The South Lancaster Engine House is located in the village of South Lancaster, Massachusetts, and is one of the town’s three remaining historic fire stations and the oldest that remains in use by the local fire department. At the Town Meeting of June 18, 1887, it was decided that $3, 500 would be expended to build a station for the Fire Department in South Lancaster. Construction began in 1887, and was completed in March of 1888 from plans by architect, C.A. Woodruff. The station housed horse-drawn wagons, including one sleigh, and featured a bell in the belfry to call attention to the public. The station appears much like it did when built in 1888, besides the bright white paint color and the modification of the engine doors for the new, larger fire trucks.
Thomas Jones of Lancaster married Mary Tweed of Lunenburg, Massachusetts, in June 1834 and immediately began building this house on Main Street in Lancaster for his new family. The Greek Revival style house is a refined example of brick with six-over-six sash double-hung windows and a Classical entry portico supported by Doric columns. The house was later owned by Sewell T. Rugg (1821-1892), a blacksmith who had a shop nearby.
The oldest residence in the North Village of Lancaster, Massachusetts, the John Bennett House dates to 1717 and evokes the old Colonial days of New England towns. John Bennett settled in Lancaster and built this large First Period house for his family and operated it as a tavern to weary travellers passing through town along the main turnpike. After Bennett’s death, local legend identifies that the property was a stopping place on the Underground Railroad for runaway slaves escaping to Canada. This, however, has never been substantiated. From 1872 to 1874, the house was occupied by the first Adventist missionary, John Nevins Andrews, co-founder of the Seventh-day Adventist Church. The house is well-preserved and remains as one of the oldest in Lancaster and an important landmark of the early days of the community.
John Eliot Thayer (1862–1933) was an amateur ornithologist and member of the wealthy Thayer Family in Lancaster, Massachusetts. Due to his family’s business dealings, John Thayer was able to turn his passion, studying birds, into one of the largest collections of stuffed birds, eggs and nests for professionals all over the country to study. John began collecting and housed his collections were in several wooden buildings close to his home in Lancaster, but when these became unsafe and crowded he built this beautiful brick building in 1903 in South Lancaster opening it to the public as a museum a year later. The Boston architectural firm of Winslow & Bigelowdesigned the Colonial Revival style building, with the Guastavino Fireproof Construction Company providing plans for interior spaces and likely engineering inside. Many of the leading ornithologists of the time visited the Thayer Museum and it was estimated that more than ten thousand visitors came to the museum in the first six years. In 1974, the building was sold to the now defunct Atlantic Union College and reopened as the Mabel Bartlett Art Gallery. Much of the Thayer collection was donated to the Museum of Comparative Zoology at Mr. Thayer’s alma mater, Harvard University. Since the Atlantic Union College closed in 2018, this important building has been closed, hopefully to see reuse in the eventual redevelopment of the campus.
Completed in 1884, Founder’s Hall is the oldest building on the campus of Atlantic Union College, a now defunct college in Lancaster, Massachusetts. The handsome Queen Anne style building was constructed for the school, originally known as South Lancaster Academy by Stephen N. Haskell, an elder of the Seventh-day Adventist (SDA) church. The building was designed by Worcester-based architects Barker & Nourse, and is the oldest educational SDA facility standing. The institution changed names, first to Lancaster Junior College, and then to Atlantic Union College, before the institution closed in 2018. The building and nearby campus buildings were sold in 2021, but the future is uncertain at this time.
This stately Federal period mansion in Lancaster, Massachusetts, was originally constructed as a Georgian, two-story, five-bay house for Levi Willard (1727-1775), the son of a major landholder and descendant of one of the earliest settlers in the town. The residence is said to have been built by Levi’s cousin, Aaron Willard around 1760. Sometime after Levi’s death in 1775, the property was acquired by William Stedman (1765-1831), a notable attorney who served as town clerk of Lancaster 1795-1800, later becoming a member of the Massachusetts House of Representatives from 1802-1810. It was during Representative Stedman’s ownership that the house was remodelled into the fashionable Federal style appearance we see today, with the third floor added with shallow hip roof and classical entrance with pilasters and fanlight. In the mid-19th century, the house was operated as different boarding schools, though more information is needed. Today, the residence has been preserved and maintained as a single-family home, contributing to the charming Lancaster Center Village.
