Massachusetts Architecture

Captain Thomas Milton House // 1840

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Located on the idyllic South Water Street in Edgartown, Martha’s Vineyard, the Capt. Thomas Milton House stands as a fine and well-preserved example of a sea captain’s house built in the Greek Revival style. Captain Thomas Milton (1787-1862) was born in Liverpool, England, and first arrived to the island as a young man aboard a whaling vessel. He served as a Lieutenant and privateer during the War of 1812, when England restricted trade to maritime ports, which severely crippled the Edgartown economy. After the embargo ended, Captain Milton led whaling vessels and trade routes to as far as China. On his last trade excursion to China in 1837, Captain Thomas Milton brought back a sapling of a Pagoda Tree that was planted on the lot of his soon-to-be-built house on Water Street. Construction began on the house in 1840, which is unique for its asymmetrical four-bay facade and low hipped roof. Captain Milton died in 1862 and by the turn of the century, his residence was converted to an inn, which is now a part of the multi-building, Harborside Inn complex. The property has stood here for nearly 200 years joined by the ever-growing Pagoda Tree, which is believed to be the largest of its kind in North America. 

Captain Abraham Osborn House // 1834

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Built in 1834, this early Greek Revival house with Gothic Revival detailing, sits on Edgartown’s South Water Street, a notable street lined by large mansions built for early whaling captains on Martha’s Vineyard. The residence was built for Abraham Osborn (1798-1865), a whaling captain, soon after his marriage to Eliza Norton. Captain Abraham Osborn owned several whaling ships based out of Martha’s Vineyard and New Bedford, and one of these large vessels, the Ocmulgee, came to an untimely end early in the Civil War. When captaining the ship in September 1862, the Ocmulgee was approached by a ship flying British flags. When it got within speaking range, the British flags were replaced by Confederate colors and the rebel captain took over the ship, which contained 250 barrels of whale oil. The Confederates detained the ships officers and Captain Osborn in chains bringing them aboard their ship, the Alabama, which was known for stealthy operations to damage the economy of the Northern states. The rebels torched the Ocmulgee, forcing Captain Osborn and his crew to watch their profits burn up and sink into the ocean. The crew was detained for a few days and ultimately released near the Fayal Islands where they received help. Captain Osborn returned home and would die just three years later. The Osborn house was later inherited by his son, Abraham Jr., a retired sea captain himself, who eventually converted the large family home into a hotel called Ocean View. A famous guest at his hotel was Alexander Graham Bell, who was on island to study the extensive deafness prevalence for those on the Island. The house has since been converted back to a single-family residence and maintains its stunning Greek Revival entry portico and tripartite window in the gable with shuttered lancet openings.

Forest Hills Cemetery – Crematorium & Columbarium // 1893

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Separate from the main cemetery parcel, the Forest Hills Cemetery Crematory and Columbarium is architecturally significant and also historically significant as the the first crematory in New England. The cremation building was constructed in 1893 by the Massachusetts Cremation Society, an organization unaffiliated with the cemetery across the street. The original crematory building was designed by Ludvig Sandöe Ipsen, a Danish-American artist and designer who is best-known for his book illustrations. It is unclear why Ipsen, who had almost entirely given up architecture as a profession, was selected by the Massachusetts Cremation Society, but he showcased his design expertise for this handsome masonry building. The original crematory included a chapel, operating plant, guest area, and offices. Classical Revival in style, the building is constructed of granite with limestone trim and capped by a red slate roof. The first cremation in New England occurred here in 1894, when Lucy Stone, the important abolitionist and suffragist, passed away and was cremated here. The chapel inside the building was named after Lucy Stone. In 1905, the columbarium was added from plans by Ipsen, where cremated remains of the dead are stored and displayed in urns. In 1925, the property was sold to the Forest Hills Cemetery association and the building expanded to its current size.

Milmore Memorial, ‘Death and the Sculptor’ // 1889

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The haunting yet beautiful monument, “Death and the Sculptor” in Forest Hills Cemetery is quite possibly my favorite piece of sculptural art and a gentle reminder to not take life for granted. Commissioned in 1889 and dedicated in 1893, the bronze monument was designed by Daniel Chester French, a sculptor best known for his 1920 monumental statue of Abraham Lincoln at the Lincoln Memorial, to memorialize sculptor, Martin Milmore and his brother Joseph, a stone-cutter. Rather than portraying death as frightening or violent, French depicts a serene winged figure gently staying the hand of a young sculptor at work, suggesting a peaceful transition from earthly labor to eternal rest. The sculpture’s quiet grace, emotional depth, and masterful craftsmanship have made it a landmark of American memorial art, inviting visitors to reflect on mortality, creativity, and the enduring power of beauty in the face of loss. To tie the work to its subjects, the young sculptor is carving a Sphynx, modeled after the 1873 sculpture the brothers worked on together that is located at Mount Auburn Cemetery in Cambridge. A marble version of the work can also be found at the Metropolitan Museum of Art in New York, carved in 1917 by the Piccirilli Brothers.

