In 1847, George Clark (1815-1890), a Salem carpenter, purchased a house lot on Oliver Street, a block away from the Salem Common. That year he began constructing this cottage for his family. The Clark Family resided here for just a year until 1849, when George got caught up in the California Gold Rush, selling the property and moving west to make his fortune. Since Mr. Clark was back in Salem by 1850 (according to the federal census), he was likely one of the thousands of forty-niners who did not strike it rich. The Greek Revival style house is unique for its more Gothic style gable, brackets, and segmental arched windows.
The Edgerly-Hawthorne House on Mall Street, near the Salem Common, is one of the most significant residences in Salem, Massachusetts. The Federal style residence was built in 1824 for Peter Edgerly, who ran a teamster/trucker or distribution company in Downtown Salem. After a decade, Peter became insolvent and the property was sold to Joseph Leavitt, a wealthy property owner in Salem. This house is best-known as the place where Salem-born Nathaniel Hawthorne and his family, lived from 1847 to 1850, and where he wrote The Scarlet Letter. It was in the room closest to the street, on the third floor, that Hawthorne sat at his desk and wrote the American masterpiece of fiction. After publishing The Scarlet Letter, Hawthorne moved to the Berkshires and then back to Concord, Massachusetts, never to live in Salem again. In c.1906, the Edgerly-Hawthorne House was photographed by the Detroit Publishing Company highlighting some landmarks in town. The house looks nearly identical from when it was built over 200 years ago!
The Captain John Felt House on Federal Street in Salem, Massachusetts, is a surviving Georgian residence with ties to the American Revolution. In May 1757, John Felt purchased a lot on present-day Federal Street from Benjamin Lynde for 52 pounds, and began building his family home here. John Felt, a Salem native, worked as a “shoreman,” but was primarily an owner of vessels involved in the coasting trade, also owning a large warehouse to store the goods from the West Indies brought in by his ships. Felt’s title of “Captain” came from his involvement in the Essex county militia. Captain Felt was a key figure in Leslie’s Retreat, also called the Salem Gunpowder Raid, which took place on February 26, 1775, in Salem. British Colonel Alexander Leslie led a raid to seize suspected cannons from a makeshift Colonial armory in Salem. Instead of finding artillery, Leslie encountered an inflamed citizenry and militia members ready to stop his search. These colonists flooded Salem’s streets, preventing Leslie’s passage and forcing him to negotiate. Ultimately, the Salemites convinced the British Regulars to stand down and return to Boston. No shots were fired, and no one was seriously injured—but tensions were high and a skirmish was evident until Captain Felt stated, “If you do fire, you will all be dead men.” Had a soldier or a colonist gone rogue and fired their weapon, the American Revolution might have begun in Salem, and not Concord just weeks later. After the Revolution, Captain Felt sold his house and moved to present-day Danvers. After centuries of successive ownership by merchants, today, the Felt House is used (at least in part) as professional law offices.
Roughwood is a historic estate house on Heath Street in Brookline, Massachusetts. The main residence and the various outbuildings on the grounds were designed by the Boston architectural firm of Andrews, Jaques and Rantoul, and built in 1891 as the summer estate of William Cox, a wholesale dealer in the footwear industry. Mr. Cox died in 1902 and the property was sold to Ernest Dane, the year before he married Helen Pratt, the daughter of Charles Pratt, a wealthy New York businessman and philanthropist. Mr. Dane was a banker who served as President of the Brookline Trust Company. The Dane’s owned the property for decades until the property was eventually purchased by Pine Manor Junior College in 1961. The estate house remained a centerpiece of the campus. In the early 21st century, Pine Manor College saw financial distress, and was saved by Boston College, who acquired the campus and its existing students as Messina College, which opened in July 2024 for over 100 first-generation college students. Architecturally, Roughwood is a high-style example of the Queen Anne/Shingle style of architecture. The mansion is built with a puddingstone and brownstone first floor and a second floor of varied patterns of wood shingles, all capped by a slate roof. The facade is dominated by towers and dormers and the great rustic entrance portico with dragon’s head brackets. To its side, a 1909 Tudor Revival addition served as a music room for the Dane’s family and while stylistically unique, is designed with impeccable proportions.
Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.
A castle can be found in the small town of Cornwall, Connecticut! Set amongst 275 acres of woodland and streams, with several outbuildings on the property, this whimsical castle looks like it was dropped here from Cornwall, England, but it actually dates to the 1920s. Hidden Valley Castle, had its beginnings when socialite Charlotte Bronson Hunnewell Martin envisioned building a unique country retreat for herself and her husband, Dr. Walton Martin, in the Litchfield Hills of Connecticut as a summer retreat. Just before this, Charlotte had bought a group of 20 brownstones in Manhattan on 48th and 49th Streets, between Second and Third Avenues, and converted them into charming townhouses around a central Italian-inspired garden. Called Turtle Bay Gardens, the houses were highly acclaimed and almost immediately attracted prominent and celebrated residents. The Cornwall Castle was designed by architect, Edward Clarence Dean, who also redesigned the Turtle Bay Gardens for the couple. Dr. Martin imported many of the materials as well as the 100 workmen required to build the castle, a project that lasted five years. Charlotte would also have a cottage built on the estate and hired young Italian artist, Vincenzo Rondinone, to be her resident artist on the estate to create unique vases, bowls, and pots to be used at the house and to be given as gifts to visitors and friends. The property was restored in recent years and put up for sale, with the cottage sold as a separate dwelling.
