One of the finest and refined examples of the Shingle style in Boston can be found on Alban Street in the Ashmont Hill section of Dorchester, a lovely, walkable neighborhood where you can find timeless examples of just about any Victorian-era architectural style. Built for Charles F. Dillaway, a banker in Boston, this home was designed by local architect, Edwin J. Lewis, architect for many houses in the Ashmont area. Lewis’s designs are distinguished by their crisp geometry, often with horizontal lines emphasized and small-paned windows. The house has been slightly modernized by later owners who added new siding within the inset porch and a more moody color scheme.
Situated at the corner of Harley and Roslin streets in the Ashmont Hill neighborhood of Dorchester, this property showcases the flair and ornate features of the eclectic Victorian styles, along with an original stable. The property was developed in 1884 by Thomas T. Hartford. Thomas Thurston Hartford (1845-1916), was a shoe machinery manufacturer with offices in the Leather District near downtown Boston, continuing in his father’s company, Hartford Brothers Co. The house and stable are said to have been designed by architect Edwin J. Lewis, Jr., or John A. Fox, who blended Stick and Queen Anne styles. Interestingly, the house features Palladian windows in the gables and was restored by owners, who even went the extra mile to repaint the house in its historic colors.
Chansonetta Stanley Emmons (1858-1937) was born in Kingfield, Maine, and was one of the great women photographers in the 19th and early 20th century, often depicting domestic life and New England scenes. The young Chansonetta Stanley grew interested in photography after her brothers’ (Francis E. and Freelan O. Stanley) dry-plate printing invention, they also invented the steam-powered automobile known as the Stanley Steamer. She married James Nathaniel Whitman Emmons in 1887 and in 1894, James hired architect Henry McLean, to design a residence for him and Chansonetta, this lovely homeon Harley Street on Ashmont Hill. The couple occupied the house until 1898, when James died of blood poisoning at the age of 41. Chansonetta sold the home and moved to Newton, where her two brothers lived and operated their business. The house blends Queen Anne and Colonial Revival styles and originally had a conical roof over the corner rounded bay. The roof was replaced with a flat roof at about the time of the large balcony and extended dormer.
From the 1780s until 1870, almost all of Ashmont Hill (west of the present train station) was a farm, with the large farmhouse dating to about 1720, located at the corner of Washington and Welles streets, now the home to the Codman Square Branch of the Boston Public Library system. The farm was owned for a time by General Henry Knox. Sometime before 1850, the estate and mansion came into the possession of the Honorable John Welles, who died in 1855. The property would eventually be deeded to John Welles’ grandson, George Derby Welles, who was then just 26 years old and living in Paris with his wife, Armandine V. Derby. Welles wasted no time in developing the property through his agent, Boston Attorney Edward Ingersoll Browne. Streets were laid out and house lots were platted and sold, with some early properties built with much of the neighborhood developing by the turn of the century. The old Knox-Welles farmhouse would be razed by 1889, but the remainder of the neighborhood has since become a landmark neighborhood of Victorian-era homes. This mansard double-house at 67-69 Ocean Street dates to around 1872 and is one of the earliest properties in the area. Blending the Second Empire and Stick architectural styles, the handsome double house is said to have been designed by architect Luther Briggs for George D. Welles and rented to tenants.
While Marblehead is best-known for its Georgian and Federal period houses, there are some great examples of later styles, sometimes tucked behind and in side yards of earlier residences. This is the Joseph Lindsey Cottage on Washington Street, a vernacular, Folk Victorian style residence built in 1886 by carpenter and housebuilder, Joseph W. Lindsey (1823-1902). Mr. Lindsey lived nearby on High Street, and purchased an earlier house at 45 Washington Street by 1881, building this cottage five years later and rented both out to boarders. Joseph Lindsey worked his entire life as a carpenter, except for a few years when he and his brother, Philip B. Lindsey, travelled west to seek gold and fortune during the California Gold Rush. The Lindsey Family Papers are part of the collections of the Marblehead Museum.
This stately and well-preserved Stick style residence is located on High Street in Westborough, Massachusetts. The house was built around 1875 for Mr. William Henry Forbush and his wife, Alice. William was a sleigh manufacturer in town and served in the Civil War, mustering out years after injuring his left hand during the Second Battle of Bull Run. Forbush died in 1881 at the age of 37, and Alice married to Dexter Brigham, a carpenter who also fought in the Civil War. It was possibly Mr. Brigham who added the intricate woodwork on the home.
This charming, gambrel-roofed house at the corner of Vinal and Pleasant avenues in Somerville, Massachusetts, was built in 1894 from local developer H. W. P. Colson, and sold upon completion to Mrs. Laura (French) Haley. An architect could not be located. Laura Haley was recently widowed and lived in the house with her daughter, with her son purchasing the house next door. The Haley House is notable for its gambrel roof with gambrelled center gable, pilastered dormers, stained glass windows, and full-length porch with columns and rubblestone base. The well-preserved house blends Queen Anne and Colonial Revival styles under one broad roof. It is magnificent!
One of the most eccentric and architecturally unique houses in Somerville can be found on Bow Street, in the middle of the busiest commercial district of the city. This is the Dr. Edson F. Whitman House (often known as the E.C. Mann House), which was built around 1852 and long-occupied by Dr. Whitman until just before his death in 1900. The house was likely a modest, 1850s Italianate style residence with its gable facing the street. Over time, as business increased, Dr. Whitman expanded his house and practice, adding Victorian flair to the once usual house. An entry tower with pyramidal roof and final was added with quatrefoil window and Stick style porch, an angled two-story addition was also added to the facade with a second-story porch, and applied ornament and curiosities were added to the doctor’s office and residence through the 19th century. Luckily for us, the Dr. Whitman house has remained relatively unaltered for the next 125 years!