Forest Hills Cemetery – Bell Tower // 1876

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Built atop Snowflake Hill just inside the entrance of the Forest Hills Cemetery in Boston, the cemetery’s bell tower stands as an architectural landmark in the iconic historic landscape. Completed in 1876, the octagonal, Victorian Gothic Revival style tower stands 100 feet tall and is built atop an outcropping of Roxbury puddingstone. The structure is also built of local Roxbury puddingstone blocks and trimmed with granite. The roof is clad with granite tiles and topped with an ornate copper weathervane. Originally, a swinging bell was rung in the tower, but it was replaced by an electronic carillon. The architect is not known for the handsome structure, but the contractors were the Concord and Roxbury Granite Railway Company, and the builders were Jacobs & Kelly of Boston.

Nash-Wood House // 1858

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The finest Gothic Revival style residence in Milford, Massachusetts, can be found tucked away on Claflin Street, and it features the iconic hallmarks of the style. With its steeply pitched roof, blind lancet windows, drip moulds at the windows, and intricate barge boards with hanging pendants, the Nash-Wood House does not disappoint! The residence was built in 1858 and owned at different times by men who worked in the local shoe and boot manufacturing companies in Milford; William Nash and Peleg E. Wood. The property, with its playful paint colors, has been lovingly preserved my subsequent owners.

Irish Round Tower, St. Mary’s Cemetery // 1894

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Thought to be the only example of an Irish Round Tower in the United States, the obscure Irish Round Tower in the St. Mary’s Catholic Cemetery in Milford, Massachusetts, stands as a piece of local history and an architectural landmark. The tower was envisioned by Father Patrick Cuddihy (1809-1898), the pastor of the St. Mary of the Assumption Catholic Church of Milford, who was born in County Tipperary, Ireland, and oversaw a largely Irish-born congregation here in the States. In 1893, Father Cuddihy sought to expand the existing St. Mary’s Cemetery which had been running out of space for the ever-growing Catholic population of Milford. For the cemetery, he envisioned an Irish Round Tower as a symbol of the Emerald Isle, his land of birth and that of most of his parishioners. Irish Round Towers were historically used in Ireland as bell towers, but for the cemetery in Milford, it would serve the purpose of beautification of the new grounds of the cemetery. Local workers began construction on the tower in 1894. Constructed of locally quarried Milford granite, the tower stands 73.5′ with a conical roof and walls two feet thick. The Milford tower is said to have been modeled after the tower on Devenish Island in Ireland and stands just 10 feet shorter than its inspiration.

Memorial Hall, Milford // 1884

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Designed by architect Fred Swasey in the Richardsonian Romanesque style, Memorial Hall in Milford, Massachusetts, is one of the finest examples of the style in the state and is built of locally quarried Milford granite with Longmeadow brownstone. The building was constructed in 1884 to serve multiple purposes: a free public library, meeting hall for the local Grand Army of the Republic (GAR) lodge, and most importantly, a memorial to honor the Civil War soldiers and sailors of Milford and nearby Hopedale. As a true Memorial Hall, the building features cannons in the front yard and on its facade, carved brownstone panels inscribed “Farragut” and “Grant” after Civil War generals, David Farragut and Ulysses S. Grant. Inside, the main staircase features the names of iconic Civil War battles and the entry features large marble panels with the list of local men who fought and died to fight for the nation. The library moved out of the building in 1986 when the current library was built behind Memorial Hall, and since then, the space has been occupied by the Milford Historical Commission as a local history museum space.

Claflin & Thayer Shoe Shop // c.1866

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The Claflin & Thayer Company was established in 1851 by Aaron Claflin (1807-1890) and quickly became a leading boot and shoe manufacturer in Milford, Massachusetts. The business expanded after the Civil War, and built multiple buildings on the town’s Central Street, including this early stone building constructed of locally quarried Milford “pink” granite. The building depicted here included a large engine and boilers on the first floor with two stories above housing workers and boot crimping stations. After Aaron Claflin died in 1890, the business dissolved and this building became used for storage for other corporations, with the significant, yet vernacular building sitting to deteriorate.

Thom Block // 1891

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The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.

