The Abbott-Bowers House at on Boston Road in Billerica Center was built in 1796 and stands as a significant Federal period residence in town, though suffers from deferred maintenance. The building was constructed for James Abbott, a merchant who likely operated a store from the street-side entrance. The property was owned later by Jonathan Bowers, the first Postmaster in Billerica and his home served as the Post office for over 100 years. Many other organizations and committees have also been run out of the building. The residence is five-bays wide on all elevations and has a hipped roof with tall end chimneys and what appear to be the original windows. The building recently sold and is planned for a new commercial use, hopefully with a restoration of the exterior.
Located on the edge of the Town Common in Billerica, Massachusetts, this handsome civic building stands as one of the community’s best examples of the Colonial Revival style. The building was constructed in 1895 to replace the mid-19th century Town Hall that was destroyed by fire in 1893. The community hosted a design competition, where prominent firms from the Boston area submitted designs, and ultimately selected the plans from the firm of Warren & Bacon, led by Herbert Langford Warren and Lewis H. Bacon, who had a short-lived business partnership lasting just one year. The symmetrical, two-story brick building is trimmed with limestone and capped with a gray slate roof. The facade is embellished with a Palladianesque arched loggia sheltering the entrances with a centrally placed Palladian window above on the second floor. Additionally, the roof is adorned by a Christopher Wren inspired cupola with a gold leaf dome capped with a weathervane. The building functioned as the Town Hall with offices and a grand hall on the second floor for city meetings until the town hall relocated in 1979 to a former school building. Since 2000, the former Town Hall of Billerica has housed the Billerica Public Library, which was formerly located in a smaller historic building nearby.
The town of Billerica was originally settled by colonists in 1640, but the area west of the Concord River was not settled until after 1690. This saltbox Colonial house built around 1696 is believed to be the oldest house in town west of the river. The residence was built by Samuel Manning (1644-1711) as his homestead. Between 1752 and 1800, the Manning family operated a tavern out of the rear portion of the house. In the later years of the 18th century by the family of William Manning, a veteran of the Revolutionary War, who after the war, began to believe that his military service meant little to the American ruling class. He wrote the anti-Federalist ‘The Key of Liberty” in 1798, arguing that the goal of the “Few” was to distress and force the “Many” into being financially dependent on them, creating a continued cycle of dependence to the elite class and government. In the late 19th century, this old saltbox Colonial house began to deteriorate, until the 1890s, when descendant of its original owner, and landscape architect, Warren H. Manning, spearheaded family efforts to restore the property. As a prominent landscape architect, Manning purchased not just the house, but the surrounding lands that formed the basis of Manning State Forest, protecting both. Manning conducted a carefully documented restoration of the house in 1899, and made it his summer home. A family association was eventually formed to take over the property, which leases the old home to a local pub and restaurant. The house faces south, away from the street and the kitchen ell off the side of the house does detract from the building, but it remains a significant early building from the settlement of Billerica.
One of the most charming cottages in Edgartown is this half-cape on South Summer Street, which retains its unique character amidst the extreme wealth and desire for expansion of summer homes on Martha’s Vineyard. This home dates to around the turn of the 19th century (possibly older) and in the 1800s, was home to John Sprague Smith (1808-1893) and his wife, Mary Norton Smith. John S. Smith, like most of the community, was a mariner and lived in the house until his death in 1893. The house was not originally on this lot, however, as it was originally built on the south side of S. Water Street and moved to its present location by later owner, Allen P. Stewart, a fisherman, woodcarver and artist who made wooden ducks. The house has since been added onto at the rear, but the diminutive and charming facade has been retained, with its early 20th century shed dormer on the front slope of the roof.
The Captain Benjamin Smith House on South Summer Street in Edgartown, Martha’s Vineyard, Massachusetts, was constructed c.1760 and retains its historical and architectural integrity. Capt. Benjamin Smith (1740-1821) was a military captain who commanded a company of militia on Martha’s Vineyard during the Revolutionary War, after, he served as a County Sheriff and Town Clerk. Captain Smith and his wife, Love (Coffin) Smith, had nine children in this home; with two of their sons becoming sea captains. The property remained a single-family residence until it was purchased in 1938 by the Vineyard Gazette, the first newspaper to be published in Dukes County, beginning in 1846. When the newspaper purchased the building, it constructed a rear addition, seeking to preserve the old home but expand the footprint to increase its operations with editor offices located in the main house and assembling and printing machinery in the addition. The Smith House-Vineyard Gazette Building was later acquired by the Vineyard Trust in 2010 who preserve the building and continue to rent the space to the Gazette. The pre-Revolutionary residence features a five-bay facade, shingle siding, and lovely historic double-hung windows.
