Historic Home

Irving-Strauss Mansion // 1906

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This unique Tudor Revival style house in the Cottage Farm neighborhood of Brookline was built in 1906 for Irving J. Sturgis (1873-1924), a banker and broker originally from Michigan. Architect Joseph Everett Chandler, specialized in the Colonial Revival style and historic restorations, but was clearly adept at other styles as evidenced in this stately manor for Mr. Sturgis. After WWI, the property sold to Mr. Leon Strauss, who worked in dry goods. The Irving-Strauss mansion is constructed of brick with cast stone trim and features classic ornamentation seen in the Tudor Revival style. Steeply pitched gable roofs have stone
coping, metal windows are casement or fixed with small pained lights and are framed in cast stone trim. Framing the entranceway is a brick and stone gateway, of which, a garden wall extends around the property, with a stately garden gate surmounted by stone finials displaying the flair of the style.

Lawrence-Parker House // 1864

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Built in 1864 as one of the rental properties owned by Amos A. Lawrence as part of his exclusive Cottage Farm neighborhood in Brookline, this house has been extensively altered and even moved but retains significance as a surviving mid-19th century “cottage” in the neighborhood. The house was likely constructed as a one-story, stone cottage with a second floor contained within a mansard roof. In 1903, Mrs. Francis W. Lawrence hired the well-known architect and Brookline resident, Julius A. Schweinfurth, to make extensive alterations to the cottage, replacing the mansard roof with a new second floor with gable roof, along with a new porch. Schweinfurth’s design included wood shingle siding for the upper floors, which were replaced with stucco in 1970. The house was moved to its current site at the corner of Carlton and Mountfort streets in 1929 when the street was re-oriented to follow the old Boston & Albany Railroad tracks. When moved, the cottage was occupied by Philip Stanley Parker, a judge, and his wife, Eleanor. Today, the cottage is owned by Boston University and known as the Core House.

Almy-Palfrey House // c.1858

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The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.

Amos A. Lawrence House // 1851

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Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

Dr. Gridley Thaxter House // 1798

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The Dr. Gridley Thaxter House on Washington Street in Abington, Massachusetts, is one of the most significant properties in the South Shore town, not only for its architecture, but also its owners. The house was built in 1798 for Dr. Gridley Thaxter (1756-1845), a ship’s surgeon in the Navy during the American Revolution. He married Sarah Lincoln (1761-1810), the daughter of Benjamin Lincoln of Hingham, a Major General in the Revolution and served from 1781 to 1783 as the first United States Secretary of War. Dr. Thaxter and his new bride acquired land in Abington, and moved there where he would serve as the town’s doctor. After his death, the property was inherited by Elizabeth Thaxter Hunt, the couple’s daughter, and her husband, Joseph Hunt. It was Elizabeth, who added the Italianate window hoods and a cupola (since removed) at the roof, “modernizing” the family homestead.

Harry W. Cotton House // 1905

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In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.

John R. Perry House // 1904

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This lovely Colonial Revival style house on Powell Street in Brookline was built in 1904 for Charles H. Owens, Jr., an interior designer who just two years later, built another home next door that he would reside in with his own family. This house was rented to John R. Perry, who was also listed as a “decorator” in city directories and president of Perry, Lewis & Whitney, a design firm. The house (like its neighbor built two years later), was designed by the architectural firm of Loring and Phipps and was oriented southward to face the side yard. The Perry House features small projecting oriel windows, a broad gambrel roof, and an entrance portico supported by Tuscan columns.

Captain John Clark House // 1802

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The Captain John Clark House in Canterbury, Connecticut, is one of the finest examples of the Federal style of architecture in New England, and has remained in a fine state of preservation since its construction in the early 19th century. The house was built by 1802 for John Clark (1731-1834), who purchased an earlier home on the site from and had it either taken down or enlarged to its present appearance. The mansion is symmetrical with five bays, central entry and twin chimneys projecting through the hipped roof. The central bay is a showstopper with its triangular pediment at the roofline containing a fanlight, Palladian window at the second floor, and main entrance with its own pediment, sidelights, fanlight transom, all framed by two-story columns. The house’s south facade is equally beautiful with its own Palladian window and entrance.

