New England History Blog

Waitt and Bond Building // 1891

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One of several late 19th-century industrial buildings in the North End, the Waitt & Bond Building stands on Endicott Street, looking over the scar on the landscape that is I-93. This six-story building was constructed in 1891 and is the oldest extant building in Boston associated with cigar manufacturers Henry Waitt (1842-1902) and Charles H. Bond (1846-1908), who started business in 1870. The business relocated from Saugus to Boston in 1873 and moved into this building upon its completion. Waitt & Bond produced handmade cigars with each employee hand-rolling over 300-a-day. The architect, Ernest N. Boyden, designed the building in the Panel-Brick and Romanesque styles with decorative brick panels, cornice, and arched detailing. Rooftop billboard signage (blight) was first added to the building in 1956, with increased visibility via the elevated John Fitzgerald Expressway (the Central Artery). By the early 1960s, Joseph Castignetti moved his men’s clothing store, Castignetti Brothers, to this location. In 2001, the building was converted into 28 loft-style condos, an early sign of the gentrification to come to the North End.

William Slattery Tenements // c.1893

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It is not always the architect-designed, high-style buildings that give a place character. The North End is a neighborhood almost entirely built of working-class tenement housing, but its density, immigrant history, and vernacular, make it one of the most visited and unique in the city. Michael Slattery, an Irish-born teamster, and his son, William, a grocer, developed this handsome block of tenement housing on North Margin Street in the North End neighborhood of Boston. The row of apartments stands out for its elevated design elements, including the projecting metal oriels with decorative wreath and swag motifs, arched openings, and brick corbeling at the cornice. The apartments here were rented by the Slattery family until the mid-1920s when the buildings were sold to Italian-Americans who continued to rent the buildings to lower-income residents. There is something about the North End’s vernacular that is so charming.

Vermont Marble Building // 1904

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Located across the street from Regina Pizza in Boston’s North End, the Vermont Building stands as one of the most ornate and decorated buildings in the neighborhood. Designed by Boston architects Arthur H. Bowditch and Edward B. Stratton and constructed in 1904, the Vermont Building is a six-story brick commercial building with marble detailing. The building was erected as a personal investment by Redfield Proctor, U. S. Senator from Vermont and partner in his family’s marble company based in Proctor, VT, with the building used for light manufacturing, a warehouse, and storefronts. The building has since been converted to housing as lofts.

Boston Cooperative Building Company Tenements – Regina Pizzeria // 1886

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What is your favorite pizzeria in the Boston area? For many, it is likely to be Regina Pizzeria, but specifically this location in Boston’s North End. The building was originally constructed in 1886 for the Boston Cooperative Building Company, a charitable organization which built and rented tenement housing for low-income residents in the city. Many recently arrived immigrants would have lived in the building and paid a nominal rent, giving them the opportunity to work and grow their savings to move into better, more permanent housing. The Association was incorporated in 1871 and its original stockholders represented the financial elite of Boston. As a result of their financial backing, the association was able to hire the white-shoe architectural firm of Cabot & Chandler to design this tenement block in 1886. While not ornate, the building fits within the late 19th century vernacular of brick tenements of the North End. The building is now best known as the home to Regina Pizza, which was founded in 1926 by Luigi D’Auria, who was born in Campania, Italy, who purchased the building around that time. Regina Pizza (translated to “Queen Pizza” in Italian), was sold to the Polcari family in 1956, who have operated the restaurant since. The pizzeria with its prominent blade sign is one of the best landmarks in the North End.

Israel Snow House // c.1850

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The Israel Snow House stands at 9 Water Street in the South End of Rockland, Maine, and it is one of the region’s finest examples of late Greek Revival architecture. The residence was built for Captain Israel Snow (1801-1875), a mariner and captain of several vessels, including the schooner Maria (1829), the brig Snow (1835-36), the brig Lucy Ann (1842), and the Barque Star (1848). In 1850, he and his wife Lucy moved from Thomaston to Rockland, and he would build this stately mansion where they raised seven children. Some records put the construction of this house at 1861, but that seems very late for such an example of this style. In 1863, he founded Snow’s Point Shipyard on Mechanic Street in the South End. Rockland was the fourth largest seaport in the United States in terms of production and commerce at the time, and Snow’s shipyard was a large part of that production. This residence is now offices to the U.S. Fish and Wildlife Service’s Maine Coastal Islands National Wildlife Refuge Complex.