The architecturally distinguished Holmes Smith House on South Summer Street in Edgartown, Martha’s Vineyard, showcases the range in which the Greek Revival style could showcase whimsy and unique architectural details from the typical side-hall gable-end form seen all over New England. The house appears to date from the mid 1830s with its strong, symmetrical facade of flushboard siding, its three bays divided with paneled pilasters, and elaborate parapet containing a central dormer and arched fan motifs. The house was originally owned by Capt. Holmes Wass Smith (1798-1849) and his wife, Sophia (Coffin) Smith and later in the 19th and early 20th centuries by members of the Pease family. The residence is now a summer home and has been thoughtfully preserved as one of the most excellent and unique examples of its style on Martha’s Vineyard.
John Coffin (1647-1711) was born in Haverhill, Massachusetts, and later moved to Nantucket with his father finding work as a blacksmith. John moved to Edgartown (Martha’s Vineyard) in 1682, continuing his profession there as the island’s premier blacksmith. Soon after arriving, John Coffin and his wife, Deborah, built a small residence and blacksmith shop, here on South Water Street, which later became this stunning property with later additions and alterations. The construction of the original section is said to be built of timber infilled with brick, a luxury but also a necessity to protect John Coffin’s house in case of a fire from his attached blacksmith shop. The business did well and John and Deborah moved to a new residence on North Water Street by the turn of the 18th century. This property overlooking the harbor was later occupied and expanded by various artisans, including Elijah Dunham, a shoemaker, in 1792. It was likely under Dunham’s ownership that the house was expanded to its present two-story form with telescoping ells. More recently, the Coffin-Dunham House, one of the oldest extant buildings on the island, was thoughtfully renovated by Patrick Ahearn Architects.
Living on an island in the 19th century wasn’t as easy as you may think. Before this bank building in Edgartown on Martha’s Vineyard was constructed in 1855, all banking was done on the mainland, mostly in New Bedford. As Edgartown thrived as a whaling capital and later as a vacation destination, it was clear that a bank be built on the island for easy depositing and withdrawal of funds for residents. This bank, the first brick building constructed in Edgartown, was built to house the newly formed Martha’s Vineyard National Bank. It’s first president was Dr. Daniel Fisher, who made his money as a merchant and operator of one of the largest whale and sperm oil processing facilities in the country. The bank eventually relocated to Vineyard Haven and the Edgartown National Bank was created to fill the void in town. Amazingly, the building is still to this day occupied by a bank, Rockland Trust, seemingly adding to the continuous occupancy of the building by banking facilities for well over a century. The late iteration of the Greek Revival style is evident here with the heavy lintels over the oversized windows and the dentilled pediment at the facade.
One of the finest Federal style houses on Martha’s Vineyard, the Timothy Coffin Jr. House on South Water Street in Edgartown is a well-preserved example of the five-bay, center hall form. The residence was built in 1828 for Timothy Coffin III (1797-1838), an attorney, after the death of his father, Timothy Coffin a year prior. The residence was built by master-builder Jared Coffin, likely a relative of Timothy. The builder stated that this was one of the finest houses he ever constructed. Timothy and his wife, Velina had six children in the home until his death in 1838 at the age of 42. One of their children, Zoraida, married Samuel Osborn, Jr. and inherited the house, which remained in the family until the 1950s. The residence is said to have some of the finest interior woodwork in Edgartown and features a stately doorway covered by a portico supported by fluted columns and intricate balustraded roof above. The residence also features a small “widow’s walk” at the roof, which provides views of Edgartown Harbor.
Located on the idyllic South Water Street in Edgartown, Martha’s Vineyard, the Capt. Thomas Milton House stands as a fine and well-preserved example of a sea captain’s house built in the Greek Revival style. Captain Thomas Milton (1787-1862) was born in Liverpool, England, and first arrived to the island as a young man aboard a whaling vessel. He served as a Lieutenant and privateer during the War of 1812, when England restricted trade to maritime ports, which severely crippled the Edgartown economy. After the embargo ended, Captain Milton led whaling vessels and trade routes to as far as China. On his last trade excursion to China in 1837, Captain Thomas Milton brought back a sapling of a Pagoda Tree that was planted on the lot of his soon-to-be-built house on Water Street. Construction began on the house in 1840, which is unique for its asymmetrical four-bay facade and low hipped roof. Captain Milton died in 1862 and by the turn of the century, his residence was converted to an inn, which is now a part of the multi-building, Harborside Inn complex. The property has stood here for nearly 200 years joined by the ever-growing Pagoda Tree, which is believed to be the largest of its kind in North America.