This lovely Queen Anne style home can be found on Highland Avenue in Somerville, Massachusetts. Built around 1890, the residence was built for Walter Saunders Barnes (1838-1931), a manufacturer with a paper box business in Boston. The property was sold in 1903 to Robert Luce (1862-1946), a prominent businessman and politician who founded the Luce’s Press Clipping Bureau before he was elected a member of the Massachusetts House of Representatives in 1899 and 1901–1908. He was elected the 42nd lieutenant governor of Massachusetts in 1912. After serving as Lt. Governor, Luce would spend the next decades in the House of Representatives. His Somerville house is a well-preserved example of the Queen Anne style and includes a steeply pitched hipped roof with gable and dormers, asymmetrical plan, porch with braced supports, and a half-round window in the gable.
Built in the 1850s, the Samuel and Susan Gaut Houseon Highland Avenue in Somerville, Massachusetts, is one of the finest examples of a symmetrical, three-bay, Italianate style house in the city. Samuel Norton Gaut (1816-1891) worked as a baker with shops in downtown Boston, and married Susan Dutton (1824-1892), the daughter of a wealthy shipbuilder in Newburyport. The Gaut House was listed on the National Register of Historic Places for its architectural significance as an intact example of a gabled Italianate style home. Special details include the brackets in the gable, trefoil window in the peak, and the octagonal cupola at the roof. Early 20th century alterations include the shingle siding, replacement windows, and enclosed portico, but neither truly detract from the beautiful home.
In the mid-1880s, John Wales, a wealthy hardware dealer with offices in Downtown Boston, purchased house lots in the Cottage Farm area of Brookline from Amos A. Lawrence, and set out develop the site with two stately Victorian homes. This lovely home was first occupied by John’s son, George Wales and his wife, Mabel, the year of their marriage in 1885. While the architect is unclear, it is probable that the design can be attributed to architect William Whitney Lewis, who was hired by John Wales the year prior to design a stable near his home in an adjacent neighborhood. The house was rented by Wales and subsequent owners for years. The elaborate Queen Anne style house exhibits an asymmetrical plan with recessed entrance set within an arched opening, shinged and brick walls with a prominent chimney at the facade containing a decorative terra cotta panel, and the most unique stucco gables containing what appear to be terracotta balls in geometric forms. This house is a perfect example of what is so special about the Queen Anne style!
This house on Westminster Road in Canterbury, Connecticut, is architecturally distinguished by its extensive and imaginative detailing, which reflects the widespread availability of manufactured architectural ornament in the Victorian period. The porch columns, archways, bay window, and round-arched windows all reflect an Italianate influence and the work of its original owner, Mr. George Washington Smith (1857-1937). The house dates to about 1886 when George W. Smith, built it from his workshop formerly located across the street. Smith manufactured mast-hoops, the wooden fixtures for attaching sails to the masts of sailing ships, and utilized his woodworking skills to build and decorate the exterior of his family home.
Central Falls, Rhode Island, is not necessarily known for its residential architecture, but like any good industrial city, there are some excellent examples of Victorian houses from the mid-late 19th century to be discovered! This is the Edward L. Johnson House on Cross Street in Central Falls. The house was built around 1886 for Mr. Johnson, a manufacturer, who resided here for some years with his wife, who founded the Pawtucket Women’s Club in 1899 and was an active member of the Daughters of the American Revolution. The house is an excellent example of the Queen Anne architecture style, from the various siding types including clapboard and patterned shingling; its steep cross-gable roof; and its variety of windows, including a shallow bay on the first floor and oval and half-round windows in the 2nd-floor porch.
Built in 1887 for Charles Odell and his wife, Alice, this Queen Anne house on Winter Street in Salem, Massachusetts, stands out as a high-style example of Victorian architecture on the street notable for early-mid 19th century architecture. The house lot was purchased by the Jewett Family who lived in the brick house next door and long used the lot as a garden. Charles and Alice Odell married in 1888, so this Victorian home was built for the newlywed couple to raise their family. Charles A. Odell (1863-1931) worked at his father’s insurance and real estate business, later assuming ownership of business upon death of his father and was a district agent for New England Mutual Life Insurance Company. Sheathed in a combination of wood clapboards and shingles in a variety of patterns, the house has a steeply hipped, slate roof punctuated by cross gables and hipped dormers. The predominant window sash style consists of a distinctive sash in which the upper displays a triangle with central muntin over a conventional two-light lower sash. The property has been lovingly preserved for well over a century and is a landmark example of a Queen Anne style house in Salem.
Charles Henry Farnam (1846-1909) was a lawyer, genealogist, and the son of Henry Farnam, a wealthy railroad industrialist in New Haven, Connecticut. Following his father’s death in 1883, Charles, who may have inherited a small fortune in the will, purchased a house lot on the finest residential street in New Haven, Hillhouse Avenue. The existing house on the lot, the Benjamin Silliman House, was relocated to front Trumbull Street (and recently relocated again to 85 Trumbull Street), clearing the site for his new mansion. He hired esteemed architect J. Cleaveland Cady, who designed a large, Queen Anne/Romanesque masonry home unlike anything else on the Avenue. The house features an asymmetrical plan, corner tower, a Flemish style gable, fancy brickwork and terracotta detailing, and a slate mansard roof. Charles H. Farnam would sell the property to Henry S. Parmelee, a noted businessman and piano manufacturer, who also is credited with inventing the first automated sprinkler head and as a result, owning the first building in the United States to be equipped with a fire suppression system, his piano factory. Parmelee hired local architect Leoni Robinson, to design a rear addition for the house. Parmelee died in 1902, and the property was maintained by his widow and daughter, until it was acquired by Yale University in 1920. Today, the Farnam Mansion is occupied by the Economics Department.
