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General John Sedgwick House // 1860

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The Major General John Sedgwick House is located in Cornwall Hollow, Connecticut, and stands out as one of the finest residences in this part of the state in a rural setting. The house was built by 1860 for General John Sedgwick (1813-1864), who was born in a house standing on this site, which had been built by his grandfather, a veteran of the Revolutionary War. In 1859, the Sedgwick family homestead burned to the ground. Sedgwick, then already well established in his military career, took leave to oversee construction of its replacement. This house was built, apparently on the foundation of the old house, in 1859–60. The work was done by Cyrus Marsh, a local builder, in the Italianate style with decorative brackets, window mouldings, hoods, and a large columned entry portico. Major General Sedgwick was active in many campaigns, and during the American Civil War, he was killed by a sharpshooter at the 1864 Battle of Spotsylvania Court House, he was the Union Army’s highest-ranking casualty of the war and never got to reside in his Cornwall home.

Old Goshen Town Hall – Goshen Players // 1895

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The first purpose-built official town building of Goshen, Connecticut, was this wood-frame structure at the main junction in the central village as the town’s first town hall. Built in 1895, the structure originally housed offices for the selectmen and town clerk, a fireproof vault for records, and a large audience-room with stage for town meetings and ceremonies. The building employs a more traditional form similar to the old Greek Revival meetinghouses built in New England in the first half of the 19th century, but with a shingled, Victorian entry tower with bell roof. When the Town of Goshen moved into its present town hall building, this structure became the home to the Goshen Players, a community theatre established in 1949, and is the second oldest continuously performing theatre group in the state.

William and Kathleen Fuller House // 1905

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This handsome Tudor residence was built around 1905 for William Oliver Fuller (1856-1941) and his wife, Kathleen Stephens Fuller (1869-1948), and can be found at the corner of Beech and Lincoln streets in the finest neighborhood in Rockland, Maine. Although an architect could not be established at this time, the high-style residence features half-timbered gables, an inset front porch framed by stone pillars, and an absolutely perfect color palette. William Fuller was a newspaper publisher, who created his first newspaper, the Rockland Enterprise when he was 18 years old and in high school. He would go on to become the editor and publisher of the Courier-Gazette, the region’s main newspaper. Kathleen Fuller frequented the newspaper herself through her published poetry and columns and would later become an associate editor and co-owner of the paper.

Rockland Railroad Station // 1917

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Welcome to Rockland, Maine! Originally called Catawamteak by the Abenaki, meaning “great landing place”, Rockland was first settled by European settlers in In 1769 as a camp to produce oak staves and pine lumber. In 1777, when Thomaston was incorporated, present-day Rockland became a district called Shore village. In 1848, it was set off as the town of East Thomaston and renamed Rockland in 1850. The coastal community grew quickly as a shipbuilding and lime production center, with upwards of 300 vessels to transport the mineral to various ports in the country for the building of communities all down the coast. The opening of the Knox and Lincoln Railroad in 1871 brought an influx of tourists and businesses, creating a development boom for the community. The line was leased to the Maine Central Railroad in 1891, which took over ownership in 1901. The Rockland Railroad Station, seen here, was built in 1917, just before the government took over the railroads during World War I. Architects Coolidge and Shattuck designed the station in the Romanesque Revival style with the oversized arched openings at the windows and main entrance. The rise of the automobile industry would further harm rail service and usage, and the Rockland Branch officially closed in 1959. The old Rockland branch station operated as the Rockland Town Hall for decades and is now occupied by a local restaurant, Trackside Station.

Israel Putnam House // c.1648

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The General Israel Putnam House in Danvers, Massachusetts, was built circa 1648 by Lieutenant Thomas Putnam on farmland that then consisted of 100 acres. In 1692, his youngest son, Joseph Putnam, lived here, inheriting the property over his half-brother, Thomas Putnam, Jr. (1652-1699), causing friction within the family. During the infamous witch trials and hysteria in Salem Village, Joseph Putnam was one of two people who took notes during the examinations of the first three to be accused of witchcraft in 1692 – Sarah Good, Sarah Osborne, and Tituba. From that point forward, he was one of the most outspoken opponents of the proceedings, which put him in direct conflict with most of the Putnam family, especially that of his half-brother Thomas. Fearing accusations against him by his half-brother, Joseph was said to have kept horses saddled at all times, ready to escape at a moment’s notice. He was never accused, though Thomas Putnam was responsible for the accusations of 43 people, and his daughter was responsible for 62. In 1718, Israel Putnam, the son of Joseph Putnam, and later Commander of the colonial troops at the Battle of Bunker Hill, was born in this house. It is the only extant structure with direct ties to Commander Putnam. During the Battle of Bunker Hill, Putnam is thought to have ordered William Prescott to tell his troops, “Don’t fire until you see the whites of their eyes.” This command has since become one of the American Revolution’s notable quotations. It was given to make the best use of the low ammunition stocks that the troops had. The Putnam House remained in the family into the 20th century, and due to highway and commercial expansion, the property now sits in the middle of a cloverleaf intersection of two highways. The house was given by the Putnam family to the Danvers Historical Society in 1991, but as of 2020, the Putnam family once again owns the property. The house is not holding up well and I could not locate plans for restoration or preservation of it online. This house deserves to be preserved.

