Church Architecture

Hopedale Unitarian Church // 1898

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The Hopedale Unitarian Church, also known as the Draper Memorial Church, is located in the former industrial village of Hopedale, Massachusetts, and is one of the finest examples of the Neo-Gothic style in the state. The church was funded by brothers George Albert and Eben S. Draper of the Draper Corporation, the largest employer in town, offering to build the new edifice as a memorial to their parents, George and Hannah Draper. The church replaced an earlier, wood-frame church, built on the site in 1860 by supporters of Adin Ballou, a founder of the Hopedale Community, a utopian community that eventually failed. The Drapers hired Boston architect, Edwin J. Lewis, an active Unitarian who had designed several churches around New England by this time. His plan was “English Gothic of the Perpendicular period” made of Milford granite with Indiana limestone trimmings and a roof of green slate. At the interior, roof trusses were left exposed “as in the old English Parish churches” with oak finishes and flooring and memorial stained glass windows by prominent artists. The church remains a visual and historical landmark for the community with an active congregation who preserve the significant building.

St. Mark’s Episcopal Church // 1829

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St. Mark’s Episcopal Church in Warren, Rhode Island, is a small, yet architecturally significant building that was one of the first examples of the Greek Revival style in the community. The episcopal church was formed in Warren in 1828, with members originally meeting in Cole’s Hotel while this site and construction completed on their new house of worship. The well-connected congregation hired architect, Russell Warren, who had just completed the Westminster Arcade, a landmark in the Greek Revival style, in Downtown Providence. Distinguished by its beautiful four columned Ionic portico and canted door frames, the church also originally had a square tower and parapet, which were removed following the 1938 hurricane, and replaced with a simple pediment. The parish closed in 2010 and the diocese sold the building in 2012 to private owners, who converted it about ten years ago into a residence, but retained the historic stained glass windows and character of the building. The entire site today (2026) is being renovated with what appears to be a modern addition on the side (not pictured). Hopefully the architecture of this landmark will be preserved.

First Methodist Church of Warren // 1844

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Located next door to the diminutive Easterbrooks Cottage on Church Street, the First Methodist Church of Warren, Rhode Island, stands as one of the community’s great 19th century buildings. Constructed in 1844 with its iconic steeple completed a year later, the Methodist Church is a great example of a vernacular, Greek Revival style with prominent, south-facing portico with four two-story Doric columns supporting the entablature and pediment above. Built by Perez Mason (1802-1881), a carpenter and later amateur architect, the church stands out for its iconic five-stage steeple, which has long served as a sort of landmark for sailors arriving into the harbor nearby.

Clara Hall Elliott Memorial Church // 1909

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This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.

Charles Street Meeting House // 1807

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The Charles Street Meeting House at the corner of Charles and Mount Vernon streets in Boston’s Beacon Hill neighborhood is one of the finest examples of a Federal period meeting house in New England. The building is thought to have been designed by architect, Asher Benjamin, due to its similarities to his Old West Church on Cambridge Street built a year prior. At the time of construction in 1807, the church stood near the banks of the Charles River, but is now a distance away from the Charles following a land-filling campaign to expand buildable land in the city. The Charles Street Meeting House consists of a two-story gable-roof main structure with a three-story tower on the south (primary) elevation that supports a clock tower and wooden cupola with double Ionic pilasters supporting the domed roof. The building was constructed for the Third Baptist Church congregation, who used the nearby Charles River for baptisms. In the years before the American Civil War, it was a stronghold of the anti-slavery movement, and was the site of notable speeches from such anti-slavery activists as Frederick Douglass, William Lloyd Garrison, Wendell Phillips, Harriet Tubman and others. The Baptists sold the structure to the First African Methodist Episcopal Church in 1876, which was part of the first Black independent denomination in the United States. The AME Church sold the building in 1939 to the Charles Street Meeting House Society, and after a period of use as an Albanian Orthodox church, it was sold to the organization that is now, Historic New England, who were required to keep restrictions to preserve the building’s exterior. It served as a Universalist church from 1949 to 1979 with rented space inside to tenants, including a LGBT newsletter, Gay Community News, which was founded in the building in 1973. In 1980 the Meeting House was purchased by the Charles Street Meeting House Associates, who worked with the architectural firm of John Sharrat Associates to restore the building and adaptively reuse it into four floors of offices, with retail on the ground floor.