Built in 1881, the Swedenborgian Church of the New Jerusalem in Lancaster, Massachusetts, is a handsome Victorian-era chapel that has been well-preserved for nearly 150 years. The Queen Anne/Shingle style church was designed by architect Francis Ward Chandler of the firm, Cabot & Chandler, for the local Swedenborgians in Lancaster, some of which likely spent summers in Lancaster from Boston. The membership of the church dwindled in the early 20th century, and the congregation sold the church to a local women’s social group, the Current Topics Club in 1923. The women’s club met in the old church and maintained the building for nearly a century until the building sold to private owners in about 2007, who converted it to a residence, preserving the unique architecture we still see today.
In 1802, Kingston-based merchants and landowners Benjamin Delano and brother-in-law Peter Winsor built this stone wharf and warehouse at Rocky Nook, a small peninsula at the end of the Jones River where it meets Plymouth Bay. The Rocky Nook had several warehouses in the early 1800’s which were used to hold cargo for the busy Kingston vessels that carried passengers and goods all down the eastern seaboard for transit, with larger vessels sent to the West Indies for trade. Benjamin Delano and his son Joshua either owned or partly owned 37 vessels between 1803 and 1882 and were a wealthy family that built their fortune on shipbuilding and trade. The warehouse, built at the end of the wharf was used to store goods and also served as a ship chandlery, a store selling goods needed for newly outfitted ships that were berthed up the Jones River. A combination of the coming of the railroad and the need for faster and bigger vessels caused the decline of the shipping business in Kingston in the late 19th century with the shipbuilding industry largely evaporating by the 20th century. The Delano warehouse at the end of the wharf has since been converted to a private residence yet retains its unique character and siting with arguably the best view in town.
The Major John Bradford Homestead (also known as the Bradford House) is a stellar and well-preserved example of a First Period house in Kingston, Massachusetts. The house was reportedly built by Major William Bradford (1624-1704), the son of Governor William Bradford who arrived to Plymouth via the Mayflower in 1620 and served as Governor of the Plymouth Colony between 1621 and 1657, purportedly built the west (left) half of the house in 1674 for his eldest son John Bradford and his bride, Mercy Warren. John Bradford (1653-1736) served as selectman, a deputy from Plymouth, and as a representative in the Boston General Court, who in 1717, led in the establishment of Kingston as a new town by donating land for the meeting house, school house, burial ground, training green, and minister’s house. In around 1715, John Bradford expanded this house which was not sufficient to house his wife and seven children. After centuries, the house began to show its age, and in 1921, coinciding with the tercentenary of the Pilgrims arriving to Plymouth, the Bradford House was thoroughly documented and restored by Frank Chouteau Brown and George Francis Dow. Since 1921, the property (including a historic barn moved here from a nearby site) has been owned and preserved by the Jones River Village Historical Society, who operate the property as house museum.
Built on the banks of the Jones River in Kingston, Massachusetts, this large residence is said to date to 1772 and was the home to a prominent ship-building family as well as to hundreds of destitute residents of the community who lived and worked here as the town’s poor house. Land (and possibly an earlier house) was acquired in 1772 by Zenas Drew (1735-1822), the son of Cornelius Drew, a wealthy shipbuilder who employed his many sons to work in the same industry, and the existing house was constructed for his family. From the house, numerous shipyards would be seen with large brigs travelling down the Jones River into Plymouth Bay and the Atlantic. After Zenas Drew’s death in 1822, the Town of Kingston acquired the property for use as the town’s almshouse or poorhouse, and likely expanded the property to its current Federal style configuration. Throughout the 19th and early 20th centuries, almshouses were a reality for society’s most vulnerable people, where these locally run institutions provided living and working conditions in a time before Social Security, Medicaid and Section 8 housing became a reality. These facilities were designed to punish people for their poverty and, hypothetically, make being poor so horrible that people would continue to work at all costs. Being poor began to carry an intense social stigma, and increasingly, poorhouses were placed outside of public view, as was the case here in Kingston outside of the town center at the banks of the river. By the 1920s and 1930s, these institutions began to close, with Kingston’s closing in 1923. The property was sold to a private owner, and has remained as a single-family residence ever since.