First Universalist Church of Milford // 1899

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In the summer of 1785, a Universalist congregation was formed in Milford, Massachusetts, making it one of the first in the United States. The Universalists here were led by some illustrious ministers including Thomas Whittemore, an energetic advocate of abolition and an ardent foe of the Fugitive Slave Law; Ebenenzer Fisher who left the Milford congregation to become the first president of what became St. Lawrence University; and Adin Ballou who, after serving the congregation for six years, established a religious commune in the Hopedale section of Milford called “The Hopedale Community” that was to become a model for similar religious organizations. The congregation grew and by the late 19th century, it was decided that a new church in Milford should be built. Local architect, Robert Allen Cook, who was then in his twenties, was hired to furnish plans for this handsome edifice, which was built of locally quarried Milford “pink” granite. Robert A. Cook was a personal favorite architect of the Draper Family of Hopedale and Milford, who likely held sway in his selection. The church was built in 1899 and remains an excellent example of Victorian Gothic architecture with large lancet window and many beautiful stained glass windows in the sanctuary.

Milford Opera House Block // 1881

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While altered, the Milford Opera House Block on Main Street, stands as one of the architecturally distinctive and significant 19th century buildings in Milford, Massachusetts. As the town prospered in the decades following the Civil War, and wealthy residents, including William F. Draper, an executive with the Draper Corporation in nearby Hopedale, sought to use their wealth to improve their community. In 1880, planning began to erect an opera house building, which would bring the arts to the community, and after months of discussion and planning, funding and a site on Main Street was secured. Architect, Frederick Swasey was hired by the association, who furnished plans for the Victorian Gothic building to contain five retail stores on the ground floor with an auditorium above capable of seating 1,100. The building suffered from a fire in 1912 and use as an opera house ceased and starting in the 1920s and the building began showing moving pictures. Later in the 20th century, the building was altered with the storefronts enclosed, windows on upper stories changed, iron cresting at the roof and clock face removed, but the building still retains its ornate entrance and is an important landmark on the town’s Main Street.

Henry E. Fales Mansion // 1866

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The Henry E. Fales Mansion sits prominently on Walnut Street in Milford, Massachusetts, as an intact Second Empire style residence with symmetrical facade and form. The house was built in 1866 and owned by Henry E. Fales (1837-1897) an attorney and state legislator who was heavily engaged in town affairs. Before the home was completed, Henry’s wife, Violet, died unexpectedly and he remained here until his second marriage to Clara Hayward. The Fales Mansion has a notable mansard roof with belvedere, front gambrel gable with ocular window, and window hoods. The property is in need of some work, but retains nearly all of its original detailing.

Milford Armory // 1912 

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A source of local pride, the Milford Armory building on Pearl Street in Milford, Massachusetts, is an architectural landmark in the community and shows how adaptive reuse can give old buildings new life. The structure was completed in 1912 and constructed of locally quarried and cut Milford granite, a pinkish-grey granite that covers an area of approximately 39 square miles, centered around present-day Milford. Between the Civil War and WWII, the town of Milford became famous for its “pink” granite as a building material, with over 1,000 men laboring in dozens of quarries supplying the stone for some of America’s most iconic buildings including: the Boston Public Library, Worcester City Hall, as well as the original Penn Station and Natural History Museum in New York, among many others. Besides being built of local granite, the Armory was also designed by local architect, Wendell T. Phillips, who followed nationwide trends designing the building like a fortified Medieval castle with crenellated towers, with long and narrow windows recessed, emulating the slit windows used in similar medieval structures. Like in many communities all over the country, the need to store firearms and major National Guard trainings declined with some being demolished, others sitting vacant, and others like the Milford Armory, seeing new life. The Milford Armory was slated for closure in 2002 and was ultimately saved when the Town of Milford and the National Guard struck a deal to initially rent the building for a Youth Center and gymnasium and share the space with the Guard.  The armory was home to the popular Youth Center, which needed gym space not available anywhere else. The building was ultimately purchased by the town and underwent a massive restoration, being rededicated as the Milford Youth Center in 2016. 

Jones-Corbett Farmhouse // 1723

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Possibly the oldest extant building in the town of Milford, Massachusetts, the Jones-Corbett Farmhouse stands as a well-preserved example of a rural, First Period residence for early settlers to the area. The Jones Family first arrived in present-day Milford in 1703, when Elder John Jones (1669-1753) settled in the area from Hull, and raised his family in the first wood-frame dwelling in the area, which was still occupied by the Nipmuc Tribe. Elder John Jones raised six children from their home (demolished in 1874), including John Jones Jr., who built this house. John Jones built this house by 1723 but after a few years, traded properties with his brother-in-law, Daniel Corbett, and sister, Sarah. The house was likely added onto with the saltbox roof as the family grew in size and prosperity, and a barn was built on the estate to house horses and other livestock. When Daniel Corbett died in 1753, among his listed property included “a negro boy, his bed and hoe”, with his enslaved young man likely residing in this home and working the property. The residence is an important piece of Milford history that tells the full story of early America.