Jeremiah Page House // 1754

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In 1754, a 32-year-old brickmaker Jeremiah Page built this large, gambrel-roofed Georgian house in Danvers, Massachusetts, for his young family. Jeremiah and his first wife, Sarah, raised nine children here and dreamed of liberty from England. Following the Tea Act, passed by British Parliament in 1773 that granted the British East India Company Tea a monopoly on tea sales in the American colonies, Page was said to have demanded that “none shall drink tea in my house.” One evening when her husband was out, Sarah Page is said to have invited several women from the neighborhood up to the porch atop the Page House’s gambrel roof to enjoy tea. Larcom quotes Page as telling her friends, “Upon a house is not within it,” thereby finding a loophole around her husband’s directive. This legend was enshrined in the poem “The Gambrel Roof” (1874) by Lucy Larcom, who knew Sarah Page’s granddaughter. Jeremiah Page would fight in the Revolution, serving as a Captain. The Page House remained in the family for two more generations, Sarah Page’s daughter in-law, Mary Page died in 1876 and her will put the property into a trust with the stipulation that once there were no longer any Page descendants to live there, the historic house was to be torn down. After Mary Page’s daughter Anne Lemist Page died in 1913, the trustee planned to demolish it according to her wishes. The Danvers Historical Society sprung into action and sued to oppose the will, fighting to preserve this significant home. They won, and relocated the home a block from Elm Street to its present site on Page Street, where it stands today. The Danvers Historical Society maintain the structure to this day, including the “porch” at the roof where the tea party once took place.

Danvers Town Hall // 1854

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The land that is now Danvers, Massachusetts, was once owned by the Naumkeag branch of the Massachusett tribe. Permanent European settlement began in 1636, when present-day Danvers was known as Salem Village, a village of Salem. The historical event for which Danvers is best-known is the Salem witch trials of 1692, which began in the home of Rev. Samuel Parris, in Salem Village. Danvers officially separated from Salem in 1752 and is likely named after Sir Danvers Osborn, a Colonial Governor of New York. In 1757, Massachusetts incorporated Danvers as a town and, according to legend, King George II later vetoed this act of incorporation and returned his decree with the message, “The King Unwilling.” They simply ignored this royal veto, which was later included on the town’s seal! Danvers would eventually build a central town hall building , this structure, in 1854 which partially functioned as a high school as well. Plans were drawn by the Salem architectural firm of Emmerton & Foster in a pleasing blending of Greek Revival and Italianate styles. As the town grew, the building was expanded in 1883, and in the 1890s. When a new, purpose-built high-school was constructed elsewhere in town in the early 1930s, it was decided to renovate the town hall building. Due to financial constraints during the Great Depression, the town got a lifeline by the Federal government, who in 1934, appropriated $6,500 to the town for a renovated town hall as part of the New Deal. Additional funds from the WPA went to murals (many of which still adorn the walls inside). Architect Lester S. Couch of Danvers, a partner in the firm Little & Browne, oversaw the renovations in the Colonial Revival style.

Maine State Building // 1893

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The Maine State Building is a one-of-a-kind landmark located in the Poland Springs Historic District of Poland, Maine, though it was not originally built in this location! The Victorian structure was built in 1893 at the Columbian Exposition in Chicago (aka the Chicago World’s Fair) as one of the State Buildings constructed by each U.S. state to highlight their history. Designed by Chicago architect Charles Sumner Frost, a Lewiston, Maine native and MIT graduate, the building was constructed of granite with a slate roof. After the close of the fair, the Ricker family of Poland Spring, purchased the building from the state. They had it dismantled, moved to Maine, and rebuilt on their resort, which brought even more visitors to their property. In Maine, it reopened in 1895 as a library and art gallery for their hotel guests. Along with the Norway Building in Norway, The Dutch House in Brookline (a personal favorite), the Palace of Fine Arts (now the Museum of Science and Industry) and World Congress Auxiliary Building (now the Art Institute of Chicago) in Chicago, the Maine State Building is one of the few remaining buildings from the 1893 World’s Fair, and the only State Building remaining. It has been lovingly preserved and operated by the Poland Spring Historical Society, who operate the building as a museum.