Church of the Advent // 1878

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The Church of the Advent in Beacon Hill, Boston, is a landmark example of a church designed in the Victorian Gothic style with strong English influence. The congregation, established in 1844, purchased a large corner lot at Brimmer and Mount Vernon streets on the newly made filled land west of Charles Street in Beacon Hill Flat, to construct their new church. In 1875, John Hubbard Sturgis, a Boston architect and parishioner, began designing the red brick with sandstone-trimmed church set on a corner lot with dominant corner tower and octagonal steeple. Construction began in phases beginning in 1878 and took years until the steeple was completed in 1888. Before its completion, John H. Sturgis died and his nephew, Richard Clipston Sturgis, oversaw the completion of the church, which became somewhat of a memorial to his late uncle. Following the completion of the Church of the Advent, Sturgis’ widow, extended family and clients donated a major portion of the interior art, stained glass windows, and furnishings. The polychromatic exterior in red and charred brick mixed with sandstone trim appears to have been inspired by his designs for the original Boston Museum of Fine Arts (1876, demolished in 1911.) The Church of the Advent in Boston is one of the finest ecclesiastical buildings in New England and is the master-work of one of America’s great architects.

St. Mary of the Assumption Catholic Church, Brookline Village // 1880

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St. Mary of the Assumption church was the first Catholic Church established in Brookline, Massachusetts, in 1852 when a congregation of Catholics began to congregate to worship together at the old Lyceum Hall. The congregation primarily consisted of Irish immigrants who settled in Brookline, where they often found work at the many large estates and building the new branch railroad in town, but desired a true house of worship close to their homes. By 1853, a modest wood-frame Gothic Revival style church was built in the Village, but was quickly outgrown. In 1873, the pastor of the congregation, Irish-born Rev. Lawrence Morris (1845-1900) began purchasing land at the corner of Harvard Street and Linden Place to establish a new church, large enough to comfortably fit the congregation and various church-related buildings. In 1880, the firm of Peabody & Stearns was hired to furnish plans for the Victorian Gothic edifice in brick and brownstone. Although the church was designed in 1880, it was not dedicated until 1886, and at this time, Pope Leo XIII sent a chalice to the Parish in honor of the completion of this church, the first in America to be named Saint Mary of the Assumption.

First Congregational Church of Derby // 1821

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Derby, Connecticut was settled by colonists in 1642 as a trading post with local Native people under the name Paugasset. The community was eventually named after Derby, England, in 1675 and incorporated 100 years later in 1775. Like all communities in New England, it was required to have a meeting house, where religious services and town business would take place. Derby had its first meeting house built in 1681, a rustic, square structure which was eventually replaced with a new meeting house on “The Common”, now the East Derby Green. The building served its purpose for over 100 years, with sermons led by Rev. Daniel Humphreys (1706-1787) for 54 years. In that church, his son, David Humphreys (1752-1818) was baptized, he later became George Washington’s aide and most trusted general, later becoming the first presidential speech-writer. That meetinghouse was eventually outgrown, and the present Congregational Church of Derby was built on its present site on the eastern banks of the Naugatuck River in 1821. The Federal style church building was built by Williams and Barnum from Brookfield, who likely utilized plan books by Asher Benjamin for the finishes. The Congregational Church of Derby has watched as the commercial “downtown” of the city shifted to the other side of the river and has stood here for over 200 years as a landmark of “old Derby”.

Bow Bog Meetinghouse // 1835

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The Bow Bog Meetinghouse in Bow, New Hampshire, was built in 1835 for the First Methodist Episcopal Church and Society in town. Designed in the Greek and Gothic revival styles, the traditional form and paired entries with two stage belfry is adorned by finials and pilasters, showcasing an elegant blending of these two styles. built by George Washington Wheeler for the First Methodist Episcopal Church and Society of Bow in 1835. Mary Baker Eddy, founder of the Christian Science Church, mentioned Reverend Orlando Hinds as a contributor to her early religious teachings. She maintained close ties with this Church, donating funds for the bell in 1903. The Church provided religious instruction and social activities for 116 years and in 1951, the Church was closed and the Bow Bog Meeting House Society acquired the building. In 1970, they restored it to nearly its original condition, and it was acquired by the town in 1985.

