Victorian Architecture

Griggs House // 1891

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This fancy Queen Anne Victorian residence can be found in Chicopee Falls, Massachusetts, and is one of the most unique houses in the industrial city. This property was built and occupied by David B. Griggs, a builder in Chicopee under the firm D. B. Griggs & Sons. The firm was very busy in the late 19th and early 20th centuries, as Chicopee saw rapid industrial prosperity followed by a population boom, growing in population from over 9,000 residents in 1870 to 36,000 in 1920. Builders like David Griggs were able to grow to upper-middle class and buy property on desirable house lots and build large homes for their family, as was the case here. David Griggs died in 1896, five years after his home was built, and the property was inherited by his son, Millard Griggs. While the residence is covered in vinyl siding (original siding and trim is likely underneath the present siding), the house retains much of its original fabric including the brackets, delicate open friezes at the porches, and four-story tower.

Justin and Sarah Spaulding House // 1886

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Justin Spaulding and his wife, Sarah (Cooley) Spaulding erected this house on Springfield Street in Chicopee, Massachusetts, in 1886, and would later be known for their philanthropic gifts to their home city. Justin Spaulding (1838-1906) was a wealthy grocer who amassed a small fortune operating stores in the industrial Lower Pioneer Valley. The Spaulding House is one of the finest Queen Anne style buildings in Chicopee, and is notable for its asymmetrical form, tower, ornate gable detailing, porches with original balustrade, and the chimney with inlaid terracotta tiles. Justin Spaulding died in 1906, and Sarah C. Spaulding (1840-1907) would pass away a year later. They had no children. In her will, Sarah bequeathed funds for the first purpose-built library in Chicopee and money for a memorial chapel in a local cemetery. The Spaulding House was acquired by the Academy of Our Lady of the Elms (now Elms College), moved to its present location in 1920, and was converted to the Office of Admissions for the College. Besides the need for a new coat of paint, the house is lovingly preserved!

Boston & Albany Depot // 1881-1958

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Courtesy of Digital Commonwealth

When the Erie Canal opened in 1825, New York City’s advantageous water connection through the Hudson River threatened Boston’s dominance as a historic trade center. Since the topography of the Berkshires in Western Massachusetts made construction of a canal infeasible, Boston turned to the emerging railroad technology for a share of the freight to and from the Midwestern United States. The Boston and Worcester Railroad was chartered in 1831 and construction began the next year. Stations and rail lines were built westward of Boston and would eventually reach the Berkshires and the Hudson Valley with three existing lines merging in 1867 as the Boston and Albany Railroad, becoming the longest and most expensive point-to-point railroad yet constructed in the United States. The B&A undertook a significant program of improvement and beautification in the 1880s and 1890s, when the railroad hired architect Alexander Rice Esty to design this building, the Boston passenger station which was completed in 1881, the year of Esty’s death. That same year, the B&A hired architect Henry Hobson Richardson to design a series of passenger stations, connecting suburban villages west of Boston to the city. This station was located on Kneeland Street and serviced passenger service from Boston until the new South Station, a consolidated train station of various lines, was completed in 1899. This station later became a freight and storage warehouse for the railroad until the 1950s when the building was razed for the Central Artery, signaling the death of train travel as we knew it for decades to come. The site of the former station has remained undeveloped since then.

John T. Andrew Carriage House – Cornwall Historical Society Building // c.1865

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This ornate carriage house on Pine Street in Cornwall, Connecticut was built by John T. Andrew around 1865 adjacent to his late 18th century home in the village. Andrews was born in Bethany, Connecticut in 1811, graduated from Yale College in 1839, becoming a minister and later a teacher. For health reasons he left both professions and turned to farming and stonework. After Andrews’s death the property was purchased in 1890 by Charles Marsh, a local undertaker, and his wife Inez. In 1954 the barn was converted to a home by their daughter, the town librarian Emily Elizabeth Marsh, a charter member of the Cornwall Historical Society. In 1966, the Society raised funds to buy the building from her estate, but could do little to adapt it for their specific exhibit and storage needs. The Society restored the exterior to its original appearance, down to the brackets, round arched windows and cupola.