Georgetown Engine House No.5 // c.1860

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Following a devastating fire in Georgetown in 1874, local residents of the town petitioned at a town meeting to purchase a fire engine and a lot to erect a new engine house to prevent such a loss again. Within a year, voters approved not only the construction of a new engine house on Middle Street, near the commercial center of town, but also to move this charming single-engine firehouse at to a site to “the south part the town”. This structure was deemed inadequate for the dense commercial village and instead of demolishing it, town voters decided it could be relocated to another area and put to use. A volunteer company was formed for the new engine house and the small structure remained as a firehouse until the early 20th century when modern fire apparatus would no longer fit in the building. The building was sold by the town and has remained in private ownership since the 1920s, and its use is unknown to me, but the owners are doing a great job maintaining this significant structure.

New Gloucester Town Hall // 1886

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New Gloucester, Maine was established in 1736 under a Massachusetts Bay Colony grant of a 6-square-mile tract of land in the Maine Territory to sixty inhabitants from the Gloucester fishing village on Cape Ann. The first white settlers here built cabins in the forests in the 1740s, which were largely abandoned from 1744–1751 due to the heightened native tribe attacks during King George’s War. As the Native Americans gradually withdrew to Canada, the settlers moved out into their own newly built homes and the town has grown ever-since. New Gloucester was incorporated on March 8, 1774, and was named New Gloucester after Gloucester, Massachusetts, the native home of a large share of the early settlers, as Maine was still a territory of Massachusetts until 1820. Previous to 1886, the First Baptist Church was used for a town meeting house, but in that year the new Town Hall, this building, was dedicated. The building is Queen Anne in style with varied siding, applied ornament in the gable, with a more Classical portico at the entrance.

Wellington-Sears House // c.1810

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One of the many Federal period houses in Ashby Center is this lovely c.1810 residence on Main Street. The house is known as the Wellington House, and was possibly built by Darius Wellington, a carpenter who assisted with building the town’s First Parish Church in 1809. The house exhibited a symmetrical facade with stunning fanlight transom over the main entrance and eight-over-twelve sash windows. In the latter half of the 19th century, the property was owned by Cyrus Sears, a prominent sea captain, who sought a life inland with his family. He would serve in the Civil War, but had the half-decade house “modernized” with new bay windows and an entry porch. He would later move to Baltimore and serve as a port captain and consul to Cuba. In the past few years, the owners have restored the home to its original Federal design, re-emphasizing the stunning fanlight transom and sidelight details.

Heywood Brothers & Wakefield Co. Building // 1897

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Nearly a decade after the heirs of Peter Bent Brigham and his wealthy estate erected the Peter B. Brigham building in the Bulfinch Triangle Historic District of Boston, they would again develop more of the block the trust owned, building this stately commercial building. Much of the Peter Bent Brigham Building was rented to the Heywood Brothers & Company and Wakefield Company, both furniture makers. Heywood Brothers was established in 1826, Wakefield Company in 1855, with both firms producing wicker and rattan furniture. The companies merged in 1897 and moved into this building constructed by the Brigham estate that same year. The building was designed in a unique version of the Beaux Arts and Classical Revival styles by relatively unknown architect Stephen Russell Hurd Codman (1867-1944), a first cousin of more famous architect and interior designer, Ogden Codman. Stephen Codman opened a firm with the French-born architect, Constant Desire Despradelle, designing some landmark buildings in Boston together. The Heywood Brothers & Wakefield Company Building on Portland Street is a distinctive granite-faced building standing six-stories tall with engaged box columns spanning four floors and dividing the bays of the facade.

William L. Lockhart Company Building // 1887

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This six-story brick and sandstone building at Causeway and Staniford streets near North Station in Boston was built in 1887 as the headquarters and sales center for William L. Lockhart & Co., manufacturers and wholesale dealers of coffins, caskets, and undertakers’ supplies, which at the time was considered the largest establishment of its kind in New England. The company had its factory in East Cambridge and built this structure as offices and sales rooms. The building is an excellent example of the Romanesque Revival style, which is typified by the use of round arched windows at the top floor and the use of inlaid carved stone panels. Frederick Nason Footman a relatively unknown architect is said to have designed the building for the Lockhart Company, with the building serving as an important piece of the company’s portfolio. Shop space was created on the street level, with the company’s offices, salesrooms and casket hardware department occupying the second floor, show rooms on the third floor, shipping department on the fourth floor and storage on the fifth and sixth floors. While the adjacent parcels have been razed and are still vacant, this building serves as an important visual gateway into what was once the West End, a neighborhood that was almost entirely demolished during urban renewal.

Sunnyside // 1886

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Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

Oakwold Cottage // 1883

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Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.