This Shingle-style church building on Lynde Street in Salem, Massachusetts, was built in 1897 as a satellite chapel for the First Congregational Society in Salem. The chapel was constructed from designs by the Boston-based architect Edward B. Stratton. From 1908 to 1979, the building was owned by the Christian Science Church and was eventually sold to private ownership in 1979, where it has since been home to the Witch Dungeon Museum. The building has retained much of its original design, including the large Gothic sanctuary window, tower, and decorative trusses at the gable. Sadly, the original shingles have been replaced by later siding.
Constructed in 1912, Temple Court at 15 Lynde Street was erected on the site of two earlier buildings during a period of great population growth in Salem. The parcels here were acquired by Aroline C. Gove (1857-1939), a prominent local property-owner and developer between 1908 and 1911. Ms. Gove was a prominent Salem citizen and daughter of notable inventor and businesswoman Lydia Pinkham. With a business-oriented mindset like her mother, Aroline hired architect Harry Prescott Graves of Lowell to furnish plans for an apartment building on this site. Completed in 1912, the apartment building, known as Temple Court, included 36 units with two-, three-, and four-room suites with a live-in janitor. The building is unique for Salem as a courtyard style building, more common in Boston and Brookline. The building’s large mass is broken up by its setback with the U-shaped form and central landscaped courtyard, series of projecting octagonal bays, and multiple entrances. Temple Court was converted to condominiums in the 1980s.
The William Hunt Double House, located at 10-12 Lynde Street in Salem, is a 2 ½ story wood-frame Italianate building that showcases the emerging presence of the Victorian style on residential buildings in the mid-19th century, even in cities with strong support for Colonial and Federal period styles. The two-family house was built by William Hunt, a prominent Salem merchant, as a rental property with occupants of the building in 1859 including: John W. Lefavour, a cashier, and Benjamin F. Faber, a merchant. The property remained in the Hunt Family for three generations, and was converted to a boarding house in the 1930s. In November 2018, a fire gutted much of the building, displacing the residents, and concerned neighbors as to the future of this great property. Luckily for us, the owners hired Seger Architects, Epsilon Associates and Groom Construction to fully restore the building to its former glory. The resulting project won a Salem Preservation Award and received Federal and State Tax Credits to offset restoration costs. What a great success story!
This mid-19th century brick structure on Church Street in Salem, Massachusetts, was built as the Central Fire House for the City. The Salem Fire Engine House was erected in 1861 from plans by an unidentified architect, in an eclectic style focused on function over frills. The façade is dominated by three engine bays with five windows on the second floor, surmounted by a decorative brick cornice. The hidden feature of the fire house is the three-story hose-drying tower capped by a slate mansard roof at the rear of the building. This building remained a fire house for 115 years until 1976, when due to larger fire engines and the tight constraints of the lot and surrounding streets, made use of the building a burden for fire-fighting. The City of Salem sold the building to private owners in 1976 for $24,000, and they underwent renovations to the building from designs by David Jaquith undertaken under the direction of the Salem Redevelopment Authority which sought to promote renovation of select historic buildings within the Downtown Salem Historic District. The recessed entrances through the old engine doors is a nice touch and retains the original fabric of the building. The old Salem Central Fire House is now occupied by Crazy Good Kitchen and the East Regiment Beer Company.
Salem, Massachusetts, was first settled by Europeans in 1626, and it would take 170 years until in 1796, an organization of citizens was established for the purpose of supplying the inhabitants generally of Salem and Danvers with pure spring water. The Salem and Danvers Aqueduct Company was incorporated in 1797 “for the purpose of conveying fresh water by subterraneous pipes into the towns of Salem & Danvers.” As Salem grew, the need for a more central water district and distribution network became a necessity for the health and prosperity of the city. A 1864 law allowed Salem to construct its own water works, and it formed a Board of Water Commissioners who designed and constructed the system. From this, funding was acquired and paid for the laying of tens of thousands of feet of subterranean water distribution pipes connecting the reservoir to buildings and hydrants in Salem. Offices of the Waterworks were scattered and obsolete until 1877, when funds for the construction of this structure at 32-34 Church Street were set aside as the new Water Department Offices. Completed by 1879, the building is a great example of a Romanesque/Italianate style masonry structure with corbelled cornice and arched openings. According to the city directories, this building continued to operate as the Salem Water Works into the late 1930s. By 1945, it was the headquarters of the United States War Price & Rationing Board. In 1964, it held a number of city offices including: Civil Defense headquarters, Fire Department headquarters, Licensing Board, Planning Board, and the City Veterans Service, before being sold by the City of Salem to private ownership in 1976.
Completed in 1974 for the now defunct Pine Manor College in Brookline, Massachusetts, this interesting Contemporary/Shed style building is modern, yet employs materials and a general form that fits into its surrounding context. When Pine Manor College received a grant by the Abercrombie Foundation, planning began immediately to design and build the Abercrombie Fine Arts Wing of the school. The building was designed by Paul J. Carroll & Associates, and features a bold roofline with clerestory windows, used to provide ample natural light for the classroom and art studio spaces inside. The building remains a part of the newly established Messina College, a Boston College campus enrolling first-generation high-financial need students, giving all an opportunity for education, no matter their circumstances.
