Massachusetts Architecture

Sears Chapel, Longwood // 1860

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Christ’s Church in Longwood, better known as Sears Chapel, is among the finest ecclesiastical buildings in Brookline and commands its site on a rise overlooking the Muddy River, now the Riverway in the Emerald Necklace park system. The area presently known as Longwood was originally marshland with a few farms until the building of the Mill Dam road out of Boston in 1821 that improved access to Brookline, which opened up its connectivity and development potential. Wealthy Boston businessman, David Sears (1787-1871) recognized this, and began buying the low-lying pasturelands in Brookline near the Boston border. By 1830, some squares were laid out and development began in the Cottage Farm and Longwood sections. He, with associates, began building country estates for friends and family to escape the crowded conditions of Boston. He is said to have named his neighborhood “Longwood”, after Napoleon’s estate on St. Helena where he spent his days in exile. An avid amateur horticulturist, Sears planted some 14,000 trees, many of them imported from Europe, in the course of developing his land. In keeping with his faith, Sears built this house of worship, Christ’s Church, which is said to have been modeled after St. Peter’s in Colchester England, likely giving Colchester Street, where Sears Chapel is located, its name. The Romanesque style church was designed by Boston architect, Arthur Gilman, who designed the building suitable for the Sears Family crypt which is underneath the structure and the burial site of many of the family. The congregation remains active to this day who maintain the significant structure and its many historic stained glass windows.

Francis L. Willard Summer House // 1886

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Built in 1886 as a summer house, this handsome Shingle style residence on Pleasant Street in Sharon, Massachusetts, is one of the finest examples of the Shingle style in the area. The house was built as a summer residence for Francis Lyman Willard (1845-1913), who was President and Treasurer of the Riverside Boiler Works in Cambridge, and maintained a primary residence in Jamaica Plain. He and his wife, Mary Smith Willard, had this home built as their country retreat, spending summers here to escape the hustle-and-bustle of city life. The architect could not be discovered at this time, but it appears to have been a Boston-area architect that specialized in the Shingle style due to its unique and high-quality detailing. The feature that stands out is the four-story wood shingled tower on the facade capped by a bell roof that includes a large 20-over-20 double-hung curved wood sash stair window. 

Deborah Sampson Gannett Farmhouse // c.1790

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Deborah Sampson (1760-1827) was born in Plympton, Massachusetts, and after a troubled childhood, she worked as an indentured servant until the age of 18. She subsequently worked as a teacher during the summer, though she had little in the way of formal education. In the early 1780s, Deborah tried to disguise herself in men’s clothing and enlist in the military to fight against the British forces. She was rebuffed but tried again under the name Robert Shirtliff (sometimes spelled Shurtleff) and this time was successful. Deborah was described as being exceptionally tall, plain looking, and masculine in appearance and mannerisms. She spent at least 17 months as a combat soldier and participated in several skirmishes and sustained multiple injuries. She was reportedly hit by musket fire in the summer of 1782 but refused medical treatment for a leg injury due to fears that her true identity would be discovered. Sampson is said to have extracted one piece of shrapnel from her leg by herself; another remained in her body for the rest of her life. Sampson’s time as a Revolutionary fighter came to a halt a few months before the end of the war, after she fell ill in Philadelphia and a doctor realized that Shurtleff was, in fact, a woman. Sampson received an honorable discharge and went back to Massachusetts. She married Benjamin Gannett (1757–1837), a farmer, on April 7, 1785, and the couple moved to this farmhouse in Sharon, Massachusetts, where she lived the remainder of her life as a farmer’s wife. After Deborah Sampson died at the age of 66, her husband petitioned Congress to receive a pension as the widower of a Revolutionary veteran. A committee ultimately decided to award him the money, concluding that the war had “furnished no other similar example of female heroism, fidelity and courage.” She was the only woman to earn a full military pension for participation in the Revolutionary army. The Deborah Sampson Gannett Farmhouse is a private residence.

Old Sharon Sanatorium – Former Kendall Whaling Museum // 1891

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The old Sharon Sanatorium was built on former farmland in Sharon, Massachusetts, as a medical facility for the cure of pulmonary infectious diseases. The rural medical institution was designed in 1890 by the architectural firm of Longfellow, Alden and Harlow and completed a year later. The Sharon Sanatorium for Pulmonary Diseases opened formally in February 1891 with the purpose to provide affordable care for patients suffering from Tuberculosis and other pulmonary diseases. At the time, tuberculosis was a major health concern and treatment often included fresh air, so facilities such as this were designed with access to open air sleeping porches and forested surroundings. The Sharon Sanatorium was sited to catch the prevailing breezes on the side of Moose Hill, the second highest ascent between Boston and Providence. In 1916, the Sanatorium opened a Children’s Pavilion, which was reserved for children less than fourteen years of age suffering from tuberculosis. By 1938, the threat of tuberculosis was under control, and the Sanatorium began admitting patients suffering from arthritis and rheumatic fever until the facility closed in 1947. The Sanatorium integrated with the Boston Children’s Hospital in 1949 and soon after, the property was bought by Henry Plimpton Kendall (1878-1959), a wealthy entrepreneur and industrialist, for use as the Kendall Whaling Museum, showcasing his personal collection of paintings, prints, and tools of the whaling industry in New England. In 2001, the museum merged with the New Bedford Whaling Museum and today, the property is managed by the Trustees of Reservations as their Archives and Research Center.