First Church of Lancaster // 1816

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Built in 1816, the First Church of Lancaster is one of just two extant church buildings designed by famed American architect, Charles Bulfinch, and is said to be one of the finest churches in the Federal style in the United States. The fifth meetinghouse of the Unitarian First Church of Christ in Lancaster, this building was constructed of local brick, slate, and lumber from master-builder, Thomas Hearsey. Hearsey is said to have modified Bulfinch’s design, which had proposed one tall center arch flanked by two lower arches to reflect the unequal heights of the three vestibule doors behind them; instead going with three, identical arches. Other than this change, the church remains substantially as originally built, even without artificial lighting or central heat inside. Besides the iconic arched portico, the two- stage brick tower topped by a beautifully proportioned wood cupola surrounded by Roman Ionic columns, and fronted by a giant arcuated portico, is especially noteworthy. The congregation, which dates back to 1653 as a Puritan congregation was the first parish established in Central Massachusetts and remains active to this day.

Chester Baptist Church // 1835

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The Baptists of Chester, Vermont, first built a wood-frame meetinghouse in 1788 for meetings and worship. The congregation here was established a year prior by Aaron Leland (1761-1832), a successful pastor and preacher, who settled in town with the task of building up a church there. Active in politics, Leland served in local offices including Town Clerk and Selectman, and was Windsor County Assistant Judge for eighteen years, he was later elected into the Vermont House of Representatives and served as Lt. Governor. After his death, the Federal style building was outgrown and sold by the 1830s. The original meetinghouse was moved to its current location across from the town’s Congregational Church and planning began for a new house of worship. The current Baptist Church, an impressive brick edifice in the Gothic Revival style, features a high slated spire that was likely added in the early 1870s, replacing a more traditional wooden crenelated tower. The 1870s spire was destroyed in 1953 and reproduced in 1999. The congregation here remains active and maintains the church well.

Old St. Stephen’s Church – Barker Playhouse // 1840

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The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


Dorchester Temple Baptist Church // 1889

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Located at the corner of Washington Street and Welles Avenue, the Dorchester Temple Baptist Church was designed in 1889 by architect Arthur H. Vinal, as one of the best examples of a church designed in the Shingle Style in New England. The church began in 1886 as a mission church of the Tremont Temple Baptist Church in Boston. At this time, Dorchester was a semi-rural area and would surge in development when the streetcars were electrified in the 1880s. With a rapidly developing neighborhood, the congregation here, purchased lots and hired Vinal to furnish plans for a house of worship. The church’s cornerstone was laid October 3, 1889, with the church membership numbering ninety-nine at that time. Membership would decline in the decades following WWII, and shifting racial and ethnic demographics in the neighborhood brought new members to worship here. The building was renamed as the Global Ministries Christian Church by the current congregation, who with the assistance of preservation grants, worked with Mills Whitaker architects to restore the iconic landmark. Specific details of the building stand out, including the stained glass windows, the belfry with bulbous form, and the arched openings with continuous shingled walls.

Westborough Unitarian Universalist Church // 1850

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The Unitarian Universalist Church of Westborough, Massachusetts is architecturally significant as an excellent example of a ecclesiastical building in the Greek Revival style, but it is also significant historically as it tells a richer history of the community and New England as a whole. The Congregational Church has its roots in the first church in Westborough, established in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state in 1825 encouraged a diversity of religious views in Westborough and a branching out from the first church both spiritually and since churches needed new houses of worship. As a result, the local church in Westborough split due to differing beliefs, with the Congregationalists building a church and a few years later, the Unitarians building this church, both in variations of the same architectural style. The UU Church in Westborough was built by 1850 and was expanded as the congregation grew. The building remains nearly identical to when it was built except for the steeple, which in 1921, was in such bad repair that it had to be removed. Less than a decade later in 1930, member Isadore Forbes donated the funds to have the steeple rebuilt and a bell installed. 

Congregational Church of Westborough // 1834

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The Evangelical Congregational Church of Westborough, Massachusetts, has its roots in the first church in Westborough, established on Powder Hill in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state, encouraged a diversity of religious views in Westborough and a branching out from the First Church. As a result the church here split in 1834, with some members forming the Evangelical Society, and those who remained, became the First Congregational Unitarian Society. The newly formed Evangelical Congregation built this church at the corner of West Main and Church streets in 1834 and the building is a typical 1830s Greek Revival style religious building in the state. In 1869, the church was remodeled, where the first floor was jacked up to provide basement meeting rooms.