William Sever House // 1755

The William Sever House is an architecturally and historically significant residence in the town center of Kingston, Massachusetts. A prosperous merchant, owner of ships involved in coastal and international trade and member of the colony’s House of Representatives, William Sever (1729-1809) was prepared to erect a home of appropriate status when he married his cousin, Sarah Warren, in 1755. Sever joined his father Nicholas Sever’s commercial shipping business after graduating from Harvard College in 1745 and in 1754, was elected to the Massachusetts Bay Colony’s House of Representatives. In 1769, Squire Sever was elected to the Governor’s Council, a position he held until 1774 when he joined the Provincial Congress. Due to his experience and seniority, Sever was appointed to head the Congress and was declared “President of Massachusetts” and endowed with the governor’s executive powers. After his death in 1809, the house remained in the Sever family for generations, including as a summer residence for James W. Sever, the namesake of Sever Hall at Harvard University. The residence is well-preserved and showcases the telescoping nature of some of these early Colonial-era properties, with the main house adjoined by a barn and carriage house and diminutive ells and was thoroughly documented in the 1930s through the Historic American Buildings Survey, with detailed drawings, plans, and photographs of the exterior and interior spaces. 

Israel Snow House // c.1850

The Israel Snow House stands at 9 Water Street in the South End of Rockland, Maine, and it is one of the region’s finest examples of late Greek Revival architecture. The residence was built for Captain Israel Snow (1801-1875), a mariner and captain of several vessels, including the schooner Maria (1829), the brig Snow (1835-36), the brig Lucy Ann (1842), and the Barque Star (1848). In 1850, he and his wife Lucy moved from Thomaston to Rockland, and he would build this stately mansion where they raised seven children. Some records put the construction of this house at 1861, but that seems very late for such an example of this style. In 1863, he founded Snow’s Point Shipyard on Mechanic Street in the South End. Rockland was the fourth largest seaport in the United States in terms of production and commerce at the time, and Snow’s shipyard was a large part of that production. This residence is now offices to the U.S. Fish and Wildlife Service’s Maine Coastal Islands National Wildlife Refuge Complex.

Derby Summer House // 1793

The Derby Summer House sits on the Glen Magna Farms property in Danvers, Massachusetts, and is a rare and excellent example of a formal 18th century garden house in the Federal Style. The structure was built in 1793-94 by Samuel Mclntire, the noted craftsman-carpenter of Salem, on the country farm of Elias Hasket Derby in South Danvers. The Derby Farm was sold off by the family, but in 1901, Mrs. Ellen Peabody Endicott, a descendant of the original owners, bought the Derby Summer House and transported it to Glen Magna Farm, their own summer residence. A shopping center now occupies the original location of the Derby Farm. Inside the structure on the first floor, there are two small rooms which are divided by a central hall that extends through the structure. The steps and vestibule at this level are surfaced in white marble. The second floor, where tea was served, was decorated in an Oriental manner. A wood parquet floor, dating from the first decade of this century is still in place. The structure with its carved figures has been studied and replicated by architects and historians for decades, but nothing beats the original.


Asa Kendall House // c.1790

The Asa Kendall House is a significant Federal period house from the late 18th century on Richardson Road in Ashby, Massachusetts. The house here is actually believed to be the second built on this location, the first being the John Fitch House and Garrison. John Fitch was one of the earliest settlers in present-day Ashby, which in the mid-1700s, was sparsely developed and threats of attack by Native peoples limited development for decades. Due to raising tensions in the years leading up to the French and Indian War, Fitch petitioned the government for a garrison manned by three soldiers, which was approved. In 1745, the garrison was attacked and Fitch with his family, were kidnapped by Native Americans, held hostage for six months and brought up to Canada. The homestead and garrison were burned. He and his family were ransomed and would later return settling elsewhere in town. The former location of the garrison was purchased by Asa Kendall and this house was built around 1790 for him. The brick house with sloping wings was extensively documented as part of the Historic American Building Survey in 1936 and has been preserved by later owners ever-since!

Sunnyside // 1886

Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

Samuel P. Tilton Cottage // 1880

One of the most well-designed and least-pretentious summer cottages in Newport is this charming dwelling on a dead end street. The Samuel P. Tilton Cottage was designed in 1880 by the prestigious firm of McKim, Mead & White as an idiosyncratic blending of Queen Anne and Shingle architectural styles. Mr. Tilton was a milliner (maker and seller of women’s hats) with stores in Boston and Paris, France. He had this cottage built to summer close to the nation’s wealthiest, likely marketing some hats at elaborate Gilded Age events. The facade is assertively Queen Anne with its massing and decorative panels, with shingled side elevation seemingly sprouting from the earth. The architectural terminology for these unique decorative panels is “sgraffito” where here, cement or plaster siding is set and adorned with shells, pebbles, colored glass, and pieces of coal into a cartouche design. The house is one of the finest in Newport, and shows that bigger isn’t always better!

William G. Low House // 1887-1962

One of the many significant losses to American architecture is the demolition of the Low House, a perfect encapsulation of the Shingle style of architecture by one of the most prolific designers in American history. The William G. Low House was constructed at the southern tip of Bristol, Rhode Island by esteemed architect Charles Follen McKim (my personal favorite) of the firm McKim, Mead & White. The Shingle style, which took off in the Northeast United States, primarily in seaside communities in the late 20th century, the homes of the style often had a strong horizontal emphasis. The style contrasts the other Victorian-era styles, de-emphasizing applied decoration and detailing in favor of complex shapes wrapped in cedar shingles. The Low House, formerly located on Low Lane, stood out for its 140-foot long gable which appeared to protrude right from the hilly outlook. The home was demolished in 1962, but was documented by the Historic American Buildings Survey program, which documented the home inside and out before it was a pile of rubble. Architectural historian Leland Roth later wrote, “Although little known in its own time, the Low House has come to represent the high mark of the Shingle Style”.