Located on West Street in the rural part of Wrentham, Massachusetts, this historic farmhouse is among the finest homes in the community. Early records are sparse, but the dwelling appears to have been built in the first half of the 18th century by Joseph Grant and later expanded and inherited by other members of the Grant Family who owned the property in the mid-19th century and other nearby farms. Through the 19th century, the farm was owned by George Grant and later by his son, Charles Albert Grant. In the 20th century, the farm was owned by Wentworth and Anne Massie, who operated the property as an apple orchard, known as Kentuck Farm. The home has been restored by current owners and retains its large, central chimney, classical door surround, siding and windows.
In 1787, Oliver Druce (1760-1797) married Sarah “Sally” Kollock (1764-1789) and had this large residence built overlooking the Town Common in Wrentham, Massachusetts. The young couple raised one daughter here until Sarah died in 1789 at 25 years old, followed years later by Oliver, who died in 1797 at 37 years old. By the turn of the 19th century, the late-Georgian residence was owned by John Francoeur, a French Huguenot. The Druce-Francoeur House is one of the finest Georgian style residences in Wrentham, which retains its magnificent doorway framed by fluted Ionic pilasters with broken scrolled pediment above.
Built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation executive, Eben Sumner Draper, this massive Tudor Revival style mansion in Hopedale, provided a secluded country estate for the wealthy industrialist. The home was designed in 1926 by Boston architects Bigelow & Wadsworth, and replaced Eben’s father’s Shingle style country mansion “The Ledges“. The new Draper mansion was highlighted in numerous architectural magazines shortly after it’s construction, which highlighted the amazing brickwork, layout, and interior finishes, all of which remain to today! This spectacular home is over 14,000 square feet and has 17 bedrooms, several located in the staff wing, 10 full-baths and four half-baths, an in-ground swimming pool, gazebo, tennis court, and landscape design attributed to the notable landscape architect Warren Manning. In the 1960s, the home sold out of the family and was used as a home for adults living with developmental disabilities, mental illnesses, physical disabilities, the facility has since sold the Draper mansion and occupies the former carriage house on the grounds.
Located on Adin Street in Hopedale, this excellent turn-of-the-century mansion was built for Frank Jerome Dutcher, a manufacturer who worked for his father’s company before selling it to the Draper Corporation, later becoming a wealthy salesman. Blending Shingle, Queen Anne, and Arts and Crafts styles, the Frank J. Dutcher home sits atop a rock ledge and was designed by architect, Robert Allen Cook, who designed other buildings in town for the Draper Corporation and community, behind his original home that burned in 1903. The home features two massive fieldstone chimneys, shingled siding, and a series of dormers and bays that provide a rich dialogue along the long street-facing facade. In the mid-20th century, the property became a nursing home, known as Oakledge Manor. The building was recently bank-owned and it is unclear if the building was converted back to a single-family home, or remains a housing facility.
The Cranston Cottage on School Street is one of the few such Revolutionary-era gambrel-roofed cottages in the charming town of Warren, Rhode Island, and showcases how many early New England homes were originally built before later additions as families grew. The house was likely built soon after Queen Street (since renamed School Street) was laid out in 1765, or it was moved to the site after the street was laid out and house lots platted. The original owner, Benjamin Cranston, had the house built, which was then just a three-bay, two-story cottage with central chimney for heating. Over time, additions were made to the cottage, including the kitchen ell on the side with chamfered hyphen with diamond pane window.
A big departure from the less ornate, yet classically proportioned Georgian and Federal style homes in Warren, Rhode Island, this Gothic Revival beauty on the town’s Main Street stands out for its detail and materiality. Built as a quintessential Gothic “cottage,” the facade of the Dow-Starr House in Warren has also been graced by a three-sectioned Gothic Revival porch as illustrated in Alexander Jackson Downing’s plan books from the 1840s. As completed, this house followed almost exactly Andrew Jackson Downing’s Design II as illustrated in Cottage Residences 1842 ; it differed only in its use of speckled fieldstone over coursed ashlar. The house was later acquired by and used as a convent for the St. Jean Baptiste Church in Warren, who also built a school building behind. The house has seen some alterations, but remains an important architectural landmark of the town.