Built in 1834, this early Greek Revival house with Gothic Revival detailing, sits on Edgartown’s South Water Street, a notable street lined by large mansions built for early whaling captains on Martha’s Vineyard. The residence was built for Abraham Osborn (1798-1865), a whaling captain, soon after his marriage to Eliza Norton. Captain Abraham Osborn owned several whaling ships based out of Martha’s Vineyard and New Bedford, and one of these large vessels, the Ocmulgee, came to an untimely end early in the Civil War. When captaining the ship in September 1862, the Ocmulgee was approached by a ship flying British flags. When it got within speaking range, the British flags were replaced by Confederate colors and the rebel captain took over the ship, which contained 250 barrels of whale oil. The Confederates detained the ships officers and Captain Osborn in chains bringing them aboard their ship, the Alabama, which was known for stealthy operations to damage the economy of the Northern states. The rebels torched the Ocmulgee, forcing Captain Osborn and his crew to watch their profits burn up and sink into the ocean. The crew was detained for a few days and ultimately released near the Fayal Islands where they received help. Captain Osborn returned home and would die just three years later. The Osborn house was later inherited by his son, Abraham Jr., a retired sea captain himself, who eventually converted the large family home into a hotel called Ocean View. A famous guest at his hotel was Alexander Graham Bell, who was on island to study the extensive deafness prevalence for those on the Island. The house has since been converted back to a single-family residence and maintains its stunning Greek Revival entry portico and tripartite window in the gable with shuttered lancet openings.
Separate from the main cemetery parcel, the Forest Hills Cemetery Crematory and Columbarium is architecturally significant and also historically significant as the the first crematory in New England. The cremation building was constructed in 1893 by the Massachusetts Cremation Society, an organization unaffiliated with the cemetery across the street. The original crematory building was designed by Ludvig Sandöe Ipsen, a Danish-American artist and designer who is best-known for his book illustrations. It is unclear why Ipsen, who had almost entirely given up architecture as a profession, was selected by the Massachusetts Cremation Society, but he showcased his design expertise for this handsome masonry building. The original crematory included a chapel, operating plant, guest area, and offices. Classical Revival in style, the building is constructed of granite with limestone trim and capped by a red slate roof. The first cremation in New England occurred here in 1894, when Lucy Stone, the important abolitionist and suffragist, passed away and was cremated here. The chapel inside the building was named after Lucy Stone. In 1905, the columbarium was added from plans by Ipsen, where cremated remains of the dead are stored and displayed in urns. In 1925, the property was sold to the Forest Hills Cemetery association and the building expanded to its current size.
The haunting yet beautiful monument, “Death and the Sculptor” in Forest Hills Cemetery is quite possibly my favorite piece of sculptural art and a gentle reminder to not take life for granted. Commissioned in 1889 and dedicated in 1893, the bronze monument was designed by Daniel Chester French, a sculptor best known for his 1920 monumental statue of Abraham Lincoln at the Lincoln Memorial, to memorialize sculptor, Martin Milmore and his brother Joseph, a stone-cutter. Rather than portraying death as frightening or violent, French depicts a serene winged figure gently staying the hand of a young sculptor at work, suggesting a peaceful transition from earthly labor to eternal rest. The sculpture’s quiet grace, emotional depth, and masterful craftsmanship have made it a landmark of American memorial art, inviting visitors to reflect on mortality, creativity, and the enduring power of beauty in the face of loss. To tie the work to its subjects, the young sculptor is carving a Sphynx, modeled after the 1873 sculpture the brothers worked on together that is located at Mount Auburn Cemetery in Cambridge. A marble version of the work can also be found at the Metropolitan Museum of Art in New York, carved in 1917 by the Piccirilli Brothers.
The finest Gothic Revival style residence in Milford, Massachusetts, can be found tucked away on Claflin Street, and it features the iconic hallmarks of the style. With its steeply pitched roof, blind lancet windows, drip moulds at the windows, and intricate barge boards with hanging pendants, the Nash-Wood House does not disappoint! The residence was built in 1858 and owned at different times by men who worked in the local shoe and boot manufacturing companies in Milford; William Nash and Peleg E. Wood. The property, with its playful paint colors, has been lovingly preserved my subsequent owners.
Buildings of New England 