Victorian Cottage

Streeter Cottage // 1882

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In 1881, Gilbert Streeter and his wife Rebecca purchased a small house lot in the Salem Willows for a summer cottage for them to retreat across town to during the warmer months. Gilbert Streeter was an amateur historian, businessman, publisher of the Salem Observer and was able to afford a second residence in his hometown. The Streeter cottage was built by 1882 and stands out not only for its excellent state of preservation, but for its unique architecture. The cross-gabled form cottage is covered in board-and-batten siding with bargeboards lining the eaves.

Joseph P. Allen Cottage // 1877

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One of the most picturesque and charming summer cottages (now year-round residences) in the Salem Willows neighborhood in Salem, Massachusetts is this Victorian on Bay View Avenue. The cottage was built around 1877 for Joseph Pray Allen (1822-1897) who was a police officer who likely climbed the ranks in the force to afford a second home in the city. The 1 1/2-story cottage has decorative bargeboards at the eaves and stick bracket at the gable. Perfection!

Patrick Dempsey Cottage // c.1875

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This charming mini-mansard summer cottage is located in the coastal neighborhood of Salem Willows, in Salem, Massachusetts. The neighborhood developed in the 1870s-1900s as a summer colony for middle-income families who wanted a second home away from the hustle-and-bustle of urban living in favor of ocean breezes. The cottage likely dates to the mid-1870s as one of the earliest summer homes in the neighborhood, and historic maps show it was owned by a P. Dempsey. It appears this is Patrick Dempsey (1821-1902), an Irish immigrant who settled in Lowell, Massachusetts, making it big as a liquor dealer and saloon-keeper. The Second Empire style cottage has a partially enclosed porch, but retains much of its original character and is located right on the water with sweeping views of the Atlantic Ocean.

William Bates Summer Cottage // 1885

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While Salem is best-known for its First Period and Federal style buildings, the Salem Willows neighborhood features some of the finest Victorian summer cottages in the Boston area. This cottage was built in 1885 by William Marston Bates (1820-1912), a Salem-based dentist, as his summer retreat when not in the office. The Stick style cottage has a steep gable roof with jerkinhead clip at the facade and a wrap-around porch with decorative jigsawn bracketed details. The house is a well-preserved example of the style, examples of which are becoming less-and-less frequent in recent years.

Galvin Cottage // c.1882

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Hull Hill is a relatively unknown enclave of summer cottages that sit on a rise overlooking Boston Harbor in the coastal community of Hull. The development of Hull Hill began in the 1870’s but became most active in the 1880’s and 1890’s. The land here was previously maintained as pasture and gardens by Hull villagers, but the land here was eventually sold and developed when the Hingham Water Company came to Hull in 1882. That same year, the railroad arrived which provided easier access to the town. This cottage on Andrew Avenue is one of the earliest summer residences built here, and dates to the late 1870s or early 1880s. The cottage was owned by Owen Augustus Galvin, a Boston lawyer, and his wife, Jane Sullivan Galvin. The unique cottage features a hexagonal section with a roof extending down to meet the wrap-around porch. The cottage exemplifies late 19th century cottage/resort architecture.

Bread Loaf Campus – Maple Cottage // c.1900

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Welcome back to the Bread Loaf Campus! For more early history and context of the complex, check out the post on the Bread Loaf Inn. By 1900, owner Joseph Battell’s enterprise exceeded the capacity of the original inn, and cottages were added to accommodate more guests visiting his new permanent home in the mountains of Ripton, Vermont. Located adjacent to the Mansard-roofed Birch Cottage, one of the most visually striking buildings in the campus is Maple Cottage, which reads more porch than cottage, but it’s 100% perfect. It was the last cottage built by Battell for his family and friends to stay at when visiting. They must have loved evenings on the three-floors of porches looking out over the Green Mountains.

Haven Avenue Cottages // c.1877

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When Andrews Point in northern Rockport, Massachusetts, was opened for development by speculators Eben B. Phillips and George Babson, they envisioned the colony, “Ocean View” as a rival to other nearby summer colonies of Beverly Farms, Gloucester, and Magnolia. Roads were laid out and house lots were plotted with larger lots for big summer cottages along the coast and smaller cottage lots at the interior of the development. The rocky coast and more limited access compared to its rivals, caused Ocean View to lack in sales, but there are still some great remaining cottages to be found here. These two early cottages are great surviving examples of the modest, middle-class homes for summer residents. These two charming Victorian cottages sit side-by-side and were owned by an L. Brigham and Benjamin Lewis and both are in a great state of preservation 150 years later.

