Historic Architecture

Derby Summer House // 1793

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The Derby Summer House sits on the Glen Magna Farms property in Danvers, Massachusetts, and is a rare and excellent example of a formal 18th century garden house in the Federal Style. The structure was built in 1793-94 by Samuel Mclntire, the noted craftsman-carpenter of Salem, on the country farm of Elias Hasket Derby in South Danvers. The Derby Farm was sold off by the family, but in 1901, Mrs. Ellen Peabody Endicott, a descendant of the original owners, bought the Derby Summer House and transported it to Glen Magna Farm, their own summer residence. A shopping center now occupies the original location of the Derby Farm. Inside the structure on the first floor, there are two small rooms which are divided by a central hall that extends through the structure. The steps and vestibule at this level are surfaced in white marble. The second floor, where tea was served, was decorated in an Oriental manner. A wood parquet floor, dating from the first decade of this century is still in place. The structure with its carved figures has been studied and replicated by architects and historians for decades, but nothing beats the original.


Peabody Institute Library of Danvers // 1892

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In 1856, George Peabody, an American banker and philanthropist, donated funds for a library for Danvers, Massachusetts. The original library was housed in the Town Hall until land was acquired on land that is today known as Peabody Park. In 1866, Peabody deeded the town additional funds for a purpose-built library building, similar to that of Peabody, Massachusetts (which separated from Danvers in 1855). A Gothic style library was built on this site from plans by architect Gridley J. F. Bryant with the purpose “for the promotion of knowledge and morality in the Town of Danvers.” On July 2, 1890, a massive fire destroyed the Danvers library, but many of the collections and volumes were saved by townspeople. Through insurance funds and additional money by trustees, it was decided to rebuild the library on the same site, retaining the architectural firm of Little & Browne, (whose chief draftsman, Lester S. Couch, was a Danvers resident) to design the new building. The present Georgian/Classical Revival structure was completed in 1892 and is one of the finest library buildings in New England.  

Bray’s Hall // 1893

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As Newton Centre’s new railroad station and following development boom transformed the once sleepy village into the main commercial center for the city, landowners capitalized on the opportunity by developing commercial blocks to serve the community and line their own pockets. Mellen Newton Bray (1856-1946) became a major landholder in Newton Centre and would develop the areas directly surrounding the new train station there. On a curving site, he built Bray’s Hall, this three-story commercial block renting out spaces to local banks and stores with a large assembly hall and bowling alley in the building as well. Initially, Bray planned for an eight-story structure, having contracted a solid foundation that could support such a structure, pending the success of the initial construction. That is mixed use before it was “cool”. The building was designed by the firm of Kendall & Stevens, likely led by Henry H. Kendall, who resided in Newton Centre. Kendall would also design the apartment block across the street for Mr. Bray. The building is constructed of light Tuscan bricks and is notable for the bracketed cornice and dormers all in copper. The building was restored in the 1970s by owner David Zussman, and rebranded as Piccadilly Square, following his recent trip to London being impressed with by the atmosphere of Piccadilly Circus.

Barrett House // 1800

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The Barrett House (also known as Forest Hall) is a Federal style mansion located in New Ipswich, New Hampshire and one of the finest buildings in the entire state. The mansion was built around 1800 by Charles Barrett Sr. for his son Charles Jr. and daughter-in-law Martha Minot as a wedding gift. Its grand scale was encouraged by Martha’s father, who promised to furnish the house in as lavish a manner as Barrett Sr. could build it. The interiors are elegantly furnished, and numerous reception rooms were designed for entertaining in a cosmopolitan manner. An elaborate allée was later added to the landscape, with a flight of stone steps flanked by maples rising up the hillside behind the house and leading to an elegant summerhouse. After Charles and Martha died, the estate remained in the family. However, after the railroad bypassed New Ipswich, the town entered into a decline. Charles Barrett’s descendants stayed on, but today Forest Hall remains essentially a relic of the Federal era. After 1887, the family used the house only in the summer-time. It was donated to Historic New England in 1948. Historic New England has ever-since opened up the property to those who want to see one of the best examples of a rural, Federal style estate in New England and its well preserved interior and grounds.