This early Colonial house with unique, rusticated wood coursing carved, treated, and painted to resemble ashlar stone, can be found on Prospect Hill Street in Newport, Rhode Island. This is the Brattle-Thurston House, a circa 1749 Georgian residence of an appropriate gray color, yet when I stopped by in early 2024, had peeling paint. The house was originally part of the Latham Thurston estate, and was later rented or purchased by Robert Brattle (Brattell), who lived here with his wife, children, and an enslaved person according to the 1790 census. The home would later be owned by William Thurston, a hatter and dyer, who likely inherited the residence from his ancestor. Beyond the unique rusticated wood siding, the design features splayed lintels, the main entrance on the side elevation and a later entrance facing the street with segmental pediment above.
The Myron Norton House, built in 1840, is located in the central village in Goshen, Connecticut. Built of stone, the house is unique as the only example of a stone house in the village, and the only Greek Revival house that departs from the usual gable-roofed form, having a square plan and hipped roof with monitor. The home was built for Myron Norton (1788-1853) and his wife, Caroline (Marsh) Norton, who outlived her husband by 23 years, living here until her death in 1876. Myron Norton made his fortune patenting and selling pineapple cheese molds, where he pressed the curds from local cows in wooden pineapple-shaped molds to give them the desired shape. It is the house that cheese built!
Arguably the most restrained and modestly detailed residence on Stimson Avenue in Providence is this residence, the George H. Dart House, a late-Queen Anne dwelling built in 1893. The original owner, George H. Dart (1845-1897) worked as the President of the Rhode Island Tool Company before his unexpected death in 1897. Four years prior to his death, Mr. Dart hired the local architectural firm of Stone, Carpenter & Willson, to design this single-family residence, which employs Shingle and Queen Anne detailing under a two-story gambrel roof with overhanging eaves sheltering recessed porches and bay windows.
The period of the late 19th through early 20th centuries provided architects the opportunity of blending the two prominent styles, Queen Anne and Colonial Revival into a single composition, and as a result, this period has provided some of the most whimsical yet stately homes in New England. This modestly sized residence sits on Stimson Avenue, one of the finest streets in Providence, and despite its unassuming size, packs an architectural punch with its materials and detailing. The Henry Waldron House was built in 1893 for Henry A. Waldron, a clerk in Providence. From deed research, it appears a member of his family, Nathan Waldron, a wealthy grocer, purchased the site in 1891 and likely funded some or all of the construction of the residence there. The architectural firm of Hoppin, Read & Hoppin is credited with the design of the residence, which employs a Colonial Revival form with the gambrel roof and Columned and ornate entrance porch with fan motif, while the use of varied siding materials and octagonal tower with pyramidal roof veers into the Queen Anne style.
The Francis and Sarah Cranston House is located on Bowen Street in the College Hill section of Providence, Rhode Island. Built circa 1895 for Francis Augusta Cranston (1837-1909) and his wife, Sarah (Hill) Cranston, the house is one of the best residential examples of Colonial Revival architecture in the city. Francis was the son of Barzillai Cranston, a descendant of Gov. Samuel Cranston, who held office from 1698 to 1727, being elected to office 30 times; serving as governor longer than any other individual in the history of Rhode Island. Francis worked as cashier of the Old National Bank of Providence for over fifty years and built this residence to settle into retirement. The residence is unique for its high-sloping hipped roof with two layers of dormers, corner quoins, Palladian window, and Ionic portico. I could not locate the architect, but if anyone knows, I’d love to give them their deserved credit!
This large house sits on Peabody Avenue in Danvers, Massachusetts, and is thought to be the oldest house built of cement in the United States! Joshua Sylvester Silvester (1803-1888), the house’s original owner, was born in Wiscasset, Maine, and began working in the shoemaking business, expanding his products in England, taking many business trips there. While in England, he is said to have particularly admired Charles Dickens’s estate, Gad’s Hill, and modeled his Danvers home after it. Joshua Silvester not only designed this house, but directly supervised its construction which is of hand-poured cement/stucco by two masons imported to town to work on the house. The fifteen-room residence with octagon-shaped barn was complete by 1858. In 1880, the property was purchased by Isaac B. Howe of Clinton, Iowa. Howe was a civil engineer who had helped to lay out the Transcontinental Railroad and had been superintendent of the Iowa division of the Chicago and Northwestern Railroad. Howe died within a year of moving to Danvers, but his family continued to live in the house for many years.
According to local histories, this significant Greek Revival style property on Elm Street in Georgetown, Massachusetts, was owned by Josiah Adams (1757-1852), a farmer, a Revolutionary War veteran, and a fourth-generation descendant of the immigrant Robert Adams, who arrived here from Devonshire, England by about 1629. In March 1849, the town’s Congregational Society purchased Adams Hall for eight hundred dollars to house the church vestry, which remained in the building for forty-one months until a new building was built for that purpose next door. Later, Adams Hall was owned by Moses Tenney (1808-1903), operator of a prosperous saw mill in Georgetown, and served at one time in the state senate. The structure retains its significant temple-front with four, two-story Doric columns supporting the portico. Also special on this residence is the use of flush-board siding and the oversized first floor windows.
This important Federal-period house sits in the middle of New Gloucester village in Maine, and dates to the early 19th century with mid-19th century alterations. The original owner was Obediah Whitman, who sold the house soon after to General Samuel Fessenden (1784-1869) lived here while practicing law in New Gloucester. He was an avid abolitionist who served as a congressman and in 1828, he declined the presidency of Dartmouth College. The General’s son, William Pitt Fessenden, resided there from ages three to fourteen. William later became a U.S. Senator and Lincoln’s Secretary of the Treasury. The third notable owner was artist, Delbert Dana “D.D.” Coombs, who used the second floor for his studio for some years. The update from the mid-19th century of the modest bracketed eaves and two-over-one windows showcases how later owners can update a home without diminishing the original design.
Buildings of New England 