Westborough Savings Bank // 1928

The Westborough Savings Bank was incorporated in 1869 and shared space in a building with another bank and the post office. As the population and prosperity grew in the suburban community, so did the Westborough Savings Bank, who would move into a larger space. Just before the Great Depression, the bank sought to build its first purpose-built structure, and they hired the firm J. Williams Beal & Sons to furnish plans for this handsome masonry bank, designed to showcase the strength and stability of the institution. Renaissance Revival in style, the 1928 building is constructed of buff brick with limestone trim. The facade is dominated by large, round arched windows and is framed by pilasters with an off-center entrance. The Westborough Savings Bank would eventually merge into Avidia Bank and the West Main Street building was sold. The handsome building is well-preserved and home to Westborough TV, which makes broadcast media programming that is by, about, and for the entire Westborough community.

Somerville Central Library // 1914

The Central Library of Somerville, Massachusetts, is a landmark example of the Renaissance Revival architectural style for civic purposes and showcases the prosperity and growth of the city in the early 20th century. The building was the second library constructed on Central Hill,  with the city’s first library built on west side of Central Hill, near City Hill, and was designed by local architect George F. Loring in the Romanesque style. By the early 20th century, the old library was becoming outgrown and planning began for a new, larger library. A site at the eastern edge of Central Hill Park was selected, and following a $123,000 gift from the Andrew Carnegie foundation for funding a new library, the new library became a reality. Architect Edward L. Tilton, was hired to furnish designs for the building. Tilton was likely selected as his experience with modern libraries was a highlight in his works. The two-story Italian Renaissance Revival style building is built of blonde brick with limestone and terra cotta trim. The building is capped by a shallow hipped roof of green tiles. A character-defining feature of the building is the large, second-story round arched windows along with the string course between floors, decorated by alternating wreath, book, and animal skull medallions. 

John Endicott Peabody House – Ivy Street School // 1910

This stately mansion is located at 200 Ivy Street in the Cottage Farm neighborhood of Brookline and was built in 1910 for Martha and John Endicott Peabody. Designed in a Renaissance/Colonial Revival style by architect John Worthington Ames, the house has since been converted to institutional use, but retains much of its original character. John Endicott Peabody (1853-1921) was a businessman and later got involved with the arts in Boston. The building was acquired for institutional use beginning in the 1950’s and was occupied as the St. Dominic’s Institute and has been owned by the Massachusetts Association for the Blind since 1976, and today is occupied by the organization’s Ivy Street School, a special education residential and day high school for neurodivergent youth to help prepare pupils for adulthood with the tools they need to achieve their greatest independence. The brick house is covered in stucco and features an elaborate stone door surround, symmetrical facade, and massive chimneys.

Snider and Druker Apartments // 1913

By the beginning of the 20th century, Brookline was developing rapidly as a desirable Boston suburb, with easy-access to downtown via streetcar and rail, all with less cramped land and less industrial development impacting the air quality. Developers soon realized that they could build high-quality apartment blocks within established neighborhoods to market to middle-income families who wanted to live in these desirable enclaves without breaking the bank. Developers Snider & Druker (a precursor to the Druker Company) purchased house lots in the neighborhood adjacent to Cottage Farm, a rich enclave of large homes on large lots, and began building apartment buildings. They hired architect Frederick A. Norcross, who specialized in multi-family housing designs, to furnish plans for these Renaissance Revival style apartments at the corner of Browne and Powell streets. Besides the use of buff brick, limestone trim and detailing, and the use of projecting bays to break up the facades, the building’s terracotta roof adds intrigue and individuality to a building form often maligned for blandness. 

Harry W. Cotton House // 1905

In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Assumption Roman Catholic Church // 1922

As Chicopee developed into one of the major industrial cities in Western Massachusetts, immigrant groups moved there, finding work at some of the major manufacturing companies. Irish and Polish churches were built and French and French Canadian residents too built their own church, where they could gather and worship in their native language. A wood-frame church was first built in the 1870s and used until it was destroyed by fire in 1912. It took a decade for the congregation to gather enough funds to purchase a new lot and build a new church, but patience was a virtue as their church is a stunner! The cornerstone for the church was laid in 1922 and the building was designed by local architect, George P. Dion, and constructed at the cost of $200,000. The building was dedicated in 1925 and is one of the finest, and most unique churches in the state. Italian Renaissance Revival in style, the church stands out for its 85-foot-tall campanile and cast-stone high-relief in the pediment at the facade. It is believed that within the relief, that depicts the figure of Mary surrounded by Cherubs, depicting the “Assumption of the Virgin,” George P. Dion used the likeness of his granddaughter as a face of one of the cherubs. The congregation moved out of the building but has been recently mortgaged to a new church, Iglesia Cristiana Casa De Paz y Restauración, showcasing the ever-changing demographics that keep our cities vibrant and stewards that do right by our collective history and buildings.