Cornwall Bridge Railroad Station // 1886

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One of the most attractive railroad depots in Connecticut, the Cornwall Bridge Railroad Station exists in almost complete originality. Its siding is board and batten and its slate roof with a wide overhang supported by the original brackets, showcases the attention to detail railroad companies paid to design and appoint these important landmarks. Built in 1886, the building can be classified as Stick Style and is one of a few buildings in town of the style, adding to its significance. The station was built by the Housatonic Railroad to replace an earlier station on the site. The Housatonic line was acquired by the New York, New Haven and Hartford Railroad in 1892 and later by the Penn Central Railroad in 1969, which went bankrupt by 1970. This station was subsequently sold to private ownership and listed on the National Register of Historic Places as a tool to bring awareness to its significance and threatened status. Luckily, the building was preserved and has been converted to a private residence.

West Cornwall Congregational Church // 1877

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One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!

Newton D. Arnold House // 1888

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Behold, a Queen Anne Victorian house in all her majesty! This residence, the Newton D. Arnold House, is located at 24 Stimson Avenue in Providence, and is one of the finest examples of its style in the city. Newton Darling Arnold (1843-1916) was employed at the Rumford Chemical Works serving as Treasurer for the company and from this position, accepted additional roles in banking and fraternal organizations, like the Freemasons, where he served a term as Grand Master of the secret society. Newton and his wife, Caroline, purchased a house lot on Stimson Avenue and set out to build one of the finest homes in Providence. To achieve this, they hired local architect, Edward I. Nickerson, to furnish designs. The Arnold House is covered by clapboard and shingle siding beneath a complex, cross-gabled roof of slate, with an ornate gable end and two-story corner tower.

Goodwin House // 1886

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Queen Anne style buildings are a favorite as they are all so different and interesting to look at with all the ornate details, asymmetrical forms, varied siding, and rooflines. This example on Stimson Avenue in Providence is a great example of the style. The house was built in 1886 for William P. Goodwin (1852-1921), a banker, insurance executive, and author, who never married and lived in the house with his sister, Sarah Jane Goodwin. Keeping it in the family, William hired his brother, architect, John Bray Goodwin, to design his residence, with little expense spared. Interestingly, the house is built right at the street with its front door accessed up a stair and a brick base adjacent to enclose the property from the sidewalk, creating a high garden wall with gate. There is so much to look at here, it is spectacular.

Joseph Fletcher House and Stable // 1889

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With red brick and slate siding and all the finest trimmings, this house looks like a present wrapped under the Christmas tree! The Joseph Fletcher House is located at 19 Stimson Avenue in Providence, Rhode Island, and is an excellent example of a Queen Anne residence with the innovative use of siding types often found in the style. The residence was built in 1889 for textile manufacturer, Joseph Edward Fletcher (1866-1924), the son of wealthy, English-born manufacturer, Charles Fletcher. The Fletcher house and adjacent stable were designed by Stone, Carpenter & Willson, one of the most prestigious architectural firms in New England at this period. It is believed that the site was developed by Charles Fletcher, as a wedding gift to his 23-year-old son and daughter-in-law following their marriage. The home was recently sold, and the interiors are as stunning as the exterior!

Porphyry Hall // 1880

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The Jacob E. Spring Mansion, also known as Porphyry Hall, is a high-style estate house located in Danvers, Massachusetts, that is one of the finest and most unique in the state! The house was built in 1880 for Jacob Evans Spring (1825-1905), who was born in Brownfield, Maine, and at the age of twenty, he went to Argentina and amassed a fortune in the wool business in Buenos Aires between 1845 and 1865, when he returned to the United States. Jacob and his wife, Sara Duffy, would purchase a large farm in Danvers and began planning for their family country home. Their residence was built on a high hill over two years and constructed of over 40 types of stones of irregular size and color with door and window sills of Nova Scotia freestone with arches of the doors and windows and corners of brick. The mansion was designed by architect George M. Harding of Boston, and built by several skilled masons over many months. Mr. Spring named his estate, “Porphyry Hall” with Porphyry meaning an igneous rock with large crystals in a fine-grained matrix; suitable for the walls of their mansion. The Spring’s lived lavishly at this home and spent nearly all of their fortune, selling the property after just ten years to the Xaverian Brothers, who opened it as Saint John’s Normal College. In 1907, the compound was re-organized as a Catholic boys prep school. In 1915, a chapel was added to the rear of the building, constructed from gray fieldstone to blend with the main house. Have you ever seen a building like this?