This stately three-story Federal style mansion on Baker Street in the lovely town of Warren, Rhode Island, was built in 1809 as a gift from a father to his daughter as a wedding gift. The house was funded by James Maxwell, of the local family of merchants and slave traders, for his daughter Martha “Patty” Maxwell and her soon-to-be husband, Samuel Randall. Judge Randall operated a school in town and published three local newspapers, the Telescope, the Clarion, and the Telegraph, all rather short-lived. In 1822, he was appointed judge of the court of common pleas for Bristol County, Rhode Island, and served in that capacity until 1824, when he was made justice of the supreme court of the state. The pop of color at the entry and the bracketed, Victorian era door hood complete the facade to give it some serious curb-appeal.
This house, located on Water Street in Warren, Rhode Island, is said to have been built in the 1760s, but its present appearance in the Federal style is credited to owner, Caleb Carr (1768-1853). In around 1790, Caleb fully renovated the property in the Federal style for his residence and as a tavern, with an elegant fanlighted door put on each facade—one for household use, the other for tavern customers. The property was inherited by his son, Captain Caleb Carr Jr., who continued as a tavern owner, but was also an important shipbuilder and operator of the ferry to Barrington, which docked at the end of the street. The Carr Tavern is today covered with later aluminum siding and has Victorian-era two-over-two windows but if restored, would shine as one of the best Federal style homes in town!
Located next door to the Rebecca Maxwell Phillips House on State Street in Warren, Rhode Island the Eddy-Cutler House remains as one of the finest Federal style residences built of brick in the charming waterfront town. Warren merchant and slave trader Benjamin Eddy purchased this desirable house lot in 1806 from John Throop Child, a town councilman and slave owner in 1774 who built slave ships before the Revolutionary War. Benjamin Eddy began construction on his mansion by 1806, and it was completed sometime before the War of 1812. Like many of the town’s wealthiest residents, Benjamin Eddy was engaged in the slave trade. Captain Benjamin Eddy was captain of at least three slave voyages, delivering 139 captives to docks in Charleston, South Carolina, in June 1806 alone. In 1808, just before the “Act Prohibiting the Importation of Slaves” he purchased and imprisoned 176 Africans – the largest number ever carried on a Warren slave ship. Nineteen died during the return voyage. When he reached Charleston, South Carolina the remaining 157 people were sold into slavery. At the time, the sale would have returned nearly $33,000. He would return home to this mansion on money profited from human suffering, a story as American as apple pie. In 1871, the Eddy Homestead was sold to Charles R. Cutler, a ship master and whaler who had many successful voyages to the Indian Ocean before working in the manufacturing of cotton cordage. The three-story, five-bay Federal style mansion of brick features a Victorian-era porch, but retains its Palladian window with blind fan and lights over the entry and belvedere at the roof. Once painted, the brick is now slowly being re-exposed, a great sight to see.
This unique brick house at 12 Otis Place in Beacon Hill was built in 1883 by the architect, Carl Fehmer for attorney Glendower Evans and his wife, Elizabeth Gardiner. Mr. Evans died in 1886 of Hodgkin’s Disease at just 30 years of age. His widow, Elizabeth Glendower Evans (1856-1937) was greatly influenced by her husband during their brief marriage, even taking her husband’s first name as her middle name after his death. Elizabeth Glendower Evans became a prominent social activist, studying child labor conditions in the South and took up the cause of women’s suffrage and the associated problems of tenements and factory work arising from disenfranchisement in the late 19th and early 20th centuries. In 1915 Evans served as a delegate to the International Congress of Women at the Hague. She was the first National Organizer of the Woman’s Peace Party. From 1920 until 1937 she served as a national director of the American Civil Liberties Union. In the 1910s, Elizabeth sold the home to Edward Albert Filene (1860-1937), who, together with his younger brother Abraham Lincoln Filene, reorganized his father’s department store into “William Filene’s Sons Company”, which would later becomeFilene’s. He was a supporter of credit unions to help ordinary American workers to access loans at reasonable rates and allow workers to save their money so that when hard times hit, they were prepared.