Dr. Andrew Harris House // c.1820

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This house is located across from the iconic Prudence Crandall House in Canterbury, Connecticut, and is another excellent example of a high-style Federal home in the town’s main village. Built in circa 1820, this residence was the home of Dr. Andrew Harris (1787-1840), one of two physicians in Canterbury in the early 19th century. After Dr. Harris’ death, the property was owned by Hiram and Nancy Waldo, who altered the house with the addition of a Victorian observatory at the rear, two-over-two sash windows, and an entry porch with paired door entrance.

Levally-Crandall House // c.1820

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This attractive Federal-style Cape house is located in Canterbury, Connecticut, and is one of the very finest such houses of its type in the state. The house was built by William Levally, a successful millowner in town who married Patience Horton just prior. William died unexpectedly in 1841, and the property was inherited by Patience, who then married Hezekiah Crandall, also a millowner, who was also the brother of Prudence Crandall, the teacher who operated the famous African American girls boarding school in Canterbury Center in the 1830s. Hezekiah and his sister later migrated to Kansas, after essentially being pushed out of town. The Levally-Crandall House stands out for its proportions, exterior moldings, and ornate entry with pilasters, sidelights, and a molded, keyed arched transom. The house has been lovingly preserved by the successive owners, who clearly take pride in owning such a piece of history.

David Nevins House // c.1746

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This house across from the Town Green in Canterbury, Connecticut, is believed to have been built by David Nevins, Sr. (1729-1758), a merchant who settled in Canterbury from Nova Scotia, Canada. Nevins tragically died in 1758 when overseeing the reconstruction of a bridge spanning the nearby Quinebaug River. It is said that while standing on a cross-beam, giving directions to the workmen, David Nevins lost his balance and fell into the river and was swept away and drowned. The property remained in the Nevins Family until 1842, upon which, it served as a parsonage for the Congregational Church, just across the street. The clapboard exterior, small-pane sash, center-chimney plan, and five-bay facade of this house give it architectural significance as a representative example of 18th-century Connecticut architecture. The stately Georgian doorway with swan’s neck pediment was installed by a local house restorer based upon physical evidence uncovered during the house’s restoration (and removal of Victorian-era porch) and while may be conjectural, it enhances the already beautiful old home.

John Carter House // c.1765

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One of the many stunning and well-preserved Colonial homes in Canterbury, Connecticut is this residence, the John Carter House on S. Canterbury Road. Records show that the house was built around 1765 for John Carter and his wife, Mary Smith. This house is a good example of the domestic architecture of 18th-century Connecticut and while there have been some changes over time, it continues to exhibit all the major hallmarks of the colonial type, such as a center-chimney plan, clapboard exterior, and five-bay facade. The house originally had a saltbox roof sloping to the rear, but was removed sometime in the 19th or 20th centuries, likely when the projecting Colonial Revival-era porch was added at the entrance. What a spectacular home!

William Moore House // 1803-2019

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Formerly located at the intersection of two historic turnpikes in Canterbury, Connecticut, the William Moore House was a historic and architecturally significant residence that stood over 200 years until its demolition in 2019. The large, Federal style house was built in 1803 for William Moore, a merchant who operated a store and also served as the town postmaster. The upper floor of this house at one time accommodated a ballroom where the local Masonic organization met. Later in the 19th century, the house became the home of prominent merchant, banker, and politician Marvin H. Sanger, Connecticut Secretary of State from 1873 to 1876. In 1921, it was the home of Lillian Frink when she became one of the first women ever elected to the Connecticut General Assembly, along with four other women elected that same year. The house with its projecting center pedimented bay, elaborate corner pilasters on pedestals, and elegant Palladian window represented the height of country Federal-period architecture until destroyed by a fire in 2018, leading the town to raze the building a year later in 2019. The lot remains vacant as of 2025.

Samuel Pellett House // c.1752

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The Samuel Pellett House in Canterbury, Connecticut, dates to the mid-18th century and is an excellent example of a Colonial-era home in this part of the state. Research in the land records suggests that this house may date from the time of Samuel Pellett’s second marriage in 1752 to Hannah Underwood. The couple planted two sycamore trees in front of the house to signify husband and wife but one was lost in the 1938 hurricane while the other survives to this day. According to historians, Sarah Harris Fayerweather, the first Black student at Prudence Crandall’s school nearby, worked as a servant in this house, then owned by Jedediah Shepard. The Pellett House is an excellent example of a Colonial Georgian home in Connecticut, with clapboard siding, center chimney, five-bay facade and small pane sash windows.