Frank and Elizabeth Ratcliffe House // 1890

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I do not think that I have ever seen rounded shingled columns like this before… What a treat! This house is located on Rice Street in Newton Centre, and was built in 1890 by Henry H. Read, a leather dealer who developed the entire street. This house was built on speculation and initially rented out to tenants before it was sold to Frank Ratcliffe and his wife, Elizabeth Ratcliffe. Frank Ratcliffe was born in England and would become treasurer of the Boston & Albany Railroad, which had a stop in Newton Centre. Frank and Elizabeth would sell or gift this property to their daughter, Mary Elizabeth Ratcliffe Holt and her husband, Warner R. Holt. Besides the unique shingled columns, the house features a broad gambrel roof and sunburst panels and a two-story rounded shingled bay. I could not locate the architect for this one, sadly.

John H. Sanborn Mansion // c.1868

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One of the finest Second Empire style residences in Newton, Massachusetts, can be found on Herrick Road in Newton Centre. This is the John H. Sanborn house, built before 1870 for John H. Sanborn, a Boston broker and commission merchant who also served as a Representative to the Massachusetts General Court. The imposing residence is a two-story house based on a rectangular plan, and capped with a bellcast Mansard roof of gray, fish-scale patterned slates. The focal point of the design is the four-story, towered entrance pavilion which dominates the facade.

Hiram Ricker House // 1893

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The Hiram Ricker House sits in the Poland Springs Historic District of Poland, Maine, and was built as the personal residence of its namesake, who developed this formerly sleepy town into a destination in the 19th and 20th centuries. Hiram Ricker (1809-1893), the son of Wentworth Ricker and Mary Pottle, helped turn his father’s country inn in Poland into a popular late 19th century resort, bringing in droves of tourists to take in fresh air and the healing natural spring water. He and his wife, Janette (Bolster) Ricker had six children, all but one of which helped run the resort. This Queen Anne style residence was designed by Lewiston architect, George M. Coombs, and is set back down a long drive overlooking the resort grounds. Sadly, Hiram Ricker died the same year his residence was built, but the home was occupied by the Ricker Family for years after, notably by Hiram’s son, Hiram Weston Ricker. It is covered in later siding, but the trim details are preserved and typical of high-end Victorian homes of this period in Maine.

Tenney-Root House // c.1865

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This house in Georgetown Center, Massachusetts dates to the 1860s and appears to have been built for Milton G. Tenney, a shoe manufacturer. By the early 20th century, the home was owned by the third member of the Root family to practice medicine in Georgetown. The first, Dr. Martin Root, established a practice in 1827, serving the community for more than 50 years. His son, Dr. Richmond B. Root, owner of 24 North Street (featured previously), was in turn the father of Dr. Raymond Root (1882-1958), owner of this fancy Second Empire style dwelling. In addition to his private practice, Dr. Raymond Root was a school physician for many years, and served as Town Clerk from 1937 to 1944. The house is Second Empire in style with a mansard roof, window mouldings and two-over-two windows, but features a Colonial Revival portico with what may possibly be a Federal-period entry of fanlight with sidelights, salvaged from his father’s home when that house was renovated.

First Congregational Church of Georgetown // 1874

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The First Congregational Church of Georgetown, Massachusetts, is significant both architecturally as a Victorian Gothic/Stick style church designed by a prominent architectural firm, and historically as an important gathering place for the town’s members for 150 years. The congregation however is much older than 1874, as when Georgetown was then a part of Rowley, Massachusetts, members here in 1731 petitioned to create their own parish in Rowley to travel a shorter distance to services. The church, then known as the Second Church of Christ in Rowley, was organized in 1732 with services held in a rustic Meeting House. A second meetinghouse was built in 1769, which was both outgrown and in much need of repairs by the time the congregation decided to build a new building on a new site in the new commercial center of town. The congregation hired the esteemed firm of Peabody & Stearns to design the church which today, is the most high-style and architecturally grand building in the suburban town.