Captain Albert F. Ames Mansion // 1874

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Located next door to the William H. Glover House on Talbot Avenue in Rockland, Maine, this equally impressive Second Empire style Victorian residence stands as one of the finest in town. The abode was built in 1874 for Captain Albert Franklin Ames (1831-1887) by the architectural firm of Kimball & Coombs of Maine. Albert F. Ames was a sea captain and merchant who would later own many ships to distribute his manufacturing of lime casks which were sold and transported all down the east coast to build American cities. The stately home would later be the subject of one of artist Edward Hopper‘s paintings in Rockland, titled, “Talbot House” after a later owner.

William H. Glover House // 1873

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William Hurd Glover (1834-1910) was a prominent lumber dealer and builder in Rockland, Maine, and would built this house as his residence on Talbot Avenue. Mr. Glover hired architect Charles F. Douglas, to furnish the plans for the Second Empire style mansion. While covered in vinyl siding, the handsome residence features a slate mansard roof, central tower, delicate projecting portico over the entrance, and decorative window hoods and brackets. The house is one of the best examples of the style in Maine, even with the later siding.

William and Kathleen Fuller House // 1905

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This handsome Tudor residence was built around 1905 for William Oliver Fuller (1856-1941) and his wife, Kathleen Stephens Fuller (1869-1948), and can be found at the corner of Beech and Lincoln streets in the finest neighborhood in Rockland, Maine. Although an architect could not be established at this time, the high-style residence features half-timbered gables, an inset front porch framed by stone pillars, and an absolutely perfect color palette. William Fuller was a newspaper publisher, who created his first newspaper, the Rockland Enterprise when he was 18 years old and in high school. He would go on to become the editor and publisher of the Courier-Gazette, the region’s main newspaper. Kathleen Fuller frequented the newspaper herself through her published poetry and columns and would later become an associate editor and co-owner of the paper.

Gen. Davis Tillson House //1853

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The General Davis Tillson House was built in 1853 and is one of the best examples of a high-style Gothic Revival residence in the Mid-Coast region of Maine. Located on Talbot Avenue in Rockland, Maine, the house was first owned by General Davis Tillson (1830-1895), a prominent local businessman who owned lime manufacturing facilities and the town’s main wharf before enlisting for service in the American Civil War. Tillson had attended the United States Military Academy at West Point (1845-1851) but did not graduate due to an injury which forced the amputation of one of his legs. During the Civil War, Davis Tillson fought with distinction at the Battles of Cedar Mountain and Second Bull Run. Promoted up to Lieutenant Colonel, then Brigadier General, US Volunteers on March 21, 1863, he later served as Chief of Artillery, and commanded defensive fortifications in the siege of Knoxville before the conclusion of the war. Afterwhich, General Tillson was selected to serve as Director of Freedmen’s Bureau in Georgia and Tennessee. The Bureau was established in 1865 by Congress to help millions of former Black slaves and poor whites in the South in the aftermath of the Civil War. The Freedmen’s Bureau provided food, housing and medical aid, established schools and offered legal assistance. It also attempted to settle former slaves on land confiscated or abandoned during the war. After two years in Tennessee, Tillson would return to Rockland to his home and spend the rest of his life in Maine from this home. The General Tillson House is notable for the use of brick and the steeply pitched gable roof with jigsawn bargeboards.