Smith-Cottrell House // 1887

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Located next to the Channing Memorial Church and the Derby Cottage on Pelham Street, this Queen Anne style cottage stands as a significant Victorian era residence on the street dominated by Greek Revival homes. Built in 1878 for a William H. Smith for his residence and office. The home is an excellent example of the Queen Anne style with asymmetrical form and massing, complex roofline with multiple gables and towers, varied siding, and intricate millwork. By the early 20th century, the property was owned by John and Mary Cottrell, and later purchased by the Channing Memorial Church as “Channing House”.

Johnston-Sullivan House // c.1894

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One of the more exuberant and ornate homes in Roxbury’s Washington Park neighborhood is this charmer on Howland Street. The eclectic house was built in around 1894 for Ellen S. Johnston from plans by local architect Timothy Edward Sheehan and stands out for its preserved exterior in a neighborhood where many homes are covered in later siding, obscuring the ornate details underneath. Details include: swag and garland applied ornament, two bays at the facade (one polygonal and one rounded), a Colonial Revival style porch, and central rounded dormer. Wow!

George Cobb House // c.1865

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While most of the early homes in Newton Centre were built by a few landowners and rented to tenants, this charming Mansard cottage was owner-occupied from the start. Tucked away on the quiet (and appropriately named) Pleasant Street, the George Cobb House is one of the most beautiful old Victorians in the neighborhood. An early resident was George Washington Cobb (1840-1925) was a druggist who ran an apothecary in East Boston, and he made the long commute there every day from this house. The property has a mansard roof with pedimented dormer and three-story tower capped by a bell-cast mansard roof. Paneled pilasters and brackets add a lot of detail to the primary facade.

Wales House // 1883

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Built in 1883 for a member of the Thomas Wales family, this house in Clam Point, Dorchester, possesses a compact essentially rectangular clapboard and wood shingle-clad form. The architect, John A. Fox, designed the main façade elegantly with an open Stick style porch projecting from the center of the first floor which is enclosed by a steeply-pitched roof. The pitch of the porch roof is echoed in the small and shallow gable-like lintels which are really unique to the area. The treatment makes the facade read somewhat like a face.

Whelen Cottage // c.1891

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For the last cottage on Grindstone Neck, I present the stunning Whelen Cottage. Charles S. Whelen (1850-1910), a banker and philanthropist who served as one of the directors of the Gouldsboro Land Improvement Company and as one of several of its stock agents in Philadelphia, purchased a house lot for him and his wife Migonette Violett. The couple did not hire Lindley Johnson, like so many other cottage-holders did, but they worked with esteemed architect Wilson Eyre to design the home. The Whelens were typical of the type of person who chose to summer on Grindstone. While comfortably well off, they were not in a financial position to commission the sort of cottages built on an ever increasing scale in Bar Harbor. The property left the Whelen’s ownership in 1897, and the house was altered and enlarged in 1900. The large porte cochere, porch, and additional rooms added at this time by William Winthrop Kent, an alumni of H. H. Richardson’s office.

Lorenzo and Mary Hawkins House // c.1870

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Another of the charming mini mansard cottages in Stoneham, Massachusetts is this home, the Lorenzo and Mary Hawkins House. The home was built for Lorenzo D. Hawkins and his wife, Mary around 1870. Lorenzo worked as a shoe and elevator manufacturer in town and in Downtown Boston. The house is a two-story wood-frame structure with irregular massing. It has the classic mansard roof, an ornately decorated entry porch, heavily bracketed cornice, and round-arch windows in its dormers and front bay.

E. A. Durgin House // 1870

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Would you just look at this house?! Massachusetts may have the most Second Empire/Mansard style houses in the United States, but some really stand out. This home in Stoneham, Massachusetts was built around 1870 for local shoe dealer Erastus A. Durgin. The mini mansard home is pretty typical besides the prominent square tower with a steeply pitched gable roof that stands over the entrance. Charming!

Juniper Ledge Cottage // 1889

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Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.