The William Sever House is an architecturally and historically significant residence in the town center of Kingston, Massachusetts. A prosperous merchant, owner of ships involved in coastal and international trade and member of the colony’s House of Representatives, William Sever (1729-1809) was prepared to erect a home of appropriate status when he married his cousin, Sarah Warren, in 1755. Sever joined his father Nicholas Sever’s commercial shipping business after graduating from Harvard College in 1745 and in 1754, was elected to the Massachusetts Bay Colony’s House of Representatives. In 1769, Squire Sever was elected to the Governor’s Council, a position he held until 1774 when he joined the Provincial Congress. Due to his experience and seniority, Sever was appointed to head the Congress and was declared “President of Massachusetts” and endowed with the governor’s executive powers. After his death in 1809, the house remained in the Sever family for generations, including as a summer residence for James W. Sever, the namesake of Sever Hall at Harvard University. The residence is well-preserved and showcases the telescoping nature of some of these early Colonial-era properties, with the main house adjoined by a barn and carriage house and diminutive ells and was thoroughly documented in the 1930s through the Historic American Buildings Survey, with detailed drawings, plans, and photographs of the exterior and interior spaces.
Tucked away behind the 1898 Adams Library in Kingston, Massachusetts, this shingled building has important significance to the community and is about to celebrate its 100th birthday. The Reed Community House began in 1926, when Edgar Reed (1852-1930), donated funds to the town for the construction of a community house to be built adjacent to a public playground site behind the town’s library. Edgar was a descendant of Jesse Reed, a successful Kingston inventor and tack-maker. Jesse Reed had worked in Maiden prior to coming to Kingston where he invented a ship-steering device, a luggage winch, freeze-proof water pumps, and other improvements for looms and weaving methods. The Reed family was one of several Kingston families that had relocated to Worcester, but kept close ties to their hometown. The Reed Community House was designed by Sidney Lincoln Rhodes of Worcester in the Colonial Revival style. The best part of the building is the north elevation, facing the playgrounds as the two-story portico looks over the fields. During the 1930s, the community house was used for a nursery school holding between 48 to 60 preschoolers. The Red Cross also used the building during World War II for some of its programs including first aid classes. The building continues to be an important community facility to the present day and is the home to the Kingston Recreation Department.
Built in 1898 in the heart of Kingston’s village center, the Frederic C. Adams Library was designed by renowned architect Joseph Everett Chandler and is one of the finest Colonial Revival style libraries in New England. Chandler, famed for his dedication to historic forms, created a one-and-a-half-story masonry gem, complete with a gabled roof, dentilled cornice, and a grand four-column Corinthian portico at the entry. The building’s story began with a bequest from Frederic C. Adams, a Kingston native whose $5,000 gift in 1874 helped break ground on a dedicated library. Its elegant Colonial Revival look recessed panel windows, stone keystones, and symbolic half-round arches, echoes America’s early architectural traditions with a refined late‑19th‑century flourish. The library was eventually outgrown, and relocated across the street, to a contemporary building. After an award‑winning restoration, the building reopened in 2012 as the Adams Center, now housing Kingston’s Local History Collections in a climate‑controlled room and hosting community events upstairs. The Contemporary addition, paired with the restoration work all by Spencer Preservation Group, blends old with new in a pleasing way.