Unitarian Church of Sharon // 1842

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Sharon, Massachusetts, is a small suburban community south of Boston that is lesser known than its neighbors, but the community has some great old buildings! The Town of Sharon was originally part of a 1637 land grant given by the Dorchester Proprietors to encourage new settlement in areas southward. In 1726, the lands of the present towns of Sharon, Canton and Stoughton, were separated from Dorchester and called the Stoughton Territory. Settlers in present-day Sharon found it difficult to attend mandated church services centered around present-day Stoughton and petitioned the General Court in 1739 to set off as a separate precinct. The request was granted and the Second Precinct was established, and incorporated as Stoughtonham in 1765, changing its name in 1783 to Sharon, named after the Sharon Plain in Palestine. In 1813, the local congregationalists split due to theological differences and formed a Unitarian church. The Congregationalists moved and built a new church and the Unitarians remained on this site, but the larger building was too large for their needs. They demolished the original building and constructed this church in 1842, which somewhat resembles the 1839 Congregational Church of Sharon a stone’s throw away. Like its neighbor, the Unitarian Church too retains an original bell cast by the The Revere Copper Company of nearby Canton.

First Church of Christ Scientist, Sharon // 1928

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Located on North Main Street in Sharon, Massachusetts, the community’s Christian Science Church was built in 1928 and is a great example of a diminutive chapel designed in the Colonial Revival style. Before it was completed, the Sharon Christian Science Society had been meeting and holding Sunday services in rooms at the Town Hall and other churches until funding was secured for their own house of worship. Customary of all Christian Science churches, the Christian Scientist in Sharon needed to have the building completely free of debt before being dedicated. The church was designed by architect Prescott A. Hopkins, who was likely the first person to receive a master’s degree in architecture at MIT before moving to Atlanta to became the first head of the Architecture Department at Georgia Tech. The building features a large Palladianesque window at the facade and twin curved entry porches at the facade.

Aaron Fisher House // 1805

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The Aaron Fisher House on North Main Street in Sharon, Massachusetts, has stood over 220 years as the town’s finest example of Federal style residential architecture. The residence was built for Aaron Fisher (1762-1809) who is said to have had the house built of brick that was brought over to the United States from England as ballast on a ship and later made its way to Sharon for use as walls of this stately house. While the brick is slight different color than many other local bricks, this may be another example of an urban legend. In the mid-19th century, the house was modernized with an entry porch and brackets at the cornice, and is said to have been painted yellow. Luckily for us, the porch and paint have since been removed and the 1805 house shines once again on the town’s Main Street.

Former Sharon Public Library // 1914

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Built with funds donated by Andrew Carnegie as part of his push to expand access to libraries and books to millions of Americans, the former Sharon Public Library in Sharon, Massachusetts, stands as a great example of an early 20th century library built in the Colonial Revival style. Planning for a public library in the town of Sharon began in the 1870s when the town voted to appropriate money gained from charging dog licenses into a fund for a free public library. Additional funds were later added and a collection was set aside in the old Town Hall where the library occupied two rooms. By the 1910s, the circulation and use grew to a point that a new, purpose-built library was needed for the community, but funding was short and Sharon did not have any major benefactors to fund its library like so many other communities in New England at the time. As a result, an application is made to Andrew Carnegie for assistance. Months later, the sum of $10,000 was offered for the planning and construction of the library, costing the community nothing. Boston architect C. Howard Walker was selected to furnish plans for the Sharon Library, which was such a success that the building would be featured in numerous architectural publications after completion. The former Sharon Public Library remains one of a large number of Carnegie Libraries in New England and was subsequently expanded by rear additions in the late 20th century before a new library nearby was completed in 2025. It is not clear what will become of the 1914 library, but it remains in great condition and a lasting landmark on the town’s Main Street.

Darius Lothrop House // c.1830

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Located on North Main Street in Sharon, Massachusetts, the Darius Lothrop House stands as a unique late-Georgian style residence built of locally quarried stone. Darius Lothrop (1777-1841) is said to have built the large, two-story house in the 1830s and resided here until his death in 1841. The Lothrop House retains its large gambrel roof, center entry set within the stonework, splayed lintels over the first floor windows, and twin shed dormers.

George P. Lawrence Summer House // 1897

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On the eastern shore of Lake Massapoag in Sharon, Massachusetts, the George P. Lawrence Summer House is an excellent and rare preserved example of a late 19th century Victorian summer house in the suburban town. The residence was built in 1897 for George Pelton Lawrence (1859-1917) and his wife, Belle, as a summer retreat from their primary residence in North Adams in Western Massachusetts. George P. Lawrence was an attorney who was appointed as a district court judge before entering the political arena where he became a state senator. The couple spent summers at this beautiful Shingle/Colonial Revival style residence until Congressman Lawrence’s death in 1917. On November 21, 1917, Lawrence jumped out of his eighth-floor New York City window at the Hotel Belmont , committing suicide. In his room, he left a note saying that he “could not stand the pressure anymore”. The Sharon property remained in the family until the 1940s and has been modernized, while maintaining its character.