Like the Roughwood Mansion and carriage house, this building was designed and built in Brookline, Massachusetts, in the early 1890s as part of the “Roughwood” estate. Despite its high-style and ornate detailing, the building was actually constructed as a cow barn. Built in two phases for its two owners, William Cox and Ernest Dane, the large barn structure blends Victorian design into a use more reserved for vernacular detailing. The building was designed by Andrews, Jacques and Rantoul, and like the mansion and carriage house, blends Queen Anne and Shingle styles under one roof. Ever-since the estate became a college in the 1960s, the building has been used as a maintenance building. It appears that since it has been owned by Boston College as part of it’s Messina Campus, it is undergoing a thoughtful restoration!
Roughwood is a historic estate house on Heath Street in Brookline, Massachusetts. The main residence and the various outbuildings on the grounds were designed by the Boston architectural firm of Andrews, Jaques and Rantoul, and built in 1891 as the summer estate of William Cox, a wholesale dealer in the footwear industry. Mr. Cox died in 1902 and the property was sold to Ernest Dane, the year before he married Helen Pratt, the daughter of Charles Pratt, a wealthy New York businessman and philanthropist. Mr. Dane was a banker who served as President of the Brookline Trust Company. The Dane’s owned the property for decades until the property was eventually purchased by Pine Manor Junior College in 1961. The estate house remained a centerpiece of the campus. In the early 21st century, Pine Manor College saw financial distress, and was saved by Boston College, who acquired the campus and its existing students as Messina College, which opened in July 2024 for over 100 first-generation college students. Architecturally, Roughwood is a high-style example of the Queen Anne/Shingle style of architecture. The mansion is built with a puddingstone and brownstone first floor and a second floor of varied patterns of wood shingles, all capped by a slate roof. The facade is dominated by towers and dormers and the great rustic entrance portico with dragon’s head brackets. To its side, a 1909 Tudor Revival addition served as a music room for the Dane’s family and while stylistically unique, is designed with impeccable proportions.
The parish known today as Infant Jesus-St. Lawrence Church was established in 1898, two years after its original chapel building – shown here – was erected to serve as a mission church of St. Mary of the Assumption in Brookline Village. The St. Lawrence Church was built in 1896 on Boylston Street in the Chestnut Hill/South Brookline area of the town, built to serve a more local, well-off population in the area. The church (and the adjacent rectory) was designed by Franz Joseph Untersee, a Swiss-American architect, and Brookline resident, who designed many Roman Catholic churches throughout the eastern part of United States. The Neo-Gothic church building is built of wood and stone with stucco and applied half timbering. Besides the large stained glass window and applied ornament, the church is notable for its square, irregularly-laid granite tower with crenelation. The church remains active in the community and very-well preserved inside and out.
In 1915, Mary Longyear, a faithful follower of Mary Baker Eddy and the Christian Science faith, purchased the land from the Lyman Estate in Brookline, Massachusetts, and donated to the Christian Science Church. Planning began immediately to build a facility as a “temporary resort where those seeking relief through Christian Science may go to find practical assistance in overcoming their difficulties.” The need for a hospital/sanatorium was established by Mary Baker Eddy as early as 1906, and it would be over a decade before this need was filled. The complex was built in stages beginning in 1918 with this building, the main building, observation tower and a powerhouse designed by Clarence T. McFarland. The buildings were designed in the Tudor Revival style, blending in with the many country estates in this section of Brookline. The complex would train nurses and treat patients for over 100 years and remains an important institution into the 21st century.
Mid-Century Modern commercial architecture is often maligned for its car-centric and unadorned designs, but the Lyman Park Offices on Boylston Street in Brookline, Massachusetts, are some of the finest office buildings constructed in Brookline in the 20th century. The two office buildings were built on the site of the Theodore Lyman estate and were built at a time Brookline saw rapid commercialization along the Boylston Street corridor. Designed by the firm of Salsberg & LeBlanc, the Lyman Park Offices are landmark examples of the International style in the commercial form in Brookline. Built of steel and glass, the buildings exhibit spandrels above each floor level, enhancing the strong horizontal emphasis of the design.
Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.
Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.
John Gordon Wright (1843-1912), was a Boston wool merchant who purchased farmland on this site in the 1890s and hired architects Chapman & Frazer, to design this stone mansion as an estate house. He previously moved into an earlier wood-frame home on the site and a decade earlier, had the architects design his carriage house and stable, which survive today as the Soule Recreation Center. The stone Tudor Revival style mansion house was massive and featured in national periodicals when completed. The estate was beautified by landscaping designed and laid-out by the Olmsted firm. In 1942, the property was purchased by the Rivers School (now located in Weston) and converted into classrooms and administrative offices for the private school. When the school moved to Weston, the Town of Brookline in 1961 bought property for recreational purposes. Sadly, in 1967, the mansion house burned down, but the carriage house and gate lodge remain as lasting remnants of a once great Brookline estate.
The Soule Recreation Center in Brookline, Massachusetts, was originally the stable and carriage house on the John G. Wright estate. John Gordon Wright (1843-1912), was a Boston wool merchant who purchased farmland on this site in the 1890s and hired architects Chapman & Frazer , to design an estate house (since demolished), and this building to serve as a carriage house and stable for horses. The stone Tudor Revival style mansion house was complemented by the earlier wood-frame Tudor carriage house, resembling an English manor with grounds designed and laid-out by the Olmsted firm. In 1942, the property was purchased by the Rivers School (now located in Weston) and converted into classrooms and administrative offices for the private school. When the school moved to Weston, the Town of Brookline in 1961 bought property for recreational purposes. Sadly, in 1967, the mansion house burned down, but the carriage house and gate lodge remain as lasting remnants of a once great Brookline estate.
Buildings of New England 