These two near-identical townhouses at 1 & 2 Otis Place in Beacon Hill are significant architecturally and as they are bounded by four streets. The unique lots were created when Otis Place was laid out on made land in 1869 and were built the following year as an identical pair sharing a party wall and with their front facades facing south on Otis Place. The two residences were designed by the firm of Ware and Van Brunt, who blendedSecond Empire and Victorian Gothic styles with gothic arched windows, bracketed cornices, slate mansard roof, and later Colonial Revival porticos added in 1916 by architect, Frank A. Bourne. No. 1 Otis Place (right side with the oriel bay window) was first owned by Henry G. Pickering, a dealer in engines and machinery at the height of New England’s industrial revolution. No. 2 Otis Place (left with later fanlight entry), was originally owned by Robert E. Apthorp, an attorney and realtor, who decades earlier, was an active member of the Boston Vigilance Committee, the group established to harbor and assist fugitives from slavery after the passage of the Fugitive Slave Act in September 1850.
This charming house on Broad Street in Warren, Rhode Island, was built by 1783 for Rufus Barton and his wife, Prudence Cole. Rufus Barton and his family moved to New York and sold the property to Nathan Burr for $775 in 1797, who . Nathan Miller Burr sold the home to William Eastabrook two years later. Captain Eastabrook/Easterbrook had just returned from an illegal slave voyage on the “Betsey” to Africa that resulted in the enslavement of 79 Africans who were sold into slavery in Havana. He would go on to captain at least two more illegal voyages on the “Little Ann” (1806) and the “Hannah” (1807) from Bristol. These three voyages accounted for the death or enslavement of 229 people. The home has been lovingly restored by later owners, who removed the vinyl siding and replaced the cheap, vinyl windows with historically appropriate windows.
The only two-story temple-front Greek Revival style house in Warren, Rhode Island, the Judge Alfred Bosworth House on Federal Street, is believed to be the work of great architect Russell Warren. Alfred Bosworth (1812-1862) ran a law office in Warren and Providence and represented Warren in the General Assembly from 1839 until 1854 and then served as a justice on the Rhode Island Supreme Court. Bosworth was of counsel for Rhode Island in suits growing out of the boundary question between Rhode Island and Massachusetts, specifically around Fall River. Judge Bosworth died at home in 1862 and his widow, Anne, lived here afterwards. At the end of the century the Bosworth House was converted to an ice cream parlor, named Maxfield’s, which became a very popular attraction in town. The company, owned by Nathaniel and Julia Maxfield, attracted throngs of local residents every summer who would eat ice cream on the front yard of the house. Maxfield’s was even frequented by Providence writer, H. P. Lovecraft, when he was a young man. During the mid-1900s, the house served as a nursing home until 1988, when owners restored the house back to a residence and removed the asphalt siding that was added to the exterior around the time of the Great Depression.
This stunning Greek Revival house on Lyndon Street in Warren, Rhode Island, was according to historians, built around the turn of the 19th century as a cooper shop! A cooper as a professional, would make wooden barrels, tubs, and casks from wooden staves, which were all made in this building before it was converted and renovated around 1830 in the Greek Revival style for Deacon John J. Bickner, who was likely affiliated with the Episcopal Church across the street, which was designed by architect, Russell Warren. Due to the connection, it is possible that the renovation for Bickner was undertaken by Russell Warren as well. On its facade, the house has two-story applied pilasters which break up the bays and smooth flushboard siding which makes the house even more stately!
One of four seafaring brothers who lived in Warren, Rhode Island, this charming cottage was built after Captain James Barton purchased a house lot at the northwest corner of Liberty and Union streets in 1841, likely building the home within a year. Captain James Barton (1790-1877) commanded a two-and-a-half year long whaling voyage to the Indian Ocean and undertook three subsequent trips to the Pacific. Upon retiring from the sea in 1867, Captain Barton established the Warren Gazette, where he worked as both owner and publisher. Before his time as a sea captain, James Barton had experience working in a printing office in Providence. Upon the Captain’s death in 1877, his wife Mary, continued to reside here with their daughter Nora B. Easterbrooks and her husband. Built as a modest Greek Revival style cottage for Barton’s wife while he was away at sea, the residence features a touch of the romantic Gothic Revival style in its window trim and the stable behind.
Buildings of New England 