Elisha Rice (1784-1841) moved to Wayland, Massachusetts in 1800 and built this charming house on Bow Road for himself and his family. Elisha worked as a wheelwright, a craftsman who builds and repairs wooden wheels, and was able to build this home near the village. While built and later occupied by later artisans, the community has become an exclusive and wealthy Boston area suburb, which has subsequently made it so many “working class” citizens can no longer afford such a house, but has also allowed many of these great old homes to be lovingly preserved and maintained for future generations.
The Wayland Railroad depot in Wayland, Massachusetts, was built in 1881 by the Massachusetts Central Railroad, which was later absorbed as part of the Boston and Maine Railroad. The line operated both passenger and freight service, with this structure serving as the passenger station and freight at the nearby structure, also built in 1881. Regular train service helped develop Wayland Center into a more prosperous Boston suburb, but industry and larger developments did not occur like in other communities. In its heyday, the Wayland station was manned by an agent with a small office in the building. The station agent was responsible for nearly all aspects of the operations from selling tickets; handling mail, baggage, and freight; keeping financial and operating records; and even maintaining the grounds. After WWII, car ownership and highway expansion harmed the rail industry and trains ceased to run in Wayland. To save the building from eventual demolition, the Town of Wayland purchased the old depots, which since the 1980s, has been leased to “The Wayland Depot“, a charitable women’s consignment craft shop with retail space in the station. The former rail line has largely been converted to a rail trail for pedestrians and bicyclists to traverse the old railroad right-of-way.
Hidden away in the woods behind the Bolton Town Hall, this small brick structure sits atop a rocky outcropping and showcases a piece of early history we often do not think about. Built in 1812 as a powder house, a storage facility far from homes and businesses to store the town’s supply of gunpowder, musketballs and cannonballs, the structure remains as the town’s oldest extant municipal building. Since the founding of the colonies, the procurement and storage of ammunition had been the responsibility of local governments. Before this structure was built in the forest, Bolton‘s gunpowder and ammunition had been kept under the meetinghouse pulpit, not the best place suitable for highly explosive storage. The structure is a well-preserved example of a typical early 19th-century powder house, built of brick manufactured in town, laid in common bond, measuring just over seven-feet square with a pyramidal wood shingle roof.
Completed in 1884, Founder’s Hall is the oldest building on the campus of Atlantic Union College, a now defunct college in Lancaster, Massachusetts. The handsome Queen Anne style building was constructed for the school, originally known as South Lancaster Academy by Stephen N. Haskell, an elder of the Seventh-day Adventist (SDA) church. The building was designed by Worcester-based architects Barker & Nourse, and is the oldest educational SDA facility standing. The institution changed names, first to Lancaster Junior College, and then to Atlantic Union College, before the institution closed in 2018. The building and nearby campus buildings were sold in 2021, but the future is uncertain at this time.
Built in 1881, the Swedenborgian Church of the New Jerusalem in Lancaster, Massachusetts, is a handsome Victorian-era chapel that has been well-preserved for nearly 150 years. The Queen Anne/Shingle style church was designed by architect Francis Ward Chandler of the firm, Cabot & Chandler, for the local Swedenborgians in Lancaster, some of which likely spent summers in Lancaster from Boston. The membership of the church dwindled in the early 20th century, and the congregation sold the church to a local women’s social group, the Current Topics Club in 1923. The women’s club met in the old church and maintained the building for nearly a century until the building sold to private owners in about 2007, who converted it to a residence, preserving the unique architecture we still see today.
Built in 1898 in the heart of Kingston’s village center, the Frederic C. Adams Library was designed by renowned architect Joseph Everett Chandler and is one of the finest Colonial Revival style libraries in New England. Chandler, famed for his dedication to historic forms, created a one-and-a-half-story masonry gem, complete with a gabled roof, dentilled cornice, and a grand four-column Corinthian portico at the entry. The building’s story began with a bequest from Frederic C. Adams, a Kingston native whose $5,000 gift in 1874 helped break ground on a dedicated library. Its elegant Colonial Revival look recessed panel windows, stone keystones, and symbolic half-round arches, echoes America’s early architectural traditions with a refined late‑19th‑century flourish. The library was eventually outgrown, and relocated across the street, to a contemporary building. After an award‑winning restoration, the building reopened in 2012 as the Adams Center, now housing Kingston’s Local History Collections in a climate‑controlled room and hosting community events upstairs. The Contemporary addition, paired with the restoration work all by Spencer Preservation Group, blends old with new in a pleasing way.
The original Congregational Church of Kingston was part of the established, tax-supported church of the Commonwealth of Massachusetts, and was built in 1718, after present-day Kingston established itself as Plymouth’s North Parish. The church was replaced in 1798 with a more substantial building with two steeples. In 1833, when the separation of church and state was finalized in the Commonwealth, two new religious societies formed in Kingston and established churches. The 1798 church, which had been built as the only church in town, was now too large for its diminished population and suffering from structural difficulties. In the spring of 1851, the 1798 church was taken down, and the present church, the third on the site, was constructed. The church blends Greek Revival and Italianate styles, both popular for ecclesiastical buildings of its time, and the structure looks much like it did when built 175 years ago. The congregation here is Universal Unitarian.
Mid-late 19th century commercial blocks provide human-scaled density, high quality design, and often contain intimate storefronts providing reasonable rent to local businesses. The Henry Block in Westborough, Massachusetts, is one great example of a historic commercial building that checks all of these boxes. The brick building was constructed in 1873 by its namesake, Samuel Gates Henry (1813-1877), a pharmacist and dentist who rented space in an earlier building on the site. When a fire destroyed the old structure, Samuel Henry had this block erected on the site and leased out spaces in the building to other businesses and tenants in the floors above. The block is Italianate/Italian Renaissance Revival in style with the typical round arched windows and bracketed cornice. The granite storefronts even retain some of the original cast-iron supports.