural firm of  Shepley, Rutan and Coolidge, with landscaping along the route and at the reservoir designed by the Olmsted Brothers, landscape architects. This siphon house, known as the Happy Hollow Siphon House was built in 1903 and was an important part of the aqueduct system, as it transferred water through varied elevations using gravity and pressure to move the liquid without a pump. The aqueduct route is now a long, linear path and remains owned by the Massachusetts Water Resource Authority.

Mellen Law Office // c.1829

Samuel H. Mann (1801-1838), a lawyer, acquired the Dr. Ebenezer Ames House on Cochituate Road in 1829, only a month before his marriage to Isabella Ross. At about that time, Mann built this small law office across the road from his home, where he would practice law. It is not clear why, but within a year, Mann sold the house and this law office to Judge Edward Mellen (1802-1875), who was appointed Chief Justice of the Massachusetts Court of Common Pleas in 1855 and practiced law in Wayland until his death in 1875. After his death, the law office sat largely vacant until during World War II, when a newsletter to soldiers, The Village Bugle, was published here. After this, a couple of businesses used the former law office in the 1950s and 1960s until the owner donated the lot to the Town of Wayland in 1971. The diminutive building is a charming, and well-preserved example of a vernacular, Federal period professional office building that mimics the form and materials of the Ames House to which it was long affiliated with.

Sterling Opera House // 1889

The Sterling Opera House in Derby, Connecticut, is a landmark performing arts venue and civic center in the state and significant as a rare and well-preserved building constructed in the Italian Renaissance Revival style. Built in 1889, the building is named for Charles A. Sterling, founder the former Derby-based Sterling Piano Company, who paid for much of the costs of construction and design for the building. For his namesake building, Charles Sterling hired architect H. Edwards Ficken, who also  assisted with the designs for the famous Carnegie Hall in Manhattan, New York, to furnish plans for the unique building. The Opera House was built to serve both political and entertainment needs for the community, with the lower two levels and the basement serving as City Hall offices and the police station from when it opened up until 1965. The auditorium was used for hundreds of shows and live musical performances in its day, with many world-famous performers such as Harry Houdini and Red Skelton taking the stage at the Sterling. Shows were held up until 1945 when the curtain closed for the last time. In the past decades the building has been largely vacant and kept alive by grants and a dream by the city to preserve this significant landmark, possibly for reincorporation as the City Hall. 

Lancaster Town Hall // 1908

The Town Hall of Lancaster, Massachusetts, was built in 1908 and is one of four religious and civic buildings framing the village’s bucolic town green. The Town Hall was built opposite the Charles Bulfinch-designed First Church of Lancaster and replaced an earlier town hall building that was constructed in 1848. The building was largely funded as a gift from wealthy Lancaster-native, Nathaniel Thayer’s sons, following their late-father’s death. Boston architect, Alexander Wadsworth Longfellow, the nephew of poet Henry Wadsworth Longfellow, was hired to furnish plans for the building, which is Colonial Revival in style, a perfect compliment to the historic New England town.

Fullerton Inn // 1921

The Fullerton Inn, overlooking the Town Common in Chester, Vermont, is an imposing Colonial Revival style hotel that has been in operation through many iterations, and contributes to the strong commercial character of the Chester Village streetscape. The inn was first developed here following the arrival of the railroad to Chester, which brought new business and travellers to the formerly agrarian and light industrial community. The original 1862 inn building, known as the Ingraham House, was destroyed following a large fire in the village, and its replacement burned as well in January 1920. Within a year, the present building was built from the ashes in a style typical of the early 20th century, Colonial Revival. Dominated by the large slate-shingled gambrel roof and projecting front veranda, the building’s most iconic feature is said to be inside, a fireplace inside the lobby which contains 27 stone varieties from the area.

Chester Congregational Church // 1828

A significant landmark in Chester, Vermont, the Congregational Church of Chester is a sophisticated interpretation of ecclesiastical Federal architecture. Built in 1828, the soaring, five-stage clock-and-bell tower with bellcast cap and weathervane rises above a pedimented three-bay entrance pavilion with semi-elliptical fanlight, a common motif in the style. It is believed that local carpenters, Comfort Carpenter Dresser and his son, Charles Dresser, built the church, likely from planbooks for specific details. The church originally served as the Union Meeting House for Congregational, Methodist, and Universalist parishioners until around 1848, when other churches set off to build their own structures, after this, the Congregationalists remained here. Today, due to years of dwindling membership and a small population in the surrounding area, the church is “replanting” to reactivate membership and realign with community needs. Hopefully this significant church will be preserved in the future, possibly through preservation grants!