Bird-Crane House // c.1891

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The Bird-Crane House is located at 19 Beech Street in the charming coastal community of Rockland, Maine. The house was built c.1891 for  Maynard Sumner Bird (1869-1960) and his wife, Mary Hawkins Bird, who married that year. Mr. Bird was a businessman who originally worked in insurance before joining Bond & Goodwin. Inc., which dealt in investment securities with offices in Boston and New York. The couple would move to Florida, and the house was later owned by Kennedy Crane Jr., who operated the local Senter-Crane’s Department store in downtown Rockland. The house is a great example of the Shingle style of architecture with continuous shingled siding, rounded corner tower with curved sash windows, and shingled flared lintel over the window in the gable. What a great house!

Charles Berry House // 1899

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Photo courtesy of Berry Manor Inn

The Charles Berry House is located at 81 Talbot Avenue in Rockland, Maine, and it is one of the town’s finest examples of a residence built in the Colonial Revival style. The house was built for Charles Howard Berry (1849-1909), a businessman who operated a stage route, livery stables, and later entered the hotel business. He would hire Portland-based architect, Austin Pease, to furnish the plans for the house and adjacent carriage house. The residence features a symmetrical façade with front porch and porte-cochere, Palladian window over the entrance, bowed front, and ornate dormers at the roof. The entire property is lovingly maintained and preserved and is now home to the Berry Manor Inn, an up-scale bed & breakfast that maintains the old charm of Rockland, while providing high-class finishes.

Strand Theater // 1923

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The Strand Theater on Main Street in Rockland, Maine, is a great example of the inter-war theaters that sprouted up in towns all across the country following WWI. The theater was built in 1922-23, on the site of a building destroyed in a 1922 fire that swept through the southern part of Rockland’s downtown. The steel-framed theater, with its terracotta tile walls and ornamental brick facade is fairly unadorned, besides the blade sign marquee reading “STRAND”. Two storefronts, a cigar store and a flower shop, were also incorporated into the theater, framing the entrance. The theater stayed open until the early 2000s when the local multiplex bought it and closed it. In February, 2004, the theatre was purchased by a long-time summer resident who restored the building and opened it back up. The Strand remains a vital economic and cultural center for the town, and its preservation is an important piece of Rockland’s charming Main Street.

Rockland Public Library // 1903

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The Rockland Public Library in Rockland, Maine, is an architecturally significant civic building that showcases the coastal town’s prosperity at the turn of the 20th century. The library was built in 1903–04, and was funded in part by a $20,000 grant from Andrew Carnegie. It is the city’s only major example of Beaux Arts architecture, a style that is also uncommon in the state. The library was designed by Maine native George Clough, who used granite quarried from nearby Vinalhaven in its construction. The building was later expanded by an addition at the rear, but from the street, the handsome Beaux Arts library looks near-identical as to when it was built over 120 years ago!

Custom House Block // 1853

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This stately commercial block is found on Main Street in Rockland, Maine. The block originally housed the local custom house (before a larger, purpose-built custom house was erected nearby in 1873) with other retail and commercial spaces at the ground floor with offices and meeting space above. The block is a great example of the Italianate style with an intricate brick corbeled cornice and cast iron and marble storefronts. The commercial space occupied by the First National Bank also exhibits a stone medallion with deer set within a wreath over the entrance. The detail that stood out to me most was the cast iron lintels over the windows, with the second floor lintels including a man’s face! The building is well preserved and is today occupied by local businesses.

Rockland Custom House & Post Office // 1873-1969

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Photo included in HABS documentation

It saddens me to see photos and learn about some of the amazing buildings demolished in the name of “progress”; it is even more disappointing when said building is replaced by a surface parking lot (over 50 years later)! This great stone building was built in Rockland, Maine, in 1876 as the town’s post office and custom house by the Federal government. Relatively unknown architect Alfred B. Mullett is credited with the design as he served from 1866 to 1874 as Supervising Architect of the United States Treasury Department. The building can be classified as Italianate-Second Empire in style and is constructed of massive, rough-faced granite block walls with a shallow mansard roof above. The building was offered for sale by the U.S. Government in 1967, likely due to the upkeep costs and a shrinking local population with the dependency on maritime trade diminished. The building was ultimately razed in late 1969, with a new, uninspiring, post office built next door to this site.