Lincoln Building // 1894

Designed by a prominent architect, Willard T. Sears, the Lincoln Building at Lincoln and Essex streets, is a handsome example of a late 19th century mercantile structure consisting of stores, office & loft space, serving as an important visual anchor the almost uninterrupted neighborhood of the Leather District of Boston. The building is the second of its name, with the first Lincoln Building succumbing to the Lincoln Street Fire of 1893, which started as a small fire in a restroom of a toy wholesaler, eventually spreading to a storage room full of fireworks, which exploded, eventually killing at least five, and forced many others to jump from buildings to seek safety. The replacement building is Renaissance Revival in style with a stone base and classically decorated facades. The recessed entrances set within arches and the series of columned bays at the ground floor are truly special. The building was long-occupied by leather dealers and companies, but was converted to residential use in 2006 with condos on the upper floors and retail spaces on the street.

Hotel Essex – Plymouth Rock Building // 1900

The construction of a new South Station Terminal in 1899, prompted a development boom for the nearby area, which had for the previous decades been almost entirely mercantile and centered around the leather and woolen industries. Due to increased land values and an influx of travelers to the area, developers saw an opportunity to erect this building to serve as a hotel for visitors to Boston via South Station. Boston architect, Arthur H. Bowditch, furnished plans for this building in the Beaux Arts/Renaissance Revival style, with use of brick and limestone construction, ornate finishes at the façade including the fluted pilasters, arches and cartouches in the spandrels. The building was completed in 1900 and known as Hotel Essex and featured a long, storied history as a hotel until it closed in the second half of the 20th century. After years of deteriorating conditions, the building was adapted as the corporate offices for Plymouth Rock Assurance Corporation in 1982. The building was restored and has been known as the Plymouth Rock Building ever since.

Poland Springs Bottling Plant & Spring House // 1907

The Poland Springs Bottling Plant and Spring House contribute to the rich history of what was once a major American spa resort. In as early as 1797, Jabez Ricker founded a hostelry at the springs on his property in Poland, Maine, and later claimed that drinking the water saved him from a serious illness, a claim that was expanded by other members of his family for generations. In 1876, Hiram Ricker, Jabez’s grandson, opened the Poland Spring House, a “watering place” or spa, acclaimed for its health-giving environment. While the grand hotel burned in 1975, the bottling plant and spring house designed and built in 1907, still remains on the grounds. In 1903 Hiram Ricker’s son, Edward P. Ricker, wrote to architect Harry C. Wilkinson, a native of Poland, Maine, to solicit a design for his proposed bottling plant and Spring House to allow visitors to drink the natural spring water. His idea of bottling the spring waters for transport and sale, which would eventually be the main catalyst for Poland Spring water today! The extravagant Italian Renaissance Revival style buildings sit side-by-side and are of a high-style despite the relatively utilitarian purpose of the facility. Both structures are very well-preserved and are operated as museums, to learn more about the history of the spring water and resort here.

Old Killingly High School // 1908

The Old Killingly High School is located in a densely built residential neighborhood east of downtown Danielson, a village of Killingly, Connecticut. The building has served the community for well over 100 years, but through various uses. The school was built in 1908 and enlarged with side wings in 1927. It was considered state of the art for its time, with fireproof construction, wide hallways, and large bands of windows to maximize lighting of the classrooms. Clearly showcasing the village’s wealth and hope for future prosperity. The school was even designed by Hartwell, Richardson & Driver, a leading architectural firm based in Boston, Massachusetts. The building served as the community’s high school until 1965, and as its junior high school 1966–90 until it was converted to a community center and police station for the town. The Renaissance Revival style building is a gem and while tucked away off the main street, it shines through some great maintenance and restoration from the town.