Sunnyside // 1886

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Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

William Bates Summer Cottage // 1885

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While Salem is best-known for its First Period and Federal style buildings, the Salem Willows neighborhood features some of the finest Victorian summer cottages in the Boston area. This cottage was built in 1885 by William Marston Bates (1820-1912), a Salem-based dentist, as his summer retreat when not in the office. The Stick style cottage has a steep gable roof with jerkinhead clip at the facade and a wrap-around porch with decorative jigsawn bracketed details. The house is a well-preserved example of the style, examples of which are becoming less-and-less frequent in recent years.

Derby Line National Bank // 1874

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Another of the more stately institutional buildings in the small village of Derby Line, Vermont, the Derby Line National Bank stands out as an uncommon brick structure on the town’s Main Street. The bank was founded in 1851, as the People’s Bank in Derby Line and in 1865, it converted to a national charter and became National Bank of Derby Line. The bank provided citizens access to credit and as a result several small-scale manufacturing businesses were started in town. This brick banking structure was built in 1874 in the Italianate style with round arched windows, bracketed eaves, and granite block quoins at the corners. The bank was absorbed into the Community National Bank, who occupy the building to this day.

Atlantic House Hotel // 1844-1877

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Prior to the present Park Gate Cottage at the corner of Bellevue and Pelham streets in Newport, this was the location of the stunning Atlantic House Hotel. Proprietor William T. Potter purchased this land in 1844 and built the Atlantic House Hotel, a massive Greek Revival style structure designed by Rhode Island architect Russell Warren. The Atlantic House faced Touro Park and the Old Mill and took the form of a large temple with a central two-story Ionic portico and hipped roof side wings. The building was constructed of wood and clad with smooth finish siding that was scored to resemble granite blocks to give it more stature. During the Civil War, the Atlantic House was home to the U.S. Naval Academy (1861-1865) when it was moved here to protect it from attack by the confederate forces at its location in Annapolis, Maryland. After the war, the Navy returned to Newport to establish three major facilities–the United States Naval Torpedo Station, the Naval Training Station and the Naval War College. The aged hotel saw dwindling numbers of visitors as newer, modern hotels were built after the Civil War. The hotel was demolished in 1877, just 33 years after completion, to make way for the Park Gate Cottage presently on the site.

Dow-Starr House // c.1858

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A big departure from the plain, yet classically proportioned Federal period homes in Warren, this Gothic Revival on Main Street turns heads when people pass by. A quintessential Gothic “cottage,” the facade of the Dow-Starr House in Warren has also been graced by a three-sectioned Gothic Revival porch as illustrated in Alexander Jackson Downing’s plan books from the 1840s. As completed, this house followed almost exactly Andrew Jackson Downing’s Design II as illustrated in Cottage Residences 1842 ; it differed only in its use of speckled fieldstone over coursed ashlar. The house was later acquired by and used as a convent for the St. Jean Baptiste Church in Warren, who also built a school building behind. The house has seen some alterations, but remains an important architectural landmark of the town.

Dorchester Mutual Fire Insurance Building // 1860

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This is your sign to take a different route! When exploring a new town or neighborhood, I love to explore the obscure streets just as much as the iconic Main Streets as hidden treasures can always be found! This building in Dorchester’s Port Norfolk neighborhood was constructed in 1860 as the new home of the Dorchester Mutual Fire Insurance Company, which was incorporated in 1855. The company seemingly hired Dorchester-based architect Luther Briggs, who also laid out the streets for Port Norfolk and the Clam Point neighborhoods and designed many buildings in the area at the time. The high-style Italianate building features bold proportions, quoins, and cornice. While the former round-arched windows have since been enclosed and are traditional double-hung windows, they building still stands out! At the rear, Second Empire style rowhouses were built for private ownership. The building is now all